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More Information | A Finding Aid to the Ross and Dorothy Lake Gregory Moffett papers, circa 1870-1992

Ross and Dorothy Lake Gregory Moffett papers, circa 1870-1992

More Information

A Finding Aid to the Ross and Dorothy Lake Gregory Moffett Papers,
circa 1870-1992
, in the Archives of American Art
AAA.moffross
Finding aid prepared by Jill Lundin
Scope and Content Note
The Ross and Dorothy Lake Gregory Moffett papers measure 7.8 linear feet and date from circa 1870 to 1992. Because Dorothy Moffett's papers were received separately they are filed together in Series 13. Series 1-12 deal primarily with the life and career of Ross Moffett. The collection documents Ross Moffett's participation in the Provincetown community as an artist and resident through correspondence, photographs, sketchbooks and printed material, including published writings, news clippings, press releases, and exhibition catalogs. The papers of Dorothy Moffett include family letters, photographs, a journal and original artwork providing scattered documentation of her life and career as an a printmaker and illustrator.
General correspondence primarily focuses on news and financial affairs of the Moffett family farm in Iowa. Also included are letters from Provincetown artist, Edwin Dickinson, and a small amount of correspondence with other artists, collectors and dealers.
Files documenting specific projects that Ross Moffett was involved with are arranged separately and include correspondence, printed material and photographs. Project files have been established for the following projects: the publication of
Art in Narrow Streets,
the Eisenhower mural, the Cape Cod National Seashore Park and the renovation of the Center Methodist Church.
The series of printed material, 1918-1992, relates to Ross Moffett's career as an artist and his general interest in art. Photographs primarily focus on scenes of Provincetown and include photographs of works of art by Provincetown artists. Also included are photographs of artwork by Moffett arranged chronologically, Moffett's studio in Provincetown, and installations at the Provincetown Art Association Galleries.
Artwork found in Series 10 and 11 includes drawings by Ross Moffett and 85 annotated sketchbooks, including four by Dorothy Moffett.
The collection also houses research notes and files written by Josephine Couch Del Deo in preparation of a biography of Ross Moffett. These annotations provide useful additional information about Moffett's life.
Papers of Dorothy Lake Gregory Moffett include Gregory family letters, Dorothy's correspondence with her father, and letters from other family and friends. Also found are drawings, lithographs and etchings by Dorothy and photographs of her family and friends.
Language
English
Provenance
The material microfilmed on Reel D80 was lent for microfilming by Ross Moffett in 1962; originals are in Syracuse University, New York. The remainder of the collection was donated to the Archives of American Art in 1974 by Dorothy Lake Gregory Moffett, care of Josephine Couch Del Deo (Ross Moffett's biographer), who turned them over in installments. Archaelogical material and artifacts received with the papers were donated to the Robert S. Peabody Museum of Archaeology, Phillips Academy, Andover, Massachusetts.
Separated Material
In addition to the papers donated to the Archives of American Art a loan was received in 1962 and microfilmed on reel D80. The loan includes 150 letters relating to art organizations and museums; letters relating to government art projects; news clippings; records of the Provincetown Art Association and the Emergency Committee for the Protection of Province Lands; and miscellaneous publications.
Related Material
Related resources in the Archives of American Art include a sound recording of a transcribed interview with Ross Moffett by Dorothy Seckler, August 27, 1962; and a sound recording of an untranscribed interview with Dorothy Lake Gregory Moffett by Robert F. Brown, September 22, 1972.
Processing Information
The collection was processed by Jill Lundin in 1994 and J. Tallone in 1996. Funding for the processing and microfilming of material on reels 4924-4929 was provided by a grant from the Ellis L. Phillips Foundation, Boston, Massachusetts.