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Internship, fellowship, and volunteer opportunities provide students and lifelong learners with the ability to contribute to the study and preservation of visual arts records in America.
In recent decades, artists have become increasingly interested in archives both as inspiration and as an artistic medium. Accumulating and sorting—the same impulses that drive the creation of an archive—feed the process of making assemblages and collages. Conceptual and performance art continue to blur the line between art and documentation. And more recently, many artists draw on the archive to revisit and reenact earlier works. This symposium considered how archives not only trace the creative process, but also become part of that process and even of the work itself.
A panel of artists and scholars explored the ways contemporary artists incorporate archives into their work. Invited speakers include artists George Herms, Suzanne Lacy, and Mario Garcia Torres, and scholar Sven Spieker.
Artists & Archives was presented in conjunction with Greetings from L.A.: Artists and Publics, 1950–1980—a Pacific Standard Time exhibition rooted in the archival holdings of Getty Research Institute's Special Collections.
This symposium was organized by the Getty Research Institute in partnership with the Smithsonian Institution's Archives of American Art.
Questions? Email AAAsymposium@si.edu
Internship, fellowship, and volunteer opportunities provide students and lifelong learners with the ability to contribute to the study and preservation of visual arts records in America.
The Archives of American Art’s exhibition space is located two blocks away from our D.C. Research Center in the Donald W. Reynolds Center for American Art and Portraiture (8th and F Streets NW).
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Hours: Open daily 11:30 a.m.–7:00 p.m.
Admission: Free
A virtual repository of a substantial cross-section of the Archives' most significant collections.