Publications Using Material from the Archives of American Art

Partial list updated May 11, 2018

Book cover of "Bulldozer: Demolition and Clearance of the Postwar Landscape" by Francesca Russello Ammon

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Ammon, Francesca Russello. Bulldozer: Demolition and Clearance of the Postwar Landscape. New Haven, CT: Yale University Press, 2016.
Image(s) from: Robert Smithson and Nancy Holt papers 

Arteaga, Agustín, ed. México 1900-1950: Diego Rivera, Frida Kahlo, José Clemente Orozco and the Avant-Garde. Dallas: Dallas Museum of Art, 2017.
Image(s) from: Jackson Pollock and Lee Krasner papers

Barter, Judith. The World of William Glackens, Volume II. Fort Lauderdale, FL: Sansom Foundation, 2017.
Image(s) from: Rockwell Kent papers and Thomas Eakins letters

Book cover of "Mexico 1900-1950: Diego Rivera, Frida Kahlo, Jose Clemente Orozco and the Avant-Garde" by Agustin Arteaga

Biernoff, Suzannah. Portraits of Violence: War and the Aesthetics of Disfigurement. Ann Arbor: University of Michigan Press, 2017.
Image(s) from: Anna Coleman Ladd papers 

Bryant, Julius, and Susan Weber. John Lockwood Kipling: Arts and Crafts in the Punjab and London. New York: Bard Graduate Center Gallery, 2018.
Image(s) from: Lockwood de Forest papers 

Chambers, Nicholas, and Richard Meyer. Adman: Warhol Before Pop. Sydney: Art Gallery of New South Wales, 2017.
Image(s) from: Philip Pearlstein papers 

Cherny, Robert W. Victor Arnautoff and the Politics of Art. Urbana: University of Illinois Press, 2017.
Image(s) from: Victor Mikhail Arnautoff papers

Book cover of "Georgia O'Keeffe: Living Modern" by Wanda Corn

Corn, Wanda M. Georgia O'Keeffe: Living Modern. Brooklyn: Brooklyn Museum, 2017.
Image(s) from: Arnold Rönnebeck and Louise Emerson Rönnebeck papers

DeLong, Lea Rosson. The Samstag Legacy: An Artist’s Bequest. Adelaide: University of South Australia, 2017.
Image(s) from: Allied Artists of America records; Audubon Artists records; Samuel Brecher papers; William de Leftwich Dodge and Sara Dodge Kimbrough papers; Ferargil Galleries records; Frank K.M. Rehn Galleries records; Mamie Harmon papers relating to Kimon Nicolaides; Lewis Iselin papers; Louis Comfort Tiffany Foundation records; Philip Martiny papers; Midtown Galleries records; Milch Gallery records; Section of Fine Arts selected records; Salmagundi Club records; Harry Sternberg papers; and Charles Webster and Marion Campbell Hawthorne papers
Oral history interview(s): Luigi Lucioni

DeLue, Rachael Z. Arthur Dove: Always Connect. Chicago: University of Chicago Press, 2016.
Image(s) from: Arthur and Helen Torr Dove papers; Elizabeth McCausland papers; and Suzanne Mullett Smith papers
Oral history interview(s): Lee Krasner

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Dickerman, Leah, et al. Robert Rauschenberg. New York: The Museum of Modern Art, 2016.
Image(s) from: Leo Castelli Gallery records

Doss, Erika. American Art of the 20th-21st Centuries. New York: Oxford University Press, 2017.
Image(s) from: Chaim Gross papers and Ad Reinhardt papers 

Doyle, Oona, and Paul B. Franklin, eds. Minimal Art from the Marzona Collection. London: Galerie Thaddaeus Ropac, 2017.
Image(s) from: Dwan Gallery (Los Angeles, California and New York, New York) records

Duncan, Michael. Peter Krasnow: Maverick Modernist. Laguna Beach, CA: Laguna Art Museum, 2016.

Book cover of "Impressionism: American Gardens on Canvas" by Linda Ferber

Emmerling, Leonhard. Jackson Pollock, 1912-1956: At the Limit of Painting. Cologne: Taschen, 2016.
Image(s) from: Jackson Pollock and Lee Krasner papers 

Ferber, Linda S. Impressionism: American Gardens on Canvas. Bronx: The New York Botanical Garden, 2016.
Image(s) from: Edmund W. Greacen papers 

Floré, Fredie, and Cammie Dale McAtee. The Politics of Furniture: Identity, Diplomacy and Persuasion in Post-war Interiors. New York: Routledge, 2017.
Image(s) from: Florence Knoll Bassett papers

Ghelerter, Donna, et al. Marguerita Mergentime: American Textiles, Modern Ideas. New York: West Madison Press, 2017.
Image(s) from: Dorothy Liebes papers

Book cover of "John White Alexander: An American Artist in the Gilded Age" by Mary Anne Goley

