Tomás Ybarra-Frausto research material, 1965-2004

(note card from curator Kristina Perea, curator of Abeyta's exhibition, to TYF re. the 10/15/03 Abeyta exhibition; Museum of New Mexico traveling exhibitions program calendar; color photocopies of several paintings)

(letters: to Acosta from TYF, 01/08/1996, photocopy; to TYF from Acosta, 02/08/1996, fax)

(note card and letter to TYF from Acosta-Colón, Director, Mexican Museum, San Francisco, 08/21/1989 and 08/19/1989)

(letter to Jose Angel Gutierrez, curator of the L.U.P.E. - Love, Unity, Peace & Equality - Library, from Dorinda Moreno, founder L.U.P.E. Library; memo to L.U.P.E. members; clippings)

(clipping; events calendar; brochures; list of participants; letters to TYF from organizers of the conference re. his participation; copy of essay by Pedro Rodriguez, "The Changing Tides: Community-Based Cultural Arts in the USA"; program prospectus of "The Medocino People's Portrait Project, 1992-1994"; printed material relating to the production of the play "Windows...Mama, Why Is L.A. Burning?")

(catalog, Laura Aguilar, Fundació "La Caixa", Barcelona, Spain, 1998; brochures)

(exhibition announcements; resumes; the L.A. County Museum of Art Members' Calendar 3/74; letter to Michel Oren, East Carolina Univervsity, from Maggie Nelson of the Archives of American Art, southern California office, 12/31/1987 photocopy; clippings; catalog, Moonlight Theater: Prints and Related Works by Carlos Almaraz, Grunwald Center for the Graphic Arts, University of California, Los Angeles, 1991.)

(TYF's notes on altars, altar-making, and altarmakers; photocopy of article by Amalia Mesa-Bains; poem by Juan Felipe Herrera; typescript of TYF's "An Affecting Presence: Chicano Altars and Altarmakers"; color photocopies of altars)

(exhibition announcements; clippings; a letter to TYF from Cynthia Jimenez-Baca re. an essay for the catalogue of the Center for Contemporary Arts of Santa Fe's Ceremony of Memories exhibit, curated by Amalia Mesa-Bains, 11/04/1987; exhibition printed matter; Mesa-Bains' resume; TYF's notes on altars; handwritten manuscript of "Altares y Altaristas Chicanos Chicanco Altars and Altarmakers" and notes relating to it; catalogs: Familias y Fe, Museum of New Mexico, Santa Fe, NM, undated; and Thunder Over Miami: Ritual Objects of Nigerian and AfroCuban Religion, Miami-Dade Community College, Miami, FL, 1982)

(catalog; TYF's notes on Mesa-Bains and her work)

(typescripts of articles by Amalia Mesa-Bains and TYF; clippings; transcript of an interview of Mesa-Bains by TYF; color photocopy of one of Mesa-Bains' altars; TYF's notes on altars, and his notes and drafts of paragraphs from "Altares y Altaristas Chicanos"; exhibition printed material; handmade note card from Amalia [Mesa-Bains], 03/07/1984)

(catalog; color photocopies of altars; typescripts of articles by TYF and Amalia Mesa-Bains; photocopies of articles from journals)

(clippings; slide list; interview of Amado by Frances Colpitt; Amado's resume and biography; exhibition announcements; photocopy letter to the Pace Roberts Foundation from Amado, 11/04/1994 concerning a project proposal and copy of proposal; artist's statement; catalogs)

(letter to TYF from Amaya, 06/06/1988; clippings)

(curators' biographies, Charles Biasiny-Rivera; Robert Buitrón; Kathy Vargas; Ricardo Viera); exhibition brochure; copies of letters sent to Susana Leval, Chief Curator of El Museo de Barrio, Charles Biasiny-Rivera, EN FOCO, Inc., and Timothy McClimon from Wendy Watriss, Fotofest curator, 12/07/1992; project notes)

(clippings; letter to TYF from Amezcua, 10/04/1971; photograph, unidentified; exhibition announcement; catalogs, one signed by the artist with a note to TYF)

(catalogs; clippings; calendar of events; TYF's notes on 2 small slips of paper on history of and influences on Mexican American literature)

(issue of Latino Policy & Issues Brief, UCLA Chicano Studies Research Center, Los Angeles, California, no.6 April 2003)

(Dolores Rivas Bahti's resume; grant application for continuation of Movimiento Artistico Del Rio Salado Visiting Artist program; calendar of events; artist biography of Alfredo Arreguin written by TYF; clippings; TYF's notes on "Contra Colonialismo: Colombian Exchange"; catalog; oversize poster)

(Hispanic Research Center, Arizona State University brochure; organization information sheets for: the United Chicano Artists, the Mechicano Art Center, the Goaz Art Gallery, the Centro Joaquin Murietta de Aztlan, and the Mexican American Center for Creative Arts; clippings; TYF's note on Arizon Chicano art materials)

(typed guide to the ASU Latin American Art Collection)

(vol. 2, no. 2 1982; March 1985; June 1985; October 1985; January 1986; August 1986; and March 1987; the 1982 issue includes pieces on Valle del Sol, Inc. of Phoenix and the 1st Ariztlan Hispanic Arts Conference, and an article written by Robert Buitron; March 1985 issue features an article on El Zarco; August 1986 issue contains articles about Judy Baca and Richard and Graciela Rios)

(resume, clippings, slides of his work dated from 1995-1997)

(invitation, with a note to TYF written by Arredondo; Arredondo's application for fellowship tenure, Michigan Society of Fellows; research proposal; typescript of "The Apocalyptic Vision of the Aztecs as it relates to Superstitions, Omens and Fortune-Telling" by Arredondo)

(letters to TYF from Arreguín, 05/18/1983, 05/20/1986, 07/03/1991; notes to TYF from Arreguín, 12/07/1994, circa 12/1996, undated; note to TYF from Susie [Susan Lytle], 03/23/1995; photocopy of letter to Arreguín from TYF, 07/15/1991; letter and photocopies of letters to Arreguín from: Charles Royer, Office of the Mayor of the City of Seattle,12/11/1979; Nan Woolridge, Bainbridge Island Arts Council, 04/23/1987; and Virginia Mecklenburg and Andrew Connors, both of the National Museum of American Art, 06/15/1992, 11/08/1994, 01/12/1995; press release; photocopy of a handwritten draft of an article by TYF about the artist; essay by Mary Motian-Meadows; photocopies of art; written pieces for exhibition catalogs)

(exhibition announcements; catalogs; book, Alfredo Arreguín: El Universad Vegetal, Animal y Humano de un Pintor Moreliano, Morelia, Mich., México, Universidad Michoacana de San Nicolas de Hidalgo, Centro de Estudios sobre la Cultura Nicolaita, 1989; postcards of Arreguín's works)

(catalog; clippings)

(printed matter relating to TYF's A Comprehensive Annotated Bibliography of Chicano Art, 1965-1981; typed drafts with handwritten notes; handwritten drafts; clippings; photocopies of bibliographic citations; notes; Chicano Studies Library, UC Berkeley brochures; note to TYF from Carolyn Soto of the Chicano Studies Library, 12/03/1986)

(TYF's notes on the chronology of Chicano art, beginning with 1968, El Arte De Pocho Exhibition, and concluding in 1977, Inauguration of the Mexican Museum; handwritten draft of the chronology; a list of "Artistes Chicanos"; oversize poster advertizing a play about barrios in San José)

(clippings; oversize poster/entry form; exhibition announcement; photocopy of the calendar of events, with note to TYF from T[ino] V[illanueva], 1/27/76)

(photocopied article defining "Artes Plásticas"; photocopies of articles on literature, philosophy, and various artists and other figures in chicano/latino culture, José María Arguedas, Manuel Puig, Ernst Fischer)

(typescript of address given by Ramón Favela at the Artistic and Cultural Identity in Latin America conference)

(essay, excerpt from a longer, as yet unpublished, paper entitled Amalia Mesa-Bains and Guillermo Gómez-Peña: Artists's Histories and the Chicano Movement)

(publications list from Printed Matter, Inc.; clippings; oversize poster)

(catalog of international exhibition and tour)

(Artistas Indígenas 1984 "call for entries" brochure; letter to John Asencio from TYF, 03/25/1991 re. HFA Chicago Art Conference; Fax to TYF from Asencio, 04/03/1991, also re. conference; invitation to exhibition opening)

(letter to TYF from C. Ondine Chavoya, 06/09/1998 re. her research at the Archives of American Art with page proofs of an essay on ASCO's No-Movies; clippings; TYF's notes on ASCO; dissertation by S. Zaneta Kosiba-Vargas, Harry Gamboa and ASCO: The Emergence and Development of a Chicano Art Group, 1971-1987 University of Michigan, 1988; La Opinion suplemento cultural "Cultura Chicana: Los Angeles")

