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Stanton Macdonald-Wright papers, 1907-1973

Stanton Macdonald-Wright papers, 1907-1973

Macdonald-Wright, Stanton, 1890-1973

Painter

Representative image for Stanton Macdonald-Wright papers, 1907-1973

Funding for the processing of this collection was provided by the Frederick Hammersley Foundation.

Collection Information

Size: 3.1 linear feet

Summary: The papers of Southern California painter Stanton Macdonald-Wright measure 3.1 linear feet and date from 1907 to 1973. The collection contains correspondence with family, friends, and artists, including Morgan Russell, and his wife Suzanne Binon, Michel and Suzanne Seuphor, Ann and John Summerfield, and Bethany Wilson. Also found are writings, six diaries, travel journals, printed materials, and artwork.

Writings consist of drafts of essays, plays, and book manuscripts. There are drafts of "A Treatise on Color," with palettes and color wheels, "The Basis of Culture," and Macdonald-Wright's autobiography "Bittersweet: An Artist's Life."

There are six diaries and numerous travel journals. One diary was written in Paris in 1909 in which Macdonald-Wright muses over the aesthetics of art and his color theories. Five additional disbound diaries cover his life from 1939-1973. Travel journals date from 1959-1972 and cover trips to Italy, Japan, and Hawaii.

Printed material includes a copy of "Les Synchromistes" exhibition catalog, a newspaper clipping, and "The Future of Painting," by Willard Wright. Artwork consists of blueprints for Macdonald-Wright's Synchrome Kineidoscope, a color and light projecting machine first envisioned by Macdonald-Wright and Morgan Russell as early as 1913 and finally completed in the late 1950s.

Biographical/Historical Note

Stanton Macdonald-Wright (1890-1973) was the creator of a modernist style of painting based on pure spectral color known as chromatic abstraction or "Synchromism," who worked in New York and Los Angeles.

Provenance

The bulk of the Stanton Macdonald-Wright papers were donated to the Archives of American Art by his widow, Jean Macdonald-Wright, in 2 installments in 1995. The artist's unpublished autobiography was donated to the Archives by gallery owner David Nellis in 1978.

Related Materials

The Archives of American Art holds several collections related to the Stanton Macdonald-Wright papers. There is an oral interview of Stanton Macdonald-Wright conducted 1964 April 13-September 16, by Betty Hoag. There are also Stanton Macdonald-Wright Letters to Alan and Fanny Leslie, the Stanton Macdonald-Wright Collection of photographs, Stanton Macdonald-Wright Letters to Morgan Russell, Walter Houk Letters from Stanton Macdonald-Wright, and an Oral History of Stanton Macdonald-Wright by Jeanne M. Marshall for the Voice of America Conducted in 1967.

Funding

Funding for the processing of this collection was provided by the Frederick Hammersley Foundation.

Location of Originals

  • Portions of the collection are available on 35 mm microfilm reels LA1 and LA5 at Archives of American Art offices, and through interlibrary loan.

