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Salvatore Scarpitta papers, 1934-2011

More Information

Ricky Gomez
Scope and Contents
The papers of sculptor, painter, and race car driver Salvatore Scarpitta measure 3.1 linear feet and 5.09 GB and date from 1934-2012. The papers include personal and professional letters from friends and galleries, exhibition and loan files, legal records pertaining to Scarpitta's estate, financial records, a scrapbook, photographs, printed and digital material, and video recordings.
Financial and legal records include court documents related to Scarpitta's estate, loan agreements with various museums and galleries, expenses for various exhibitions, records for commission work, and appraisal documents. Correspondence, both personal and professional, are from friends, galleries and institutions. Printed materials include magazine and newsletter clippings related to Scarpitta, exhibition materials from specific museums, exhibition catalogs and press releases, and miscellaneous materials such as school yearbooks. Photographic material includes personal photographs, photographs and digital photographs of artwork, photographs of Scarpitta as a racer, and a photo journal from a friend documenting his trip to see one of Scarpitta's exhibition openings. Video recordings, one in digital format, include materials related to Scarpitta's career as a race car driver.
Immediate Source of Acquisition
The Salvatore Scarpitta papers were donated to the Archives of American Art in 2014 by Salvatore Scarpitta's daughter, Stella Cartaino.
Related Materials
Also found in the Archives of American Art is an oral history interview with Salvatore Scarpitta conducted by Paul Cummings, January 31-February 3, 1975.
Funding
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Processing Information
The collection was processed and a finding aid prepared by Ricky Gomez in 2019. Born-digital material was processed by Kirsi Ritosami-Kisner with funding provided by Smithsonian Collection Care and Preservation Fund.