(photographs pasted on board, back marked "Salazar;" typescript of student paper: "Voices from East Los Angeles: Harry Gamboa and Frank Sifuentes" by Ann Vernallis; clippings of articles by Frank Sifuentes and Harry Gamboa Jr.; letter to TYF from Gamboa, 01/08/1985); typescript of lecture presented at symposium Images in Flux: The Changing Identity of Chicano Art, 15 September 1984; photograph; clippings; performance announcement)

(photocopy of published interview with Gronk by Harry Gamboa, Jr.; exhibition announcements; press release; clippings, many written by or relating to Harry Gamboa Jr.; photographs; note from Linda [?] written on invitation, 07/21/1989; exhibition announcement/poster)

("News of the Association for Latin American Art" bulletin[?]; poems: Jose Agustin, 1968; Luis Zapata, 1979)

("Noti-Artes" information sheets on opportunities and grants, fellowships, etc., deadlines; letter to TYF from Hector W. Soto, Chairman of the Board of Directors of AHA, 12/13/1992; organization profile; TYF's notes on AHA; summary of activities; photograph of TYF; letter to TYF from Jane Arce Bello, Executive Director of AHA, 02/15/1993; letter to TYF from Maria L. Solana, Coordinator of Special Events of AHA, undated, prior to 04/28/1993; brochures; programs, 15th anniversary benefit and 17th anniversary celebration; history of AHA, 1975-1995)

(Nov/Dec 1979; Mar/Apr 1981; June 1981; Oct 1981; Dec 1981; Feb 1982; Apr 1982; Sept/Oct 1982; Apr 1983; June 1983; Oct 1983; Dec artistic events calendar; Nov 1983; Jan 1984; Feb 1984; Apr - Nov/Dec 1984; Dec 1984/Jan 1985 - Dec 1985; Jan - Apr 1986; Jun/Jul - Dec 1986; Jan - Apr/May 1987; Aug/Sep - Dec 1987; Jan - Feb 1988; Apr - Dec 1988; Jan - Jun/Jul 1989; Oct - Nov 1989; Feb 1990; Dec 1990/Jan 1991; Mar 1991; Mar 1992 - Aug/Sep 1992; Dec 1992/Jan 1993; Oct 1993; Apr 1994; May 1994; Oct 1994; March 1996; Jan 1998; Winter 2000-2001; Fall 2001; Summer 2002; Fall 2002)

(material related to "Border art", US-Mexican border; exhibition announcements; catalog; clippings; performance description; artist biography; phtocopy of invitation; press release; letter to Avalos from F.S.M. Hodsoll, Chairman, Nation Endowment for the Arts, 09/04/1986; letter to TYF from Avalos, 08/08/1986 - mentions TYF's bibliography; California Council for the Humanities Mini-Grant application; letter to TYF from Louise Kirtland Boehm, Director, Boehm Gallery, re. piece loaned by TYF for exhibit, 04/06/1994; exhibition checklist)

(resume; installation slides, undated; juried exhibition catalog; exhibition announcement, with handwritten statement; exhibition announcements; newsletter: Grand Rapids Art Museum, May-June/July 1986; certificate of ownership, drawn and signed by Avalos; Museum Perspectives, San José Museum of Art, July/Aug 1986; docent notes on "Crossing Borders/Chicano Artists"; catalog; resume; handwritten article by Avalos: "The Donkey Cart Caper: Some Thoughts On Socially Conscious Art In Anti-Social Public Space," circa 1986; other documentation of "Donkey Cart Caper", including photocopies of the memo from Judge, letter from the building manager to Avalos, original permit, ACLU suit, clippings, exhibition announcements)

( El Cuaderno (de Vez en Cuandro), La Academia de La Nueva Raza, vol. 3 no. 1 Winter 1973, essays, poetry and some illustrations; New Visions of Aztlánvol. 3 no.1 Spring/Summer 1993, articles, poems, photographs, and drawings)

(correspondence with Candelyn Candelaria re. her request that TYF write an article for a special issue of Aztlán, journal)

(press release; outline of exhibit proposal; "Fun-Raiser" announcement; organization brochure; publication lists; letter to TYF from Rodrigo Reyes, Centro Chicano de Escritores, 09/08/1986; letter to TYF from Francisco Alarcon, 06/02/1986)

(resumes; artist biographies, one written by TYF)

(invitations; photocopy of blueprint of the Peace Mural; writings: transcript of New Mexico keynote speech, "Public Art in a Multicultural Society", World Wall artist's statement, "Beyond the Mexican Mural: Walls That Dissolve Boarders" [sic]; Social and Public Art Resource Center - SPARC - organization brochure; exhibition announcement; "Woman's Building" events calendar; lecture announcement)

(materials related to Baca's promotion to full professor; letter to TYF from Catherine Lord, UC Irvine School of Fine Arts, Studio Art, 08/12/1991: request for evaluation of Baca for promotion; photocopy of letter to Lord from TYF, 09/20/1991; photocopies and reproductions of Baca's art; copies of articles)

(exhibition announcements; exhibition brochures; clippings; photocopy of essay from Art for the Millions: Essays from the 1930s by Artists and Administrators of the WPA Federal Art Project; printouts from Millicent Rogers Museum website re. 1999 exhibition)

(letter to TYF from Barnet-Sanchez, 08/14/1990; photocopy of letter to Marie Acosta-Colón from Barnet-Sanchez, 08/13/1990; typescript of paper presented at 1988 CAA Annual Meeting: "Aestheticizing the Pre-Columbian Past: Exhibitions Sponsored by the Office of the Coordinator of Inter-American Affairs, 1940-1945"; resume)

(letter to Barraza from TYF, undated, re. draft of TYF's manuscript; draft of "Santa Barraza: A Borderlands Chronicle")

(letter to TYF from Barraza, 03/17/1985; photocopies of letters of recommendation to San Jose State University and Penn. State University from TYF, 04/04/1985; many pieces of correspondence to Barraza re. exhibitions, events, etc. from representatives of the following organizations: Corpus Christi State University, the UCLA Wight Art Gallery, Edinboro University, Women of Power [magazine], Arts International, Heresies: a Feminist Publication on Art and Politics, National Endowment for the Arts, Northwestern Illinois University, and the Mexican Fine Arts Center Museum; note to TYF from Barraza with information on retables enclosed, fax; note to TYF from Barraza, 08/28/96 with essay and slides)

(invitation; catalogs; letters to Barraza from the Fra Angelico Art Foundation, 03/16/1994, and from Annie Kostiner of Gallery 312, 10/03/1994; Children's Art Workshop, Taller de Niños, information sheet; syllabi and course information for various courses at the School of the Art Institute of Chicago)

(TYF's handwritten notes on retablos and on Barraza)

(clippings; letters to TYF from Benavídez, 12/10/1984, 03/1994; typescripts of articles written by Benavídez; typescripts of poems and short stories; TYF's notes with bibliographic information)

(slides; typescript of paper given at the Arts & Material Culture Conference, UCLA; exhibition printed material; slide presentation announcement)

(auction announcements; exhibition checklist; exhibition announcement; resume; letter to TYF from James L. Enyeart, Director of the George Eastman House, 9/24/92 re loan of research material to TYF)

(photocopy of Rodriguez' bibliography on Chicano art)

(notes of bibliographic entries, some annotated; sections on "Vaqueros," "Colorado," and "Santos")

(photocopy of the bibliography from Painted Walls of Mexico by Emily Edwards, 1966; notes on bibliographic references, including books and periodicals; photocopies of other bibliographies; Booklist, June 1972)

(lists of artists, exhibitions and other events, publications such as books and periodicals, articles, along with page numbers; lists of "publications to send for" and "materials to order"; references to fine art and dramatic arts including theater and cinema)

(notes; chronology of Mexican-American history, 1900-1965; biographies of artists: Jose Arpa, 1858-1952, Hernando Villa, 1881-1952, Xavier Martínez, 1869-1943; more bibliographic listings; clippings)

(bibliography for conference "The Poetics and Politics of Representation")

(photocopy of annotated bibliography from "A Study of Cultural Themes of the Spanish Golden Age")

(conference, Mexicali, Baja California, Mexico, and La Oficina de Asuntos Culturales, et. al.; letter to TYF from Paul Ganster, director of San Diego State University Institute for Regional Studies of the Californias, 02/09/1987; schedule of events; list of participants)

( NY Times Book Review clippings; Voice clippings)

