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Yasushi Tanaka letters to Frederic C. Torrey, 1913-1924

Tanaka, Yasushi, 1886-1941

Art teacher, Painter


Collection Information

Size: 35 Items, (partially microfilmed on 1 reel)

Summary: Letters from Tanaka to Torrey concern the contemporary art world, his paintings, exhibitions, and fellow artists both in Seattle and Paris, notably muralist John Davidson Butler. Tanaka writes of his marriage to Louise Gebhard Cann, his struggle with the Occidental ideals in Seattle art circles, concern for his mother and brothers in Tokyo, his emigration to Paris and its state after World War I, and the success of his one-man show at the Galerie de Marsan 1924, of which he writes "...I succeeded at last in ... verifying my fame as one of the ablest contemporary painters here in Paris...". Also included are a few letters from Cann to Torrey, 3 exhibition catalogs (1914-1921), and 3 clippings (1915-1921).

Biographical/Historical Note

Yasushi Tanaka (1886-1941) was a Japanese American painter and art instructor, born in Saitana, Japan, May 13, 1886. In 1904 he emigrated to Seattle, Washington, settling permanently in Paris in 1920. Torrey was an art dealer with the San Fransisco gallery Vickery, Atkins & Torrey. Tanaka's wife, writer Louise Gebhard Cann, was the author of several articles and books on French artists.


Donated 1992 by Gryffyd Partridge. The letters were received in the papers of his father, Seattle artist Roi Partridge; it is unclear how Partridge received them.

Language Note

English .

How to Use This Collection

Alternative Forms Available

35mm microfilm reel 5474; frames 760-872 available at Archives of American Art offices and through interlibrary loan.

Restrictions on Access

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

How to Cite This Collection

Yasushi Tanaka letters to Frederic C. Torrey, 1913-1924. Archives of American Art, Smithsonian Institution.