Skip to main content

Sherman E. Lee papers, 1947-1997

Make a Request

  • To request an appointment to view materials, make your selections using the checkboxes and click the "Reading Room" button. Please note, you will receive the full box.
  • To request reproductions, make your selections using the checkboxes and click the "Reproduction" button.

Series 4: Writing Project Files , 1958-1997
1 Linear Feet
Boxes 4-5

This series consists of correspondence, contracts, and financial records concerning Sherman Lee's writings for various publications and organizations. Researchers should note that the actual writings are found within the writings and notes series.
Description Container Select
Article, Artibus Asiae, 1958-1972
4
40
Catalog, Asia Society, 1958-1980
4
41
"Tea Taste in Japan," Arts Magazine, 1963
4
42
"The Idea of an Art Museum," Oberlin College, 1963
4
43
History of Far Eastern Art, 1964-1982
4
44-46
"Portrait of the Jester by Velasquez," Bulletin of the Cleveland Museum of Art, 1965-1966
4
47
"The Concept of Art Forgery," International Academy of Law and Science, 1967-1968
4
48
"The Art Museum in Today's Society," Art News, 1969
4
49
"Painting," Quality, 1969
4
50
"The Water and the Moon in Chinese and Modern Painting," Art International, 1969-1970
4
51
"Two Cheers for Irrelevance," Case Western Reserve University , 1970
4
52
"The Art Museum as a Wilderness Area," Museum News, 1971-1973
4
53
Preface, Korean Art by Chewon Kim, 1971-1972
4
54
Milton Fox Memorial Essay, 1972
4
55
"The Tombs of Prince Liu and Princess Tu," Sunday Times, 1972
4
56
"Eye Object," Cleveland Institute of Art, 1972
4
57
"Tea Taste in Japanese Ceramics," Seattle, Washington, 1972-1974
4
58
"The Holy House of Nazareth by Francisco de Zubaran," for A.D. For the Year of Our Lord, 1973, 1973
4
59
Forward, Indian Paintings from the Punjab Hills by W.G. Archer, 1973
4
60
"Art and Archaeology in China Today," Baltimore Museum of Art and Smith College, 1973-1974
4
61
"Art Museums: International, National and Local Issues," City Club, Cleveland, Ohio, 1973-1974
4
62
Article, Art International, 1973-1980
4
63
"Art: East and West," Hiram College, 1974
4
64
Remarks, Skowegan School of Painting and Sculpture Awards, 1974
4
65
"Masterworks from Oriental Art Collection," Oberlin College, 1974
4
66
"Decorative Style and Realism in Japanese Painting," University of Virginia, 1974-1975
4
67
Lecture, National Endowment for the Humanities, Jefferson Lectures, 1974-1978
4
68
"Past and Present: the Dilemma of the Art Museum in China and the West," Portland, Maine, 1975
4
69
"The Essential Museum," North Carolina Art Society, 1975
4
70
"Ideology and Archaeology," New York Times, 1975
4
71
Remarks, Council of the Arts, Cleveland, Ohio, 1975
4
72
"Nature and Art: Chinese and Japanese Gardens and Paintings," Freer Gallery and Seattle Museum of Art, 1975
4
73
TV Script, NBC's Knowledge Series, 1976-1977
4
74
"Art Museums and Education," Council on Museums and Education in the Visual Arts, 1976
4
75
"Art Against Things," Art Association of Australia, 1976
4
76
"Collecting and the Seven Deadly Sins," Western Reserve Antique Show Exhibition Catalog, 1976
4
77
Article, Heibonsha Limited, 1977
4
78
"Pablo Picasso by Pierre Cabanne," The New Republic, 1977
4
79
"American Appreciation of East Asian Art," United States Information Agency, 1977
4
80
"Live, Liberty and the Pursuit of ... What?" College Art Association, 1977-1978
4
81
"Sanctuary," Kenyon College, 1977-1978
4
82
Preface, Six Persimmons by David Bershtein, 1978
4
83
"Characteristics of Japanese Art and Their Relevance Today," Japan Foundation, 1978
4
84
"Art and Archaeology of the People's Republic of China," Marietta College, 1978
4
85
Remarks, Cleveland Museum of Art Exhibition, Japanese Folk Art, 1978
4
86
"Chinese Painting," Savannah, Georgia, 1978-1979
4
87
"Chinese Contribution to World Art," Toledo Museum of Art, 1979
5
1
"Art Museums and the Problems Representative of China: Form and Contents," University of Chicago, 1979
5
2
Introduction, Genius of Japanese Design , 1979-1981
5
3
"The Nature and the Significance of teh Collection of Liang Ch'ing-Piao," Taiwan Symposium, 1979-1981
5
4
"The Importance of Chinese Art," Cummer Gallery of Art, 1980
5
5
"Themes and Variations: the Art of Tz'u-Chon Tradition," Indianapolis Museum of Art, 1980
5
6
Lecture, Chinese Painting, Kansas City, Missouri, 1980
5
7
"The Glories of Bronze Age China," New York Times, 1980
5
8
"The Importance of Chinese Art," Atlanta Historical Society, 1980
5
9
"5,000 Years of Korean Art," Korean Quarterly Journal, 1980
5
10
Address, University of Notre Dame, 1980-1981
5
11
"Collecting and the Seven Deadly Sins," Friends of the Philadelphia Museum of Art, 1981
5
12
"Sins and Virtues of Collecting," Kimball Art Museum, 1981
5
13
"Collecting," Philbrook Art Center, 1981
5
14
Lecture, San Antonio Art Museum , 1981
5
15
"Water, Trees and Rocks: Chinese Painting 1350-1650," Metropolitan Museum of Art, 1981-1982
5
16
"Mr. and Mrs. John D. Rockefeller III Collection," Conaissance Des Aets, 1981-1982
5
17
Remarks, Art Dealers Association of American Awards, 1981-1983
5
18
"The Sins and Virtues of Collecting," Center for Fine Arts, 1982
5
19
"Reflections of Reality in Japanese Art," Connaissance des Arts, 1982
5
20
Article, Museum Education, International Encyclopedia of Education, 1982
5
21
on Richard Fuller, Seattle Art Museum, 1983
5
23
"The View from the Japanese Landscape Print," Junior Council,
"Bits and Pieces from the Past," Intown Club, Cleveland, Ohio, 1983
5
24
"Asian Art and Culture," Smithsonian Institution, 1997
5
25

Make a Request

  • To request an appointment to view materials, make your selections using the checkboxes and click the "Reading Room" button. Please note, you will receive the full box.
  • To request reproductions, make your selections using the checkboxes and click the "Reproduction" button.