(photocopy of Part I of Views Across the Border: The United States and Mexico, University of New Mexico Press, Albuquerque, 1978 [some pages missing]; notes and outline; clippings; poems by Juan Felipe Herrera, José Montoya, Carlos Ripoll)

(materials related to the Art Rebate/Reembolso de Arte project; photocopy of grant approval; radio transcript; fliers; clippings)

( Revista de Estudios Sobre la Juventud in Telpochtli, in Ichppuchtli, Consejo Nacional de Recursos para la Atención de la Juventud and Centro de Estudios Sobre la Juventud Mexicana, 1984)

(Malagamba, Amelia, ed. Encuentros: Los Festivales Internacionales de la Raza. Tijuana, Baja California: El Colegio de la Frontero Norte, 1988)

(clippings; "Look up Latina" art directory advertisement; letter to TYF from Patricio Chávez of the Centro Cultural de la Raza, 04/01/1992 re. the Dos Ciudades project; photocopy of proposal, Dos Ciudades/Two Cities: A Border Project, La Jolla Museum of Contemporary Art; exhibition printed material; "The Border is..." by Guillermo Gomez-Peña and other pieces of creative writing)

(workshop, Imágenes de la Frontera: Taller De Monotipia/Images of the Border: Monoprint Workshop, Tijuana, Baja California: Festival Internacional de la Raza 92, 1992)

(catalog: Sin Frontera: Chicano Arts from the Border States of the U.S., Cornerhouse Exhibitions, Manchester, U.K., 1993)

(International Artist-In-Residence Program, ArtPace, San Antonio brochure; exhibition announcements; clippings)

(catalog; photocopies of essays by Jo-Anne Berelowitz, "Representing the Border: A Geo-Spatial Politics of Art: A History of the Border Art Workshop/Taller de Arte Froterizo: 1984-1996", and "Las Comadres: A Feminist Collective Negotiates a New Paradigm for Women at the U.S./Mexico Border"; event and project descriptions; clippings)

(handwritten manuscript by TYF, "An Emerging Border Project"; clipping)

(calendar of events, La Frontera/The Border: Art About the Mexico/United States Border Experience; exhibition brochures; clippings; Hispanic Theatre Season performance calendar; TYF's notes on border culture; poems; Ethnic Studies 314 Final Exam; essays [written for TYF's course?]; 1er Festival Internacional de la Raza: Foro de Analisis Frente a Frenta information packet)

(newsletter, Center for Inter-American and Border Studies, The University of Texas at El Paso; brochures listing publications in the "Border Perspectives Series: Research papers for course use")

(photocopy of article, "Borderlands Critical Subjectivity in Recent Chicana Art", by Judith L. Huacuja, in Frontiers: A Journal of Women Studies vol. 24, no.2/3 2003)

(Essay in Los Angeles Times Magazine, 03/27/1988)

(photocopies from a book, The Manual of Brands and Marks)

(invitations; exhibition announcements; note to TYF and Dudley [Brooks] from Angel and Rolando; resume; letters to TYF from Rolando, undated and 02/25/2003)

(postcards; workshop playscript: Luis Alfaro, Straight as a Line, Beverly Hills, CA: Audrey Skirball-Kenis Theatre, 1994; photograph of Ezquel Orona, one of the founders of La Brocha del Valle; clippings; TYF's notes on the organization; history and typed information about the organization)

(lender form for exhibition; unidentified photograph)

(resume; letters to TYF from Buitrón, 06/19/1992, 01/20/1993, 09/13/1992, 11/15/1992; exhibition announcements, one with a note to TYF from Buitrón; 2 oversize calendars of Buitron's photographs, "The Legend of Ixtacchihuatl Y Popocatepetl," 1990, and "Ixtaccihuatl Y Popocatepetl...The Legend Continues," 1991; clippings; catalog)

(invitation; publication announcements; Burciaga note cards order form; poems; clipping; note to TYF from Burciaga, 09/02/1980; note to TYF from Cecilia [Burciaga?], 10/1996)

(interview/published in View, vol. 1 no.8)

(3 pages of no. 1793, Feb. 12 1986 newsletter[?])

(administrative paperwork such as collective procedures, instructions to typesetter; letter to Patricia Rodriguez from [editors of catalog - letter unsigned], 10/22/1981, re. Rodriguez's essay for the exhibition catalog; drafts of essays for catalog)

(manila folder labeled "CALIFA'S - content of folder is page 1 of Arte Chicano - TYF notes on folder)

(TYF's notes from CALIFAS conference)

(pages from TYF draft of CALIFAS California Chicano Art and Its Social Background)

(Mary Porter Sesnon Art Gallery Spring 1981 Calendar; clippings; notes [for CALIFAS contributions]; TYF's notes: bibliographic info, chronology, miscellaneous; notice from the Spanish Speaking Cultural Club, Inc., St. Paul, Minnesota announcing a film spanning the pre-Columbian civilizations to the present, circa 1978, and includes footage of art and architecture, as well as current events; photocopy of the first few pages of the list of recordings from CALIFAS conference; letter to TYF from gallery director of Eastern Michigan University, 04/19/1983, re. TYF's potential purchase of 2 pieces by Carlos Corte Koyokuitkatl; correspondence relating to Stanford U's purchase of the video tapes and full transcript from the conference, cost of $19,900; photocopy of index of tapes)

( The Mexican Museum Newsletter vol.5 no.2, Spring/Summer 1980; partial transcript and list of the recordings of the CALIFAS sessions)

("Notes on Arte Chicano" - paragraph by paragraph critique of essay [TYF's, a student's, or someone else's?]; letter to CALIFAS participants requesting feedback, and feedback from Tim [Drescher?]; address list of participants)

(catalog: publication consisting of material "prepared for the CALIFAS SEMINAR at the Mary Porter Sesnon Gallery, Porter College, UCSC...", includes essays, artist biographies and b/w pictures of their work; draft of TYF's CALIFAS Socio-Aesthetic Chronology of Chicano Art - Final copy included in CALIFAS publication; letters to TYF from Philip Brookman, 06/08/1984, 12/28/1984; clippings; resume, Philip Brookman; CALIFAS program schedule; press release)

(photos from events e.g. conference, panel discussions)

(photos of people at the exhibition, conference etc.)

(TYF's notes, "CALIFAS: Roundtable Discussion with Artists")

( Arts At Santa Cruz, vol. 1, no. 1 Santa Cruz: University of California, Santa Cruz, College V, 1981; clippings; exhibit checklist)

(TYF's notes from the planning seminar for CALIFAS)

(working draft of TYF's essay which appeared in the catalog; oversize exhibition poster)

(TYF's notes)

(draft of TYF's CALIFAS California Chicano Art and Its Social Background - Final copy included in CALIFAS publication; letter to TYF from Bob F-[?], 09/21/1981; clippings; TYF's notes on Chicano Art & Culture)

(photograph - group photo of participants?, duplicate; poster for exhibition; pages from the catalog; "Califas: 'Chicano Art and Culture in California' 4 Essays [authors: Montoya, Malaquias and Lezlie Salkowitz; Goldman, Shifra M.; Montoya, Jose; Cockcroft, Eva and Centro Cultural de la Raza]; clippings; general correspondence and other documents related to CALIFAS)

(final report to the National Endowment for the Humanities)

(exhibition announcements; clippings; catalogs; journal, 201: Homenaje a la ciudad de Los Angeles: Latino Experience in Literature and Art, Los Angeles; Latino Writers Workshop, January 1982; photographs of art [not labeled]; unlabeled slides)

(publication of the Concilio de Arte Popular, Los Angeles, California. Directory, compiled and published by Concilio de Arte Popular: Coalition of California Chicano-Latino Artists, listing contact information as well as specializations, awards, education)

(letters to TYF from Steven D. Levine, 01/26/93; material related to the "Conference on Aesthetics of Community-Based Artmaking" in which TYF participated)

(exhibition announcement; TYF's notes on a folder)

(typescript, "Las Mujeres de la Raza" by Cardenas and Amalia Malagamba), May 1990; SOC 348K/MAS 374 and SOC 360M course syllabi and related materials, taught by Cardenas)

(exhibition announcement; monograph, clippings; Artist Monograph Series #3: Barbara Carrasco, Galería de la Raza/Studio 24, San Francisco, 1989)

(exhibition checklist; catalog; resume; Sueños performance announcement; TYF's notes and interview with Carrillo; clippings)

(note to TYF re his visit and presentation from Casa de Unidad staff members; El Barrio Magazine Spring/Summer 1991)

(clippings; Lector: The Hispanic Review Journal, vol.5 no.2; Stanford Chicano Murals project, Chicano Research Seminar, material, including statement of background & goals, a working timeline, notes from brainstorming sessions and meetings - product of "Murals as Social Conscience Art"; letter to TYF from José Antonio Burciaga of Casa Zapata, Stanford University, re. the mural that was "conceived and painted" by TYF, 02/18/86; mural survey and responses)

(exhibition announcements; clippings; artist biography; photocopy of Pace Roberts Foundation International Artist-in-Residence Program application with artist statement and resume)

(catalogs; exhibition announcements; clippings; artist biography; photocopy of "Art of the Southwest...Art on the Border" [booklet?])

