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More Information | A Finding Aid to the William Burroughs and Brion Gysin writings, 1963-1973, 1997 | Digitized Collection

William Burroughs and Brion Gysin writings, 1963-1973, 1997

More Information

A Finding Aid to the William Burroughs and Brion Gysin Writings, 1963-1973, 1997, in the Archives of American Art
AAA.burrwill
Finding aid prepared by Rihoko Ueno
Scope and Contents
The writings of American writer William S. Burroughs and British writer Brion Gysin measure 0.4 linear feet and date from 1963 to 1973, and 1997. This collection includes three books of writings by Burroughs and Gysin and one folder of letters from artist David Bradshaw to art collectors Stanley and Elyse Grinstein about William Burroughs.
The three books of writings by William Burroughs and Brion Gysin use a "cut-up technique" of diaristic writings. Drawings, clippings, photos, and other items are pasted onto the pages throughout the books. Two of the books were created in agenda books and the third was created in a Les Goelands notebook. The third book has been identified as "John Brady's book," after a friend of Burroughs. There are a few loose pages from the Les Goelands notebook in a corresponding folder and one folder of letters about Burroughs written by the artist David Bradshaw.
Language
English
Provenance
The William Burroughs and Brion Gysin writings were donated in 2017 by the Grinstein family, via Ayn Grinstein, Ellen Grinstein Perliter, and Nancy Grinstein, executors.
Related Archival Materials note
Also found at the Archives of American Art are the papers of Stanley and Elyse Grinstein, who were prominent art collectors and patrons.
The New York Public Library archive also possesses a substantial collection of William S. Burroughs papers.
Funding
Funding for the digitization of this collection was provided by The Walton Family Foundation and the Terra Foundation for American Art.
Processing Information
Materials received a preliminary level of arrangement after receipt. The collection was fully described and prepared for digitization by Rihoko Ueno in 2017 with funding provided by The Walton Family Foundation and the Terra Foundation for American Art.