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Robert Wiegand papers and video art, 1953-1994

Robert Wiegand papers and video art, 1953-1994

Wiegand, Robert, 1934-1993

Painter, Video artist

Collection Information

Size: 10.9 linear feet

Biographical/Historical Note

Robert Wiegand (1934-1993) was a painter and video artist in New York, N.Y.


Donated 1998 and 2000 by Lynn Braswell, Wiegand's widow and in 2014 by Ingrid Wiegand, Wiegand's first wife.

Related Materials


Funding for the processing of this collection was provided by by a grant from the Mellon Foundation through the Council of Library and Information Resources' Hidden Collections grant program.

Scope and Contents

The papers of New York video artist and painter Robert Wiegand measure 10.3 linear feet and date from 1953 to 1994. Found within the collection are biographical materials, correspondence, art project and exhibition files, printed materials, video art, photographs, and industrial and miscellaneous video recordings. About one-half of the collection is comprised of video recordings.

Biographical materials include school yearbooks, video and paper documentation from his 1991 wedding, and photograph and video documentation of his funeral and memorial service in 1994. Also found are resumes and Wiegand's SoHo live/work artist permit from 1976.

Correspondence is comprised primarily of letters written by Wiegand, which were saved onto floppy disks and printed out, and a handful of letters received. Outgoing letters mainly concern Wiegand's video production work for hire and other personal financial matters. Letters received relate primarily to Wiegand's painting sales, and are from James McLeon, Vivian Browne, Susan Larson, Burt Chernow, and Alexandra Rose. Additional correspondence can be found in the project files.

Project files include documentation of the 1968 inaugural "10 Downtown" exhibition, the City Walls mural project, a multimedia art work created through the Experiments in Art and Technology (EAT) project called Changes, the products of the 1978 trip to India, including the video work, "Snapshots of an Indian Day," the "Madama Butterfly" video production produced by Wiegand, and the artist panel series, "ArtistsTalkonArt." The files contain a wide variety of documentation, such as correspondence, event flyers and press materials, photographs, slides, and videos.

Printed materials include exhibition and event announcements and catalogs, clippings and reviews, magazine publications, and published books that contain Wiegand's work. There is also one scrapbook compiled by Wiegand for his 5th One Man Show of Paintings at the Phoenix Gallery in New York City.

Video artworks created by Wiegand, often made in collaboration with his wife Ingrid, include Georges, Julie, Moran, Omar is El Uno, Nat, Walking (interstices), Face-Off, and How to tell an artist with Dr. Sheldon Cholst. Photographs include a combination of personal and professional photographs, although most of the materials are slides of artworks and events. Of note are slides from the "Bicentennial Banners" exhibition that Wiegand was invited to participate in and that was on display at the Smithsonian's Hirshhorn Museum in 1976.

The last series contains over 4 linear feet of all other video recordings and includes industry productions, independent projects, performance documentation, work samples, and works by others. Notable among these productions are documentation of Pamela Stockwell's reenactment of the Tomkins