(booklet from event has photos from event, as well as a poem and description (copyright 1982, CHISPA)

(exhibition announcement; information brochure on El Centro de la Gente de San José; El Mitote Cultural, newsletter vol.1 no. 2)

(exhibition announcements; clippings; Teatro Mestizo information sheet; TYF's notes on theater; TENAZ Festival Magazine (Chicano Theatre Festival publication, 1977); catalogs; 10th Anniversary Celebration booklet, 1981; Press release; catalogs; clippings; 15th anniversary catalog, Made in Aztlan, Centro Cultural de la Raza, San Diego, 1986; exhibition announcements; letter to TYF from Veronica Enrique, Executive Director, Centro Cultural de la Raza, 04/23/1985; letter to TYF from Philip Brookman, curator, Made in Aztlan, re. the catalog, 02/26/1986; handwritten draft of letter (reply) to Brookman from TYF, undated (on back of Brookman's 2nd letter); TYF's notes and draft of essay for 15th anniversary catalog; TYF's notes on Centro Cultural; Exhibition brochure; organization's brochure; clippings; View (Museum of Contemporary Art San Diego Quarterly Magazine), Jan-March 1993; catalogs; schedule of events)

(clippings; booklet, "El Espejo del Movimiento" Centro de Artistas Chicanos, RCAF, 1977; TYF's notes on Centro de Artistas Chicanos)

(exhibition, performance, and event announcements; handwritten letter to TYF from Robert [?] of El Centro de la Raza, 12/12/1991; invitation; conference brochure - Chicano Mobile Institute, Chicas en el Movimiento)

(TYF's notes on "Chicano Art: Community and [Communitos?]" and on "Network of Color")

(TYF's notes on muralists, the history of "El Movimiento"; TYF's outline for "Chicano Art in Social Perspective 1965-1980", etc)

(TYF's notes on Chicano art and artists)

(exhibition, Center for Contemporary Arts of Santa Fe, New Mexico; TYF was a contributor to the catalog. Exhibition announcement; letters to TYF from Dominique G. Mazeaud, Project Manager, Ceremony of Memory, 1/19/89; 2/24/89; 5/5/89; letter [unaddressed - to TYF, or to the participating artists of Ceremony of Memory] from Dominique G. Mazeaud [unsigned but on his stationery], 5/1/89, re. exhibition he was curating in Poland; clippings; catalog, Ceremony of Memory: New Expressions in Spirituality Among Contemporary Hispanic Artists, Center for Contemporary Arts of Santa Fe, Santa Fe, NM, 1988)

(TYF's notes on/from Ceremony of the Spirit, ethnic studies; catalog, Kingdoms of the Sun: Masterworks of Ancient Andean and Spanish Colonial Art, Mint Museum of Art, Charlotte, NC, 1996; letter to TYF from Juan [?], 4/30/88, re. bookstores in San Antonio and in Mexico City; clippings; invitation to dance gala performance)

(organization, University of California at Los Angeles; Witness to the History of Los Angeles project; booklet, final product, of student-produced public art project by the UCLA / César Chávez Center Mural Digital Lab at the Social and Public Art Resource Center and co-sponsored by Cornerstone Theater Company)

(catalogs, When Paradise Arrived, Alternative Museum, New York, 1989; and Utopian Cannibal: Adventures in Reverse Anthropology, Forum for Contemporary Art, St. Louis, Missouri, 2001; exhibition announcements; clippings; artist book, Codex Espangliensis from Columbus to the Border Patrol, Moving Parts Press, Santa Cruz, 1998; announcement and publicity booklet)

(clippings including NY Times obituary; dance performance announcement, tribute to Chavez; memorial services announcement)

(note and letter to TYF re. information TYF requested about Miguel Covarrubias, 12/87 and 12/29/87; exhibition announcement)

(resume; part of a report [on public art and legalities involved] including a section concerning Roberto Chavez and the destruction of his mural at East Los Angeles College, and part of a section concerning Eduardo Carrillo; clippings; letter to TYF from Philip Brookman re. a grant proposal, 07/21/91)

(dissertation abstract; resume; manuscript draft, "Undocumented Histories From the West"; photocopy of "Collaborative Public Art and Multimedia Installation: David Avalos, Louis Hock, and Elizabeth Sisco's Welcome to America's Finest Tourist Plantation, 1988")

(conference announcements; Spring 2003 Speaker Series "Chicanas/os in Higher Education" announcements (lecture given by TYF); conference report for "Revolution & Resistance: A Conference on the State of Chicana/o Art & Activism.")

(two letters to Gustavo Sainz - responsible for promotion, housing, transportation and financing of the project in Mexico City - from the Comoté Chicanacán, 02/15/1980 and 09/04/1980; letter to TYF from Comité Chicanacán, 04/18/80, re. the cancellation of the project)

(exhibition announcement/performance schedule; article published by the Comité Chicanarte, not included in catalog; oversize exhibition poster; oversize catalog order form/poster; clippings)

(clippings; exhibition announcement; photocopies of art; exhibition announcements; La Voz de Esperanza magazine, Esperanza Peace and Justice Center, Dec 97/Jan 98; letter to TYF from Mary Lou Nevarez Haugh, 9/12/89, re. book she wanted to write on Latina artists in California; exhibition list; catalog, signed by Shifra Goldman, guest curator; clippings; photocopy of the Bibliography from Third Woman, vol. 4, 1989, Third Woman Press, Berkeley)

(catalog; Letter to TYF from Sid and Pat White, 09/09/2004; "Chicano and Latino Artist in the PNW" - project history, circa 2004)

(monograph, Our Barrios: Past, Present, and Future: A Look at Raza/Latinos and the Built Environment, Chicano Architectural Students Association, University of California at Berkeley, Berkeley, 1983)

(monograph - Sylvia Gorodezky, Arte Chicano Como Cultura de Protesta, Mexico City, Mexico: Universidad Nacionla Autónoma de México, 1993)

(monograph - Jacinto Quirarte, ed. Chicano Art History: A Book of Selected Readings, San Antonio, TX: Research Center for the Arts and Humanities, The University of Texas at San Antonio)

(typescript of curatorial note or introduction for an exhibition catalog; typed drafts and notes, "Introdución a la Historia del Arte México-Americano"; TYF's notes - "Chicano Art: A Precis"; clippings; TYF's notes and handwritten drafts; clippings; clipping of article by TYF - "A History of Chicano Art" from Revista Literaria de el Tecolote, circa 1980; draft with edits and photocopy of the typescript of an essay by and unknown author)

(documents related to the planning of the exhibition: list of committees, meeting minutes and agendas, budgets, etc.)

(invitation; note to TYF from Chon [Noriega], 07/27/91; film series announcement; calendar of events; clipping)

(symposium brochure; calendar of events; letters to TYF from University of Arizona, Tuscon, 10/09/91, and from Robert A. Yassin, Tuscon Museum of Art, both re. request that TYF be the keynote speaker at a symposium being held in conjunction with CARA; exhibition announcement for Counter Colón-ialismo; TYF's travel itinerary; photograph [of TYF and ?])