Goley, Mary Anne. John White Alexander: An American Artist in the Gilded Age. New York: Philip Wilson Publishers, 2018.
Image(s) from: John White Alexander papers

Goodin, Alexix, and Kathleen M. Morris. Orchestrating Elegance: Alma-Tadema and the Marquand Music Room. New Haven, CT: Yale University Press, 2017.
Image(s) from: Charles Scribner’s Sons Art Reference Dept. records

Greenburger, Francis, and Rebecca Paley. Risk Game: Self Portrait of an Entrepreneur. Dallas: BenBella Books, 2016.
Image(s) from: André Emmerich Gallery records and André Emmerich papers 

Book cover of "Grant Wood: American Gothic and Other Fables" by Barbara Haskell

Haskell, Barbara. Grant Wood: American Gothic and Other Fables. New York: Whitney Museum of American Art, 2018.
Image(s) from: Grant Wood collection 

Herdrich, Stephanie L. Sargent: Obras Maestras. Madrid: Ediciones El Viso, 2018.
Image(s) from: Miscellaneous photographs collection and Photographs of artists in their Paris studios

Hudson, Suzanne P. Agnes Martin: Night Sea. London: Afterall Books, 2016.
Image(s) from: Betty Parsons Gallery records and personal papers; Dwan Gallery (Los Angeles, California and New York, New York) records; and Samuel Wagstaff papers
Oral history interview(s): Agnes Martin; Mary Fuller McChesney; and Lenore Tawney

Hull, Roger. Louis Bunce: Dialogue with Modernism. Seattle: University of Washington Press, 2017.
Image(s) from: Louis Bunce papers 

Ivinski, Pamela A., et al. Mary Cassatt Retrospective. Tokyo: NHK/NHK Promotions, 2016.
Image(s) from: Frederick A. Sweet research material on Mary Cassatt and James A. McNeill Whistler 

Book cover of "The Hope of Another Spring: Takuichi Fujii, Artist and Wartime Witness" by Barbara Johns

Johns, Barbara, et al. The Hope of Another Spring: Takuichi Fujii, Artist and Wartime Witness. Seattle: University of Washington Press, 2017.
Image(s) from: Kamekichi Tokita papers

Kandel, Eric R. Reductionism in Art and Brain Science: Bridging the Two Cultures. New York: Columbia University Press, 2016.
Image(s) from: Miscellaneous photographs collection

Kaplan, Wendy. Design in California and Mexico, 1915-1985: Found in Translation. Munich: Prestel, 2017.
Image(s) from: Arline M. Fisch papers; Esther McCoy papers; Rose Slivka papers; and Stendahl Art Galleries records
Oral history interview(s): James Bassler; Gronk [Glugio Gronk Nicandro] ; and Esther McCoy

Krčma, Ed. Rauschenberg/Dante: Drawing a Modern Inferno. New Haven, CT: Yale University Press, 2017.
Image(s) from: Leo Castelli Gallery records
Oral history interview(s): Robert Rauschenberg

Lammin, Kimberly. Addressing the Other Woman: Textual Correspondences in Feminist Art and Writing. New York: Oxford University Press, 2017.
Image(s) from: Lucy R. Lippard papers

Book cover of "Of Dogs and Other People: The Art of Roy De Forest" by Susan Landauer and Michael Duncan

Landauer, Susan, and Michael Duncan. Of Dogs and Other People: the Art of Roy De Forest. Oakland: University of California Press, 2017.
Image(s) from: Roy De Forest papers; Sonia Gechtoff papers; Hassel Smith papers; Galerie Darthea Speyer records; and Ruth Wall letters and printed material
Oral history interview(s): Roy De Forest

Loe, Hikmet Sidney. The Spiral Jetty Encyclo: Exploring Robert Smithson’s Earthwork Through Time and Place. Salt Lake City: The University of Utah Press, 2017.
Image(s) from: Dwan Gallery (Los Angeles, California and New York, New York) records; and Robert Smithson and Nancy Holt papers
Oral history interview(s): Robert Smithson

Longwell, Alicia Grant, et al. John Graham: Maverick Modernist. Water Mill, NY: Parrish Art Museum, 2017.
Image(s) from: Alexander Brook papers; Dorothy Dehner papers; John D. Graham papers; The Phillips Collection records; Public Works of Art Project selected administrative and business records; and Stable Gallery records
Oral history interview(s): Leo Castelli and Stuart Davis

Marter, Joan M., and Gwen Finkel Chanzit. Women of Abstract Expressionism. Denver: Denver Art Museum, 2016.
Image(s) from: Ruth Armer papers; Anne Ryan papers; Clay Spohn papers; Stable Gallery records; and Alma Thomas papers
Oral history interview(s): Ruth Armer ; Jay DeFeo ; Claire Falkenstein ; Grace Hartigan ; Joan Mitchell ; and
Deborah Remington

Martin, Henry. Agnes Martin: Pioneer, Painter, Icon. Tucson, AZ: Schaffner, 2018.
Image(s) from: Betty Parsons Gallery records and personal papers and Samuel Wagstaff papers
Oral history interview(s): Chryssa [Vardea-Mavromichali] ; Stanley Landsman ;  Agnes Martin;  Mary Fuller McChesney; Betty Parsons ; Pat Steir ; and Lenore Tawney

Book cover of "Prometheus 2017: Four Artists from Mexico Revisit Orozco" by Rebecca McGrew et al.

