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Ammon, Francesca Russello. Bulldozer: Demolition and Clearance of the Postwar Landscape. New Haven, CT: Yale University Press, 2016.
Image(s) from: Robert Smithson and Nancy Holt papers
Arteaga, Agustín, ed. México 1900-1950: Diego Rivera, Frida Kahlo, José Clemente Orozco and the Avant-Garde. Dallas: Dallas Museum of Art, 2017.
Image(s) from: Jackson Pollock and Lee Krasner papers
Barter, Judith. The World of William Glackens, Volume II. Fort Lauderdale, FL: Sansom Foundation, 2017.
Image(s) from: Rockwell Kent papers and Thomas Eakins letters
Biernoff, Suzannah. Portraits of Violence: War and the Aesthetics of Disfigurement. Ann Arbor: University of Michigan Press, 2017.
Image(s) from: Anna Coleman Ladd papers
Bryant, Julius, and Susan Weber. John Lockwood Kipling: Arts and Crafts in the Punjab and London. New York: Bard Graduate Center Gallery, 2018.
Image(s) from: Lockwood de Forest papers
Chambers, Nicholas, and Richard Meyer. Adman: Warhol Before Pop. Sydney: Art Gallery of New South Wales, 2017.
Image(s) from: Philip Pearlstein papers
Cherny, Robert W. Victor Arnautoff and the Politics of Art. Urbana: University of Illinois Press, 2017.
Image(s) from: Victor Mikhail Arnautoff papers
Corn, Wanda M. Georgia O'Keeffe: Living Modern. Brooklyn: Brooklyn Museum, 2017.
Image(s) from: Arnold Rönnebeck and Louise Emerson Rönnebeck papers
DeLong, Lea Rosson. The Samstag Legacy: An Artist’s Bequest. Adelaide: University of South Australia, 2017.
Image(s) from: Allied Artists of America records; Audubon Artists records; Samuel Brecher papers; William de Leftwich Dodge and Sara Dodge Kimbrough papers; Ferargil Galleries records; Frank K.M. Rehn Galleries records; Mamie Harmon papers relating to Kimon Nicolaides; Lewis Iselin papers; Louis Comfort Tiffany Foundation records; Philip Martiny papers; Midtown Galleries records; Milch Gallery records; Section of Fine Arts selected records; Salmagundi Club records; Harry Sternberg papers; and Charles Webster and Marion Campbell Hawthorne papers
Oral history interview(s): Luigi Lucioni
DeLue, Rachael Z. Arthur Dove: Always Connect. Chicago: University of Chicago Press, 2016.
Image(s) from: Arthur and Helen Torr Dove papers; Elizabeth McCausland papers; and Suzanne Mullett Smith papers
Oral history interview(s): Lee Krasner
Dickerman, Leah, et al. Robert Rauschenberg. New York: The Museum of Modern Art, 2016.
Image(s) from: Leo Castelli Gallery records
Doss, Erika. American Art of the 20th-21st Centuries. New York: Oxford University Press, 2017.
Image(s) from: Chaim Gross papers and Ad Reinhardt papers
Doyle, Oona, and Paul B. Franklin, eds. Minimal Art from the Marzona Collection. London: Galerie Thaddaeus Ropac, 2017.
Image(s) from: Dwan Gallery (Los Angeles, California and New York, New York) records
Duncan, Michael. Peter Krasnow: Maverick Modernist. Laguna Beach, CA: Laguna Art Museum, 2016.
Emmerling, Leonhard. Jackson Pollock, 1912-1956: At the Limit of Painting. Cologne: Taschen, 2016.
Image(s) from: Jackson Pollock and Lee Krasner papers
Ferber, Linda S. Impressionism: American Gardens on Canvas. Bronx: The New York Botanical Garden, 2016.
Image(s) from: Edmund W. Greacen papers
Floré, Fredie, and Cammie Dale McAtee. The Politics of Furniture: Identity, Diplomacy and Persuasion in Post-war Interiors. New York: Routledge, 2017.
Image(s) from: Florence Knoll Bassett papers
Ghelerter, Donna, et al. Marguerita Mergentime: American Textiles, Modern Ideas. New York: West Madison Press, 2017.
Image(s) from: Dorothy Liebes papers
Goley, Mary Anne. John White Alexander: An American Artist in the Gilded Age. New York: Philip Wilson Publishers, 2018.