(letter to TYF from Ava Avalos, CARA Archivist, 08/30/1991, with enclosure of CARA Artist Directory)

(letter to TYF from Farida Baldnado, Curatorial Assistant, CARA, 07/10/91, re. Denver's education report for the CARA exhibition; comments from the exhibition guestbook)

(K-6 and 7-12 education packets: slides, information for teachers, glossary, pre- and post-visit activities)

( New Art Examiner Dec. 1990 issue, cover article on CARA; dissertation proposal, "'Mi Casa [No] Es Su Casa': The Cultural Politics of the Chicano Art: Resistance and Affirmation, 1965-1985 Exhibit", Alicia Gaspar de Alba, University of New Mexico, 1992; "The Power of Place" (UCLA Graduate School of Architecture & Urban Planning Embassy Auditorium public art project) proposal for Rockefeller Foundation funding: cover letter, 08/16/1990, narrative proposal, budget, supporting materials; "Artes de México" Festival: memo to committee, 08/27/1990, list of committee members, fax, 09/20/1990; press release; invitation to lecture focusing on "The Contadora Process and the Beyond War Award"; Texas Small Press Book Fair announcement; calendar from Sacramento City Councilman Joe Serna; Mississippi American Festival Project calendaer of events; CARA exhibition calendar of events, Fresno Art Museum; clippings; May/June 1993 issue of La Peña: Latino Arts News)

(press releases; fact sheet; clippings; calendars of events; exhibition announcements; letter to TYF from Elizabeth Shepard, 08/27/1990, inviting him to opening of the exhibition; invitations)

(letter to Steven Ross, NEH, from Brigette D. Scott, Community Development Assistant, Wight Art Gallery, 08/31/1989, re. application for the NEH Summer Seminars for College Teachers program and Ross' response, 10/20/1989, with the comments from the evaluators; letter to Edith Tonelli from Marsha Semmel, NEH, re. application for NEH funding for CARA, 12/20/1989 with review comments; letter to Edith Tonelli from Thomas Wilson, NEH, 05/18/1989, re. application for funding from NEH, with review comments; photocopy of letter to Lynne Cheney, Chairman National Endowment for the Humanities, from the CARA Exhibition Executive Board, 12/16/1989 and Cheney's response, 12/21/1989)

(correspondence: 2 copies, one labeled Tomás, of letter to Edith Tonelli from Carlos Tortolero, Executive Director, 01/15/987; memo to co-chairs of the CARA steering committee from Edith Tonelli, 01/28/1988; letter to Carlos Tortolero from Edith Tonelli, 01/28/1988)

(draft, "Compañeros and Partners - CARA: the Process"; NEH Implementation Grant material)

(NEH Interim Report, 1987; NEH planning conference agenda & accompanying handouts; TYF's notes from conference; list of exhibition panel members; list of participants; general letters to TYF from Edith Tonelli, et al. re. plans for the conference; clippings; press release; "Guidelines for Regional Presentations"; meeting agendas and minutes; letter to TYF from Marcos [Sanchez], re. second planning July 1987 conference and "pre-meeting packet;" notes and letters to TYF from CARA organizers re. his participation; correspondence between CARA organizers and institutions re. the exhibit; memos to CARA steering committee; press release; letter to TYF from Holly Barnet- Sanchez and Marcos Sanchez re. "document which represents the formative stages of the conceptual framework for the exhibition" and said document, 08/05/1988; TYF's notes; catalog planning; meeting agendas, minutes, and summary report; budget documents; exhibition tour planning; exhibition checklist (fax); clippings; CARA Curriculum Seminars course description; CARA education summary; essay, " Murales de Movimiento: Chicano Murals and the Discourses of Art and Americanization", by Marcos Sanchez-Tranquilino (cc: TYF); correspondence between CARA and the National Museum of American Art, re. the exhibition; "Compañros and Partners - CARA: The Process")

(slides; checklist of exhibition; CARA evaluation)

(letter to Constance Wolf, Rockefeller Foundation, from Cindi Dale, Director Education and Community Development, Wight Art Gallery, 04/16/1990, re. CARA education program; general correspondence between CARA organizers and institutions re. the exhibition; letter to TYF from Elizabeth Shepard inviting him to loan two pieces of art, 02/12/1990; invitation to private tour of CARA at UCLA; letter to TYF from Chon [Noriega], 08/08, re. CARA Film & Video Series; program copy of CARA Film & Video Series; letter to John Lane, Director San Francisco Museum of Modern Art, from Marcos Sanchez-Tranquilino, 06/17/1991, and response, 07/09/1991; essay, "The Political and Social Contexts of Chicano Art" by Shifra M. Goldman and TYF; CARA travel schedule)

(draft of components of the catalog; letter to TYF from Teresa McKenna, Editorial Board, CARA, 03/30/1989, re. TYF's essay for catalog; correspondence between Ray Rocco, Director National Association of Chicano Studies Conference, and CARA organizers, 03/1989, re. Silkscreen Print Taller Exhibition)

(letter to TYF from Holly Barnet-Sanchez, 07/12/1989; copy of proposal submitted to the NEH on 06/09/1989)

(performance announcement - unrelated to CARA?; invitation to exhibition opening; clippings, one related to Compañeras exhibit; CARA newsprint flyer)

(invitation; publicity packet; clippings; symposium announcement/abstrace/schedule; invitations)

(letter to TYF from Holly Barnet Sanchez and Marcos Sanchez-Tranquilino, 04/26/1989, re. TYF's contract for his essay; correspondence re. TYF's loan for the exhibition, 1990, and receipts; TYF's notes for his essay for the catalog)

(clippings; invitation to exhibition opening; program of events; National Museum of American Art May and June 1992 schedules brochure; NMAA symposium "Contemporary Mexican-American Culture" - notification and invitation; press release)

("Chicano Cinema: Una Poca De Gracia"; course packet for UGS043, Winter Quarter)

(postcard to TYF from Nina Menández)

(course-related materials [?]; outline; poems; Zoot suit handouts)

(exhibition, Intar Latin American Gallery, New York and El Centro Chicano, Stanford University; catalog; exhibition announcement; activity schedule)

(letter to TYF from Jennifer Heath, CHAC, 01/29/1993; clippings)

(newsletter: 12/81; 03/82; 05/82; 06-07/82; 08-09/82; 10-11/82; 01/83; 02-03/83; 04-05/83; 08-09/83; 10-11/83; 01-02/84; 03-04/84; 05-06/84; 07-08/84; 09-10/84; 11-12/84; 03-04/85; 05-06/85; 06-07/85; 07/85; 08/85; 09/85; 10-11/85; 12/85; 01/86; 02/86; 03/86; 04/86; 05/86; 06/86; 07/86; 08/86; 09/86; 10/86; 01/8702/87; 04/92; 01/93)

(Raices y Razones - Roots and Reasons: Symbolism in Chicano Art; presentation summary; poster; Amor en Aztlán Acrosscultural fiesta: announcement and calendar of events; CHAC design contest entry form; exhibition announcements; organization brochures; invitations; event announcements; CHAC Center User Survey, blank; photocopy of floor plan for Denver facility; clippings)

("Guide to the Chicano/Latino Archive")

( The Chicano Movement: Some Not Too Objective Observations By Abelardo B. Delgado , Denver: Colorado Migrant Council; distributed by Totinem Publications, 1971; essays by TYF, Richard A. Garcia, Tomás Almaguer "The Chicano Movement and the Emergence of a Chicano Poetic Consciousness"; "The Chicano Movement and the Mexican American Community, 1972-1978: An Interpretive Essay"; "Chicano Politics in the Present Period: Comment on Garcia")

(brochures; invitation; unused temporary tattoo)

(film; clippings; essay, "The Story of Chicano Park" by Eva Cockroft)

(film; flyer; information sheets about the film and its background including synopsis; photocopies of drawings made by elementary school students in response to the film and letter to producers from their teacher, 06/12/1987; photocopies of letters to the producers from: Gregroio Cervantes, Inland Counties Legal Services, 05/19/1989; Manuel Gomez, Assistant Vice Chancellor, Academic Affairs, U.C. Irvine, 04/06/1989; Francisco H. Vázquez, Director, World Studies Program, World College West, 06/07/1989; Laura Rodriguez, one of the people in the film, undated; J. Hunter Todd, Chairman and Founder, Houston International Film Festival; Susan Adkisson, Administrative Assistant, Mexican American Commission, State of Nebraska, 04/18/1989; invitation/program for San Francisco premier of the film)

( Nueva Luz: A Photographic Journal, vol.4, no.2, 1993; booklet; clipping)

(Fall 1976, no.1; Winter/Spring 1977, no. 2; Vol.1, no.3 1977; Special Issue 1977; vol. 2, no.1 1978; Feb. 1980; No. 7, Jan. 1981 - Special Woman's Issue; No. 9, 1983; No. 10, May 1984)

(magazine, funded by Movimiento Estudiantil Chicano de Aztlan - M.E.Ch.A., University of California, Berkeley. Vol. 12, no.2, Spring 1983; Vol. 13, no.1, Fall 1983; Vol. 13, no.2, Spring 1984; U.C. Berkeley Chicano Studies Program information sheet)

(catalog, ¡Chispas! Cultural Warriors of New Mexico, Phoenix, Arizona: The Heard Museum, 1993)

(poem; mazagine, Vida Loca: A Magazine by Raza and for La Raza, no. 69, May/June 1999)

