Get Involved
Internship, fellowship, and volunteer opportunities provide students and lifelong learners with the ability to contribute to the study and preservation of visual arts records in America.
Chapter Contents:
In assessing the pre-processed state of a collection, and the level of work required to process it, archivists may find it useful to assess the audiovisual material separately, as the work required by AV material may be different from the rest of the collection.
In the course of the Archives’ “Hidden Collections” project on AV processing, three factors emerged that affected the rate of processing for AV the most:
The following ratings system was developed to help processing archivists assess these three aspects of the pre-processed state of AV-rich collections, and to estimate resources needed to process AV portions of collections. The cases used as examples below are not meant to be exhaustive, but describe typical situations found in the Archives of American Art’s AV-rich collections to help archivists gauge what they encounter when beginning a processing project. For collections acquired after 2015, the AV survey will contain ratings for each of these three factors in the AV Survey.
If ratings in these three areas are low, the archivist could consider proposing a higher level of processing for the AV portion of the collection, and should plan to spend more time with it to ensure the arrangement and description of AV is useful to researchers. However, it’s important to realize that higher processing levels and more time spent on AV often does not result in slower processing rates overall. This is because the Archives tracks processing rates by linear foot, and AV material is bulky, so a linear foot of AV represents fewer individual items to process than a linear foot of paper records.
An assessment of the extent of re-housing work needed to process the AV material in a collection; includes housing of individual pieces of media, and the use of special collection containers for media that cannot be stored in regular collection boxes. For more information on re-housing, see Chapter 3: AV Re-housing and Storage.
An assessment of the quality of individual media labels and related paper documentation such as transcripts, inventories, logs, tear sheets, shot lists, etc., to determine how much playback of media will be required to describe media content. Note that media with cryptic or unreliable labels often require just as much effort, if not more, as unlabeled media.
An assessment of the complexity of the AV portion of a collection and the adequacy of its existing arrangement. The higher the complexity, or the worse the existing arrangement, the more analysis will be required during processing.
Typical complex AV portions include most production collections, containing raw footage and various edits and versions, or a large AV portion with few apparent groupings, where many individual recordings need to be analyzed before integrating with existing series or creating an AV series.
Typical simple AV portions are clear series of items, like episodes of a show, or interviews with identified subjects around a single topic or for a single project, or scattered items that are easily identified and integrated with existing series.
Next Chapter: Chapter 2: Levels of Processing
Internship, fellowship, and volunteer opportunities provide students and lifelong learners with the ability to contribute to the study and preservation of visual arts records in America.
A virtual repository of a substantial cross-section of the Archives' most significant collections.