Image(s) from: John White Alexander papers
Goodin, Alexix, and Kathleen M. Morris. Orchestrating Elegance: Alma-Tadema and the Marquand Music Room. New Haven, CT: Yale University Press, 2017.
Image(s) from: Charles Scribner’s Sons Art Reference Dept. records
Greenburger, Francis, and Rebecca Paley. Risk Game: Self Portrait of an Entrepreneur. Dallas: BenBella Books, 2016.
Image(s) from: André Emmerich Gallery records and André Emmerich papers
Haskell, Barbara. Grant Wood: American Gothic and Other Fables. New York: Whitney Museum of American Art, 2018.
Image(s) from: Grant Wood collection
Herdrich, Stephanie L. Sargent: Obras Maestras. Madrid: Ediciones El Viso, 2018.
Image(s) from: Miscellaneous photographs collection and Photographs of artists in their Paris studios
Hudson, Suzanne P. Agnes Martin: Night Sea. London: Afterall Books, 2016.
Image(s) from: Betty Parsons Gallery records and personal papers; Dwan Gallery (Los Angeles, California and New York, New York) records; and Samuel Wagstaff papers
Oral history interview(s): Agnes Martin; Mary Fuller McChesney; and Lenore Tawney
Hull, Roger. Louis Bunce: Dialogue with Modernism. Seattle: University of Washington Press, 2017.
Image(s) from: Louis Bunce papers
Ivinski, Pamela A., et al. Mary Cassatt Retrospective. Tokyo: NHK/NHK Promotions, 2016.
Image(s) from: Frederick A. Sweet research material on Mary Cassatt and James A. McNeill Whistler
Johns, Barbara, et al. The Hope of Another Spring: Takuichi Fujii, Artist and Wartime Witness. Seattle: University of Washington Press, 2017.
Image(s) from: Kamekichi Tokita papers
Kandel, Eric R. Reductionism in Art and Brain Science: Bridging the Two Cultures. New York: Columbia University Press, 2016.
Image(s) from: Miscellaneous photographs collection
Kaplan, Wendy. Design in California and Mexico, 1915-1985: Found in Translation. Munich: Prestel, 2017.
Image(s) from: Arline M. Fisch papers; Esther McCoy papers; Rose Slivka papers; and Stendahl Art Galleries records
Oral history interview(s): James Bassler; Gronk [Glugio Gronk Nicandro] ; and Esther McCoy
Krčma, Ed. Rauschenberg/Dante: Drawing a Modern Inferno. New Haven, CT: Yale University Press, 2017.
Image(s) from: Leo Castelli Gallery records
Oral history interview(s): Robert Rauschenberg
Lammin, Kimberly. Addressing the Other Woman: Textual Correspondences in Feminist Art and Writing. New York: Oxford University Press, 2017.
Image(s) from: Lucy R. Lippard papers
Landauer, Susan, and Michael Duncan. Of Dogs and Other People: the Art of Roy De Forest. Oakland: University of California Press, 2017.
Image(s) from: Roy De Forest papers; Sonia Gechtoff papers; Hassel Smith papers; Galerie Darthea Speyer records; and Ruth Wall letters and printed material
Oral history interview(s): Roy De Forest
Loe, Hikmet Sidney. The Spiral Jetty Encyclo: Exploring Robert Smithson’s Earthwork Through Time and Place. Salt Lake City: The University of Utah Press, 2017.
Image(s) from: Dwan Gallery (Los Angeles, California and New York, New York) records; and Robert Smithson and Nancy Holt papers
Oral history interview(s): Robert Smithson
Longwell, Alicia Grant, et al. John Graham: Maverick Modernist. Water Mill, NY: Parrish Art Museum, 2017.
Image(s) from: Alexander Brook papers; Dorothy Dehner papers; John D. Graham papers; The Phillips Collection records; Public Works of Art Project selected administrative and business records; and Stable Gallery records
Oral history interview(s): Leo Castelli and Stuart Davis
Marter, Joan M., and Gwen Finkel Chanzit. Women of Abstract Expressionism. Denver: Denver Art Museum, 2016.
Image(s) from: Ruth Armer papers; Anne Ryan papers; Clay Spohn papers; Stable Gallery records; and Alma Thomas papers
Oral history interview(s): Ruth Armer ; Jay DeFeo ; Claire Falkenstein ; Grace Hartigan ; Joan Mitchell ; and
Deborah Remington
Martin, Henry. Agnes Martin: Pioneer, Painter, Icon. Tucson, AZ: Schaffner, 2018.