(typescripts of papers: "Lowriding: The Fusion of Cultural Symbols and the Diffusion of Cultural Myths", presented at the Nation Association for Chicano Studies Conference, Houston, 04/1981; "The Rise and Spread of Cholismo as a Border Youth Subculture", prepared for the Southwest Border Regional Conference's Third Annual Binational Border Governors' Conference, Tijuana, 09/1982; draft of project report on the project, "Cultural Change and Continuity Among Borderland Youth: The Signs and Symbols of Cholismo on the Frontera; clippings)

(publication announcements; clippings; newsletter, El Grito/The Call, CET, undated)

(lecture announcements: "Cholo Iconography")

(no.1, 1979, sol; May 1979; no. 2, 1980, sol; January 1981; March 1981; Spring 1981; June 1981; 1982; March 1984; Vivo Magazine, vol. 1, no. 3, 1982)

(TYF's notes on Low Riders, or cholos; essays; clippings)

( Cinco de Mayo: A Resource Handbook, San Francisco Unified School District - curriculum booklet; clippings; TYF's notes on history of 5 de Mayo)

(clippings; Southwestern Studies monograph, Faces of the Borderlands: Twenty-one Drawings by José Cisneros, with text by the artist, Texas Western Press, University of Texas at El Paso, El Paso, Texas)

(announcement of presentation to be made by TYF)

(clippings; TYF's notes; catalogs; Colorado Springs Fine Ars Center Publication List; exhibition announcements; brochures)

(magazine published by El Periodico La Cucaracha, Inc., Pueblo, Colorado; 20 de Febrero, 1982, vol. 7, no. 2; 17 de Marzo, 1982, vol. 7, no. 3; 14 de Abril, 1982, vol. 7, no.4; 11 de Junio, 1982, vol. 7, no. 6; 14 de Agosto, 1982, vol. 7, no. 8; 23 de Octubre, 1982, vol. 7, no. 10; 27 de Noviembre, 1982, vol. 7, no.11; 22 de Diciembre, 1982, vol. 7, no. 12; 21 de Enero, 1983, vol. 8, no. 1; 18 de Febrero, 1983, vol. 8, no. 2; 28 de Marzo, 1983, vol. 8, no. 3)

(29 de diciembre, 1982, vol. 8, no. 52; 2 de marzo, 1983, vol. 9, no. 9; 9 de marzo, 1983, vol. 9, no. 10; 16 de marzo, 1983, vol. 9, no. 11; 23 de marzo, 1983, vol. 9, no. 12)

(letter to TYF from Eva, Social and Public Art Resource Center (SPARC), 11/17/1989, re. Community Murals; Spring 1984; Winter 1985, vol. 10, no. 1; Spring 1987, vol. 12, no. 1; Summer 1987, vol. 12, no. 2; Fall 1987, vol. 12, no. 3; Winter 1987, vol. 12, no. 4)

(newspaper: Sunday supplement to The Opinion, Los Angeles, California. 27 de marzo, 1983; 3 de abril, 1983; 5 de junio, 1983; 10 de julio, 1983; 14 de agosto, 1983; 11 de septiembre, 1983; 10 de mayo, 1987)

(letter to Dr. Guy Bensusan, Associate Professor, University of Arizona, 07/22/1972; Con Safo organizational information: list of needs, meeting notes, mission statement - Brown Paper Report; "General Comments" [by Felipe Reyes?]; clippings; exhibition announcements; catalogs; photographs of Con Safo members; material for TYF's course on Chicano Culture)

(multiple drafts of paper by Ruben Cordova)

(board meeting minutes; meeting announcement; Chicano Artistas "Priciples of Organization"; member address list)

(organization, San Francisco, California, founded by La Raza women; organizational information; invitation)

(exhibition: 1598, 1848, 1898: Conquest and Consequences, Museo de las Américas, Denver, Colorado, catalog)

(invitation to Chicana/o or Latina/o Artists to participate in the book)

(catalog, Contemporary Hispanic Shrines, Freedman Gallery, Albright College, Reading, Pennsylvania)

(note to TYF from Contreras, circa 12/93)

(Serie Print Project, organization; organization brochure; exhibition announcement)

(poetry booklets; letter to members from Cortez; clipping; list of artists)

(exhibition, Centro Cultural de la Raza, San Diego, California; Mexi-Arte, Austin, Texas, and MARS, Phoenix, Arizona; exhibition announcement; invitation)

(TYF's notes on Covarrubias)

(catalog signed by Carmen Lomas-Garza; exhibition checklist)

(collection of essays on Chicano music and art with biographies of musicians and artists, Dále Kranque: Chicano Music and Art in South Texas, Chicano Music and Art Project, University of Minnesota)

(essay reprint, "Latin Lessons: Do Latinos Share a World... Or Word?" Oxford UP, 1994)

(research progress report; Faculty Mentor Program forms and paperwork; clippings; note to TYF from de la Riva, undated)

(clippings; resume; typescript sections and drafts of catalogs; catalogs; catalog, Crossing Boundaries: Jamex and Einar de la Torre, Steven La Ponsie, and Ronald Gonzalez, Fisher Gallery, University of Southern California, University Park, Los Angeles, 1999)

(correspondence re. de León's daughter's illness; flyer listing de León's accomplishments and activites; auction announcement and clippings related to de León's mural "El Molcajete Cósmico")

(ArtPace International Artist-In-Residence Program artist biography brochure)

(catalog, Contrasts: Forty Years of Change and Continuity in Puerto Rico, Smithsonian Institution Traveling Exhibition Service, 1990)

(handwritten letter to Sister Karen from TYF, 08/20/1977 [draft]; exhibition and event announcements and invitations; clippings; brochures; TYF's typed notes, "Altares y Offrendas"; TYF's handwritten notes on "Dia de los Muertos"; Roberto Chavez post cards; flyers; photograph of altar; "Ritual and El Dia de Los Muertos: A Day of the Dead Curriculum Handbook for Teachers" prepared by the Education Department of the Mexican Museum; catalog; excerpt from Las Ofrenda: The Days of the Dead, monologues of artists on fax to TYF; invitation; exhibition announcement; photocopy of article by TYF, "Recuerdo, Descubrimiento, Voluntad: Mexican/Chicano Customs for the Day of the Dead"; catalog; TYF's notes on Dia de los Muertes; color photocopy of altar; The Mexican Notebook: The Newsletter of the Consulate of Mexico in New York, vol. 6 no. 9, November 1997)

(exhibition announcement and curatorial statement; ArtPace International Artist-In-Residence Program brochure; "I [heart] Cuba" essay by Victor Zamudio Taylor; note to TYF from Diaz, 01/29/2003, with "Brillo/AMOR" edition for MoMAQNS [cardboard box, collapsed])

(letter to TYF from Díaz, 03/19/1988, and postcard, undated)

(typescript of play, La Frontera Tiene...Ese, No-se-que!)

(letter to TYF from Durán, 10/15/1986; exhibition announcement)

(letter to TYF from Durán, 10/07/1989)

("The Lack of Hispanic Economic Progress During the 1970s: Preliminary Obervations" by Franklin James, Graduate School of Public Affairs, University of Colorado at Denver - paper sent to "Chicano Faculty" Stanford University from Armando Valdez)

(letter to TYF from Elizondo, 02/12/1992)

(organizational history; "La Nueva Esperanza" Building Project Description; clippings; correspondence and documents related to art funding controversy; exhibition announcements; note to TYF from Karen Whitney, Board Member, Esperanza, 05/21/1995, thanking him for his contribution to the building fund; press packet; exhibition booklet)

(clippings and materials provided by TYF to help Esperanza to fight funding cut, and information sent to TYF)

(magazine issues: Nov 1993; May 1994; June 1994; Nov. 1994; May 1995; June 1995; March 1996; May 1996; Sept 1997; May 1998; Nov, 1998 - Dec. 1999/Jan. 2000; April 2000 - Nov. 2001 [Sept. 2001 issue has misprinted date, May 2001, on cover]; Feb. 2002 - April 2003; June 2003 - July/Aug. 2003; Oct. 2003 - Nov. 2003; April 2004; June 2004 - Dec. 2004/Jan. 2005 [Dec. 2004/Jan. 2005 issue has misprinted date, Dec./Jan. 2003, on cover])

(clippings; TYF's notes on Espinoza on 2 small slips of paper)

(letter to TYF from Esquibel, 03/10/1975, asking TYF to write an introduction to Esquibel's thesis, with outline of paper)

(prints of saints and religious scenes, mostly printed in Mexico)

(exhibition announcement)

(invitations; catalog; letter to TYF from Maureen Leon Acosta, Director, Artistic Images, Expresiónes Hispanas, 08/18/1987; list of artists; press release and entry packet)