A Finding Aid to the Stanton Macdonald-Wright papers, 1907-1973, in the Archives of American Art
AAA.macdstan
Biographical/Historical note
Stanton Macdonald-Wright (1890-1973) was the creator of a modernist style of painting based on pure spectral color known as chromatic abstraction or "Synchromism." He worked in New York and later primarily in Los Angeles.
Stanton Macdonald-Wright was born in 1890 in Charlottesville, Virginia. In 1900 the family moved to Santa Monica, California where they ran a seaside hotel. A few years later he took courses at the Art Students League in Los Angeles, studying under Warren T. Huges. His older brother was Willard Huntington Wright, a respected art critic who wrote
Modern Painting: Its Tendency and Meaning
(1915), upon which he collaborated with his younger brother Stanton, and
The Future of Painting
(1923), and later became a detective novelist under the name S. S. Van Dine.
At the age of seventeen, Stanton Macdonald-Wright married his first wife and moved to Paris where he immersed himself in European art and studied at the Sorbonne, the Académie Julian, the École des Beaux-Arts, and the Académie Colarossi. While in Europe he also befriended fellow American painter Morgan Russell and the two artists began working closely together. They studied with Canadian painter Percyval Tudor-Hart between 1911 and 1913 and were deeply influenced by their teacher's color theory, which connected the qualities of color to those of music. Together Macdonald-Wright and Russell developed a style of painting based on color and named it "Synchromism." They introduced their work in 1913 at the Der Neue Kuntsalon in Munich and in Paris at the Galerie Bernheim-Jeune. These exhibitions helped to establish Synchromism as an major influence in modern art well into the 1920s.
Stanton Macdonald-Wright and Morgan Russell returned to the United States eager to promote their work and theory. It was not long before the two separated, but both continued to work in the Synchromist style. Together, they held one more Synchromist exhibition in New York in 1916 which received significant critical support. Macdonald-Wright also participated in the prestigious 1916 "Forum Exhibition of Modern American Painters" in New York and exhibited his work at Alfred Stieglitz's famed 291 gallery in New York in 1917. Yet, financial success evaded him.
Macdonald-Wright moved to Santa Monica in 1918, where he taught and served as director of the Los Angeles Art Students League. In 1924 he published his instructive
Treatise on Color
. In 1927 he organized another joint exhibition with Morgan Russell at the Los Angeles County Museum of Art, where he also exhibited five years later. He exhibited at the Oakland Art Gallery, the California Palace of the Legion of Honor in San Francisco, Alfred Stieglitz's An American Place gallery in New York, and the Stendahl Galleries in Los Angeles. From 1935 to 1942 Macdonald-Wright served as director of the Works Progress Administration's Federal Art Project for Southern California, followed by a faculty position at the University of Southern California at Los Angeles where he taught for sixteen years.
In the late 1950s, Macdonald-Wright completed the Synchome Kineidoscope, a color and light projecting machine first envisioned by Macdonald-Wright and Morgan Russell as early as 1913.
Macdonald-Wright traveled extensively throughout the 1960s and early 1970s, spending time in Hawaii, Italy, and Japan. Macdonald-Wright married three times and died in California in 1973, at the age of 83.
This biographical note draws heavily on the Archives of American Art's West Coast Regional Collector Paul Karlstrom's collection description written upon acquisition of the papers.
Arrangement note
The collection is arranged as 5 series.
Series 1: Correspondence, circa 1907-circa 1972 (0.5 linear feet; Box 1)
Series 2: Writings, 1920-circa 1970 (0.9 linear feet; Box 1-2)
Series 3: Diaries, 1909-1973 (1.3 linear feet; Box 2-3)
Series 4: Printed Material, 1913-1967 (0.3 linear feet; Box 3, OV 4)
Series 5: Artwork, 1969 (0.1 linear feet; Box 3, OV 4)
Provenance
The bulk of the Stanton Macdonald-Wright papers were donated to the Archives of American Art by his widow, Jean Macdonald-Wright, in 2 installments in 1995. The artist's unpublished autobiography was donated to the Archives by gallery owner David Nellis in 1978.
Location of Originals
  • Portions of the collection are available on 35 mm microfilm reels LA1 and LA5 at Archives of American Art offices, and through interlibrary loan.
Processing Information note
This collection was processed by Rihoko Ueno in 2014 with funding fromo the Frederick Hammersley Foundation.

Additional Forms Available

Microfilm reels LA 1 and LA 5 available at Archives of American Art offices through interlibrary loan.

Restrictions on Access

ACCESS RESTRICTED; use requires written permission. Contact Reference Services for more information.

Use of original papers requires an appointment and is limited to Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

How to Cite This Collection

Stanton Macdonald-Wright papers, 1907-1973. Archives of American Art, Smithsonian Institution.

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