McGrew, Rebecca, et al. Prometheus 2017: Four Artists from Mexico Revisit Orozco. Los Angeles: Getty Publications, 2017.
Image(s) from: Enrique Riverón papers

Milroy, Sarah. Vanessa Bell. London: Philip Wilson Publishers, 2017.
Image(s) from: Photographs of artists in their Paris studios

Mnuchin, Robert, et al. Robert Mangold: A Survey 1965-2003. New York: Mnuchin Gallery, 2017.
Image(s) from: Fischbach Gallery records

Ordovas, Pilar, ed. Artists and Lovers. London: Ordovas, 2016.
Image(s) from: Jackson Pollock and Lee Krasner papers

Pardue, Diana F., and Norman L. Sandfield. Awa Tsireh: Pueblo Painter and Metalsmith. Phoenix: Heard Museum, 2017.
Image(s) from: William Penhallow Henderson papers

Book cover of "Gertrude Vanderbilt Whitney: Sculpture" by Ellen Roberts

Rejante-Manahan, Liliane, and Cid Reyes. Alfonso Ossorio: Grazing Light. Manila: León Gallery, 2017.
Image(s) from: Alfonso Ossorio papers 

Roberts, Ellen E. Gertrude Vanderbilt Whitney: Sculpture. West Palm Beach, FL: Norton Museum of Art, 2018.
Image(s) from: Gertrude Vanderbilt Whitney papers

Schöne, Dorothea. Freie Künstler in einer freien Stadt: Die amerikanische Förderung der Berliner Nachkriegsmoderne. Berlin: De Gruyter, 2016.
Image(s) from: American Federation of Arts records

Seaman, Donna. Identity Unknown: Rediscovering Seven American Women Artists. New York: Bloomsbury USA, 2017.
Image(s) from: Gertrude Abercrombie papers; Lois Mailou Jones scrapbooks; Louise Nevelson papers; and Alma Thomas papers
Oral history interview(s): Don Baum ; Manuel Neri ; and Lenore Tawney

Soutif, Daniel. The Color Line: les Artistes Africains-Américains et la Ségrégation 1865-2016. Paris: Musée du Quai Branly - Jacques Chirac, 2016.
Image(s) from: Romare Bearden papers and Horace Pippin notebooks and letters

Spinozzi, Adrienne, et al. Carl Walters and Woodstock Ceramic Arts. New Paltz, NY: Samuel Dorsky Museum of Art, 2017.
Image(s) from: Carl Walters papers

Book cover of "Carl Walters and Woodstock Ceramic Arts" by Adrienne Spinozzi et al

Sullivan, Edward J. Making the Americas Modern: Hemispheric Art, 1910-1960. London: Laurence King Publishing, 2018.
Image(s) from: Federal Art Project, Photographic Division collection

Tóibín, Colm, et al. Henry James and American Painting. University Park: The Pennsylvania State University Press.
Image(s) from: Frank and Elizabeth Boott Duveneck papers

Vischer, Theodora. Alexander Calder & Fischli/Weiss. Ostfildern, Germany: Hatje Cantz Verlag, 2016.
Image(s) from: Agnes Rindge Claflin papers concerning Alexander Calder

Winograd, Abigail, and Farrar Fitzgerald. Betty Parsons: Invisible Presence. New York: Alexander Gray Associates, 2017.
Image(s) from: Betty Parsons Gallery records and personal papers

Wouters, Gina, et al. Robert Winthrop Chanler: Discovering the Fantastic. Miami: Vizcaya Museum and Gardens, 2016.
Image(s) from: Louis Bouché papers; Robert Winthrop Chanler scrapbook; Walt Kuhn, Kuhn family papers, and Armory Show records; Elmer Livingston MacRae papers related to the Association of American Painters and Sculptors; Walter Pach papers; and Research material on Gertrude Vanderbilt Whitney
Oral history interview(s): Louis Bouché

Book cover of "Subversion and Surrealism in the Art of Honore Sharrer" by Adam Desmond Zagorin

Zagorin, Adam Desmond. Subversion and Surrealism in the Art of Honoré Sharrer. New Haven, CT: Yale University Press, 2017.
Image(s) from: Honoré Sharrer papers
Oral history interview(s): Perez Zagorin