(exhibition announcements; note to TYF from Karen Mary Davalos, 03/1990; resume; clippings)

(catalogs; broadside; schedule of events; "Foro Frente a Frent" packet; Boletín Cefnomex, publicacion Bimestral de Centro de Estudios Fronterizos del Norte de México, Tijuana, Baja California, México, vol.1 no. 6 Noviembre-Diciembre) 1985; El Correo Fronterizo, publicacion Bimestral de El Colegio de la Frontera Norte antes Centro de Estudios Fronterizos de Norte de México, Tijuana, Baja California, México, vol. 1 n. 4, septiembre-octubre, 1986)

(Latin American Fiesta Week catalog; funding for festivals and memo on restrictions in dealing with embargoed countries [Rockefeller Foundation documents])

(exhibition announcement; clipping; press Release, full title of exhibition is "Prelude to the Fifth Sun: Contemporary/Traditional Chicano and Latino Art"; catalog)

(exhibition announcement; letter to TYF from Tey [Nunn], Museum of International Fold Art, Museum of New Mexico, 10/30/2002; press release; clipping; draft sections of catalog)

(clippings; TYF's note on Flores)

(letter to "Friends and Supporters"; brochure)

(course bibliography, University of Washington Continuing Education; TYF's notes on folk art; flyers; lecture announcement; brochures; exhibition announcements; San Antonio Museum Un-School schedule; San Antonio Museum Association Quarterly, Autumn 1986; letter to TYF from David J. de la Torre, Executive Director, The Mexican Museum, San Francisco, 08/06/1986, invitation to symposium, Mexican Folklife, Folklore and Folk Art: Impact and Meaning in a Contemporary Context; grant application for symposium, Mexican Folklife, Folklore and Folk Art: Impact and Meaning in a Contemporary Context; clippings; Las Notícías [community newsletter], Pasadena, California: Nov-Dec. 1984, Jan.-Feb. 1985, May-June [1985], Sept.-Oct. [1985], Nov-Dec. [1985], Mar.-Apr. [1986], May-June-July [1986], Sept.-Oct. [1986], last page of issue 6)

(letter to TYF from Jane Bloom, Tianguis Folk Art, New York, 01/13/1983; polaroids of works of art - masks, retablos, ex votos - in stock at Tianguis Folk Art)

(clippings; TYF essay, "I Can Still Hear the Applause: La Farandula Chicana: Carpas y Tandas de Variedad")

(bibliography; handwritten essay, not by TYF)

(exhibition checklist; "Homenaje a Carlos Gardel" poster and packet; exhibition announcements; clippings; Christmas card; press release)

(color copies and note card of Frausto's work; business card; photocopy of essay by Guillermo Gómez-Peña)

(exhibition monograph, Michelle Smith Omari, From the Inside to the Outside: The Art and Ritual of Bahian Candomblé, Museum of Cultural History, UCLA, 1984)

(postcard to TYF from Fusco; clipping)

(clippings; flyers; color photographs of works of art; catalogs; exhibition announcements; photo-post cards; event announcements; "Thoughts on La Cultura, the Media, Con Safos and Survival" by José Montoya; oversize poster; letter to Rene Yanez and Ralph Mardiaga, Galería de La Raza, from Amalia Mesa-Bains, 03/30/1984, cc: TYF, re. an exhibit; invitations; letter to TYF from Lucia Rodriguez, 05/12/1987; Galería de la Raza Prints and Postcards order form; donor receipt from when TYF lent piece to La Cruz/Spiritual Source; letter to TYF from Humberto Cintron, Administrative Director, Galería de la Raza/Studio 24, with draft proposal for Rockefeller Foundation, 01/29/1990; press releases; "Cine Accíon News" vol. 8, no. 2 (August-November) 1990; Ambiente Chicano/Latino Arts and Culture in San Francisco, 2 issues, 1990; booklets; posters; 25th anniversary printed material; photocopy of letter to Alicia [?] from TYF, circa 3/96, with draft of "The Legacy of La Galería de la Raza/Studio 24" by TYF)

(no. 1, June 1988 - Ester Hernández; no. 2, Jan. 1989 - Juana Alicia; no. 3, Jan. 1989 - Barbara Carrasco; no. 4, Mar. 1989 - Cristina Emmanuel; no. 5, May 1989 - Enrique Vidal; no. 7, July 1990 - Ralph Maradiaga; no. 8, May 1991 - Gilbert Sanchez Lujan)

(typesetting and printing by La Raza Graphic Center, San Francisco. "People's Murals" newsprint flyer, San Francisco Museum of Modern Art; National Murals Network Newsletter: 1978; Fall 1979; Winter 1979; Spring 1980; Fall 1980; Community Murals: Fall 1981; Spring 1981; Spring 1982; Fall 1982; Spring 1983; Fall 1983; Spring 1984; Summer 1984; Fall 1984; Winter 1984; Winter 1985; Spring 1985; Spring 1986; Summer 1986)

(clippings; exhibition announcement; exhibition booklet and list; script, Vacant Tour)

(exhibition announcements; fundraising letter; handwritten monoprint inscription, photocopy of draft, "So Do You Want the Truth Or Do You Want To Stay Happy...")

(events calendar; TYF's notes, "History: Galería de la Raza"; exhibition announcements; exhibition booklets; press release; clippings; photograph of art, "Ay Dios" by Cristina Emmanuel)

(timeline of exhibitions; TYF's notes on the history, 1 slip of note paper; clippings)

(exhibition list; note to TYF from Carmen Lomas Garza, 04/1984)

(clippings; invitation; exhibition schedules; NEA Progress reports, 1976-77; 78-79; 79-80; fax to TYF from Amalia Mesa-Bains, 04/01/1996, with exhibition timeline)

(book, "suitable for coloring and framing" by Sir Loco)

(project announcements; catalogs; "A Report on the (Re)Generation Project" by David Contreras, project coordinator; "Phase I: 1994-1995 Information Packet," binder)

(organization, also called La Raza Galeria Posada, Sacramento, California. Clippings; catalogs; exhibition announcements; color copy of art pasted on board; membership form; flyers; El Cantero, quarterly newsletter: Jan.-March 2003, June-Sept. 2003, Sept.-Dec. 2003 and Jan.-March 2004; 2003-2006 Programming Presentation; "A Collective Vision" Presentation)

(clippings; writings by Gamboa - performance scripts and essays; artist biography; brochures; exhibition announcements; 1 page of TYF's notes on ASCO; partial grant application)

(poetry books; letters to TYF from Gamboa, 01/29/1989; 02/06/1989; 02/12/1989; clippings)

("Latino 2000: Cien Retratos: One Hundred Portrais: A Visual and Oral History of the Latino/a Experience in the United States" project abstract and seminar paper presented at Hispanic Expressive Culture and Contemporary Public Discourse, Southwest Hispanic Research Inststute, University of New Mexico, Albuquerque; slides; catalog Retratos Nuevomexicanos: A Collection of Hispanic New Mexican Photography, Millicent Rogers Museum, Taos, New Mexico, 1987; catalog, Varrio San José: Scenes from an Urban Chicano Experience, National Museum of American History, Smithsonian Institution, Washington, D.C., 1990; clippings; photograph prints; exhibition announcements; resume)

(clippings, one with a message to TYF from Bavi)

(exhibition catalogs; Rupert Garcia, Hartcourts Gallery, San Francisco, 1985; The Art of Rupert Garcia, Chronicle Books and the Mexican Museum, San Francisco, 1986; Rupert Garcia: Prints and Posters, 1967-1990, The Fine Arts Museums of San Francicsco and the Centro Cultural/Arte Contemporáneo and Fundación Cultura Televisa, A.D., 1991; Aspects of Resistance: Rupert Garcia, Alternative Museum, New York City, 1994)

(writings by Garcia; clippings; brochure; photographs; copy of letter to Professor Mario Barrera Director of Chicano Studies, University of California Berkeley, from TYF, 05/28/1979, on behalf of Garcia; letter to Jean from Garcia, 03/08/1979 photocopy with slide list; exhibition announcements; press releases; letter to Dr. Manuel Carlos, Department of Chicano Studies, University of California Berkeley, from TYF, 11/04/1983, on behalf of Garcia, photocopy and handwritten draft of letter; resumes; correspondence re. the nomination of Garcia for the 1992 Distinguished Artist Award for Lifetime Achievement)

(vol. 14, no. 4 March-April 1984; vol. 17, no. 1 October 1985; vol. 18, no. 1 November 1985)

("Perceptions of Discipline-Based Art Education and the Getty Center for Education in the Arts")

(photcopy of chapter of a book, written by Glassie)

(clippings; drafts and final published versions of writings by Goldman; letter to TYF from Goldman, 04/14/1979; TYF notes [for Bibliography of Chicano Art]; Conferencia Plástica Chicana, Austin, Texas, announcement letter to Goldman, 08/05/1979 and schedule; letter to TYF from Goldman, 09/25/1979; note to TYF from Goldman, 12/18/1980, re. letter to Jacinto Quirarte from Goldman, 12/18/1980, cc: TYF; draft of letter to Goldman [TYF's handwriting], undated, re. her CALIFAS catalog essay; International Inventory of Current Mexico-Related Research survey, filled out by Goldman; letter to TYF from Goldman, 09/27/1984; L.A. Artists Call against U.S. intervention in Central America flyers; letter to TYF from Goldman, 06/28/1985; letter to Carolyn [Soto] from Goldman, 04/13/1985, cc: TYF, re. Bibliography of Chicano Art; letter to TYF from Carolyn Soto, 10/04/1985; letter to Lily from Goldman, cc: TYF, 06/28/1985; letters to TYF from Goldman, 08/26/1986, 11/11/1988, 10/06/1994; bibliographic notes; letter to Goldman from Pan American University Press, 01/31/1989, re. Bibliography of Chicano Art, photocopy)

(correspondence between Goldman and Jacinto Quirarte, University of Texas San Antonio - photocopies, with note to TYF on 05/16/1985 letter; clippings)

(note to TYF from Gómez-Peña, undated; Sara-Jo Berman resume; clippings; performance and exhibition announcements; note to TYF from Gómez-Peña, circa 04/1985 [on back of performance announcement]; letter to TYF from Gómez-Peña, circa 1987; photocopies of art; essay by Emily Hicks [title page and table of contents]; 1987 article by Lucy R. Lippard; writings by Gómez-Peña; writings by Coco Fusco; press releases; Gómez-Peña resume; slides; performance scripts; artist biography; 2 audio cassette tapes: Border Notebook, 1990, and Norte Sur, 1990; poem by Gómez-Peña, "Ocnoceni [in some other place]," 1985; letter to TYF from Coco [Fusco], 11/07/1991; postcard to TYF from Gómez-Peña and Coco Fusco, 12/17/1992; color photograph of work of art; postcards to TYF from Gómez-Peña and Coco [Fusco], 11/22/1992, 03/19/1993; photograph from "The Year of the White Bear")

(letter to González from TYF, 07/30-1991, photocopy)

(chronology; catalog, Portraits on the Wind: Robert González a Retrospective Exhibition, The Mexican Museum, San Francisco, 1990; clipping)

(clippings; photograph, with note to TYF on the back)

(call for slides; TYF's notes)

(exhibition announcements; clippings; books: Kim, Sojin, Chicano Graffiti and Murals: The Neighborhood Art of Peter Quezada, University Press of Mississippi, Jackson, 1995, and Ortega, Gil, The 50's... and Other Assorted Chicano Graffiti, 1981)

(slides of graffiti and some miscellaneous art)

(resume; letter to TYF from Greco, 02/15/1991; research proposal)

(2 pages of TYF's notes)

(exhibition announcements; catalogs, ¡Gronk! A Living Survey 1973-1993, The Mexican Museum, San Francisco, 1993)

(photographs of art; "poster poems" including "Will not harm the ozone" by Angela de Hoyas; symposium/exhibition announcement, keynote address by Lucy R. Lippard: "Contemporary Art By Women", 1990; class, workshop and event schedules; letter to TYF from Kathy Vargas, circa 12/1983; San Antonio Cinefestival Prospectus and Schedule; theater programs; "call for entries" posters, flyers and brochures; Tejano Conjunto Festival program; GCAC informational packet; exhibition announcements; "Friends of Folk Art," San Antonio Museum Association, flyer; catalogs; ; letter to TYF from Linda Cuellar, co-director San Antonio CineFestival 1988, 09/21/1988; San Antonio book fair flyers; membership brochures; letter to TYF from Suzanne M. Sato, Rockefeller Foundation, 05/04/1989, re. funding for GCAC and notes (not TYF's); Latino Caucus Minutes, Oklahoma City, 06/09/1990; TYF's notes [from Latino Caucus?]; note to TYF from Kathy Vargas, 09/18/1991; letter to TYF from Yvette Nieves-Cruz, 06/10/1991, re. Dialogues In Movement: A Chicano Media Arts Retrospective, with enclosures; clippings; letter to TYF from Pedro Rodgriguez, 08/26/1991, re. pre-conference meeting for the national conference of Latino arts and culture and related documents; invitations; National Association of Latino Arts and Culture - NALAC - Newsletter, vol.2, no. 1, March-April 1994; note to TYF from Pablo, 07/09/2001; Christmas cards to TYF from GCAC; GCAC newsletter: vol. 1, no. 8, October 1987; vol. 2, no. 3, January 1988-vol.4 no.6, March 1990; vol. 6, no. 5, February 1991-vol.6, no.8, May 1991; vol. 6, no. 19, July 1991; vol. 7, no. 1, October 1991-vol. 7, no. 2, Novemeber 1991; vol. 7, no. 9, June 1992-vol. 8, no. 3, March, 1993 - there are some errors in the numbering of volumes and issues; The GCAC News [continuation of the newsletter?]: vol.1, no. 1, May/June, 1993-July/August/September, 1993; vol. 2, no. 1, January/February/March 1994; vol. 2, no. 4, October/November/December 1994-vol. 3, no. 2, April/May/June 1995; vol. 4, no.1, January/February/March 1996; vol.4, no. 3, July/August/September 1996-vol. 5, no. 1, January/February/March 1997; vol. 5, no. 4, October/November/December 1997-January/February/March 1998; vol. 6, no. 1, July/August/September, 1998-October/November/December, 1988)

(note: volume and issue numbering is inconsistant. Dec. 1983/Jan. 1984 - June/July 1984, vol. 1, nos. 1-4; Jan. - March 1985, vol. 2, nos. 1-2; Jan. 1986, vol. 3, no. 1; May - July 1986, vol. 3, nos. 3-4; Nov. 1986 vol. 4, no. 1; May 1987, vol. 4, no. 2; Nov. 1987, vol. 4, no. 5; May 1988, vol. 5, no. 2; July 1988, vol. 5, no. 3; Nov. 1988, vol. 6, no. 1; May 1989, vol. 6, no. 2; Jan./Feb. 1990, vol. 7, no. 1; May 1990, vol. 6 (sic), no. 2; Oct. 1990, vol. 6, no. 3; May 1991, vol. 7, no. 2; Jan./Feb. 1992, vol. 9, no. 1; May 1992, vol. 8, no. 2; May 1993, vol. 8, no. 4; May 1994, vol. 9, no. 1; May 1995, vol. 11, no. 2; Jan. 2000, vol. 17, no. 1; Summer 2000, vol. 18, no. 2; Fall 2000, vol. 20, no. 2; Winter/Spring 2001, vol. 20, no. 3; Summer 2001, vol. 23, no. 4; August 2002; Spring 2003; Winter 2004; Fall 2004)

(letter to TYF from Víctor J. Guerra - Luis Guerra's brother - 01/14/1991; slides; postcard to TYF from Luis Guerra, undated; resume; clippings; color and b/w photocopies of photos of art; biographical information)

(exhibition announcement; letter to TYF from Guerrero, 11/15/1992; note card to TYF from Guerrero, 12/09/1992; color photocopy of a photograph of art)

(exhibition announcements; writings by Guerrero; essay by Shifra Goldman about Zarco; clippings)

(note to TYF from Noey Lozano, circa 06/1987 and related note to Noey from Diego M. Rios; letter to TYF from Heisley, 07/18/1987 and enclosed program of a "Mexican Players" performance; letter to TYF from Heisley, 02/25/1994, re. TYF's letter of recommendation and enclosures of Heisley's work - resume, essay/article)

(exhibition announcements; post cards of Hernández' art; catalogs; business cards; letter to TYF from Hernández, 07/13/1993; 2 copies of no. 1 of the Galería de la Raza/Studio 24 Artist Monograph Series, one inscribed to TYF and one to Dudley; clippings)

(photographs; clippings; letter to Clara [?] from Hernández, 05/21/????)

(invitation with note to TYF from Herrara, circa 04/1986; postcard to TYF from Herrera, circa 1988; letter to TYF from Herrera, 11/03/[1987], requesting that TYF write a letter of recommendation for him, with accompanying materials; poem and essay by Herrara; clippings)

(resume; TYF's notes on an interview with Baca and Herron; "Los Illegals" printed material)