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Lillian E. Hall papers
This record forms part of the Chicago’s Art-Related Archival Materials: A Terra Foundation Resource project funded by the Terra Foundation for American Art. For this project, the Archives surveyed archival repositories throughout the Chicago region to identify art-related materials contained in their holdings. While the Archives of American Art does not own any of the materials described herein, information about those materials and links to the original repositories have been included when available.
2.0 linear feet of material consisting of a photograph of Lillian E. Hall, her diploma for a B.A. in Visual Arts from the Institute of Design, art projects, a color design for a boomerang, and sketches. These materials show the kind of academic work undertaken by students of design under instructors influenced by the New Bauhaus movement.
Biographical Historical Note
Lillian E. Hall studied at the Institute of Design in Chicago, receiving her B.A. in Visual Arts in 1948. Hall studied at the Institute of Design during a period known for the New Bauhaus movement.
The Institute of Design was founded under the name The New Bauhaus: Chicago School of Design in 1937 by László Moholy-Nagy, a Hungarian professor of the Bauhaus school. It was the immediate successor to the German Bauhaus, dissolved in 1933 under National Socialist pressure, and continued its philosophy of modernist, human-centered design. In 1939 the school changed location and was renamed the School of Design. It later merged with the Illinois Institute of Technology's College of Architecture, led by Bauhaus alumnus Mies van der Rohe, and in 1944 the School of Design was renamed the Institute of Design in Chicago.
Related collections: Institute of Design Collection, Ryerson and Burnham Archives, Ryerson and Burnham Libraries, The Art Institute of Chicago; Visual materials from the Institute of Design, Lyle Mayer photograph collection, Larry Janiak teaching at the Institute of Design and Larry Janiak papers, Arthur Siegel photograph collection and supplements, Eugene Dana collection of visual materials, Gordon Coster photograph collection, Chicago School of Design film out-takes, Eugene Dana collection of visual materials, Ray Pearson collection of visual materials, Ray Pearson papers, and Ray Pearson's Institute of Design collection of visual materials, Chicago History Museum; Institute of Design Records, Institute of Design Photography Oral History Project, Institute of Design Records, Institute of Design Photography Oral History Project, Janet Nickle Collection, William Kessler Papers, Alain Findeli Papers, Allen Porter Collection, Roundtable discussion “Crombie Taylor, Aaron Siskind, and the Adler and Sullivan Project” and Crombie Taylor, Aaron Siskind, and the Adler & Sullivan Project Collection, F. Peter Weil Photographs, Beatrice Takeuchi Papers, Illinois Institute of Technology; Elizabeth H. Paepcke Papers, University of Chicago Library; Institute of Design collection, John E. Walley Papers, Leonard S. Rubenstein Design collection, Myron Kozman papers, Larry Janiak papers, Jack Weiss Associates collection, Robert Delson Papers,University of Illinois at Chicago, Richard J. Daley Library Special Collections and University Archives, University of Illinois at Chicago