Image(s) from: Betty Parsons Gallery records and personal papers and Samuel Wagstaff papers
Oral history interview(s): Chryssa [Vardea-Mavromichali] ; Stanley Landsman ; Agnes Martin; Mary Fuller McChesney; Betty Parsons ; Pat Steir ; and Lenore Tawney
McGrew, Rebecca, et al. Prometheus 2017: Four Artists from Mexico Revisit Orozco. Los Angeles: Getty Publications, 2017.
Image(s) from: Enrique Riverón papers
Milroy, Sarah. Vanessa Bell. London: Philip Wilson Publishers, 2017.
Image(s) from: Photographs of artists in their Paris studios
Mnuchin, Robert, et al. Robert Mangold: A Survey 1965-2003. New York: Mnuchin Gallery, 2017.
Image(s) from: Fischbach Gallery records
Ordovas, Pilar, ed. Artists and Lovers. London: Ordovas, 2016.
Image(s) from: Jackson Pollock and Lee Krasner papers
Pardue, Diana F., and Norman L. Sandfield. Awa Tsireh: Pueblo Painter and Metalsmith. Phoenix: Heard Museum, 2017.
Image(s) from: William Penhallow Henderson papers
Rejante-Manahan, Liliane, and Cid Reyes. Alfonso Ossorio: Grazing Light. Manila: León Gallery, 2017.
Image(s) from: Alfonso Ossorio papers
Roberts, Ellen E. Gertrude Vanderbilt Whitney: Sculpture. West Palm Beach, FL: Norton Museum of Art, 2018.
Image(s) from: Gertrude Vanderbilt Whitney papers
Schöne, Dorothea. Freie Künstler in einer freien Stadt: Die amerikanische Förderung der Berliner Nachkriegsmoderne. Berlin: De Gruyter, 2016.
Image(s) from: American Federation of Arts records
Seaman, Donna. Identity Unknown: Rediscovering Seven American Women Artists. New York: Bloomsbury USA, 2017.
Image(s) from: Gertrude Abercrombie papers; Lois Mailou Jones scrapbooks; Louise Nevelson papers; and Alma Thomas papers
Oral history interview(s): Don Baum ; Manuel Neri ; and Lenore Tawney
Soutif, Daniel. The Color Line: les Artistes Africains-Américains et la Ségrégation 1865-2016. Paris: Musée du Quai Branly - Jacques Chirac, 2016.
Image(s) from: Romare Bearden papers and Horace Pippin notebooks and letters
Spinozzi, Adrienne, et al. Carl Walters and Woodstock Ceramic Arts. New Paltz, NY: Samuel Dorsky Museum of Art, 2017.
Image(s) from: Carl Walters papers
Sullivan, Edward J. Making the Americas Modern: Hemispheric Art, 1910-1960. London: Laurence King Publishing, 2018.
Image(s) from: Federal Art Project, Photographic Division collection
Tóibín, Colm, et al. Henry James and American Painting. University Park: The Pennsylvania State University Press.
Image(s) from: Frank and Elizabeth Boott Duveneck papers
Vischer, Theodora. Alexander Calder & Fischli/Weiss. Ostfildern, Germany: Hatje Cantz Verlag, 2016.
Image(s) from: Agnes Rindge Claflin papers concerning Alexander Calder
Winograd, Abigail, and Farrar Fitzgerald. Betty Parsons: Invisible Presence. New York: Alexander Gray Associates, 2017.
Image(s) from: Betty Parsons Gallery records and personal papers
Wouters, Gina, et al. Robert Winthrop Chanler: Discovering the Fantastic. Miami: Vizcaya Museum and Gardens, 2016.
Image(s) from: Louis Bouché papers; Robert Winthrop Chanler scrapbook; Walt Kuhn, Kuhn family papers, and Armory Show records; Elmer Livingston MacRae papers related to the Association of American Painters and Sculptors; Walter Pach papers; and Research material on Gertrude Vanderbilt Whitney
Oral history interview(s): Louis Bouché
Zagorin, Adam Desmond. Subversion and Surrealism in the Art of Honoré Sharrer. New Haven, CT: Yale University Press, 2017.
Image(s) from: Honoré Sharrer papers
Oral history interview(s): Perez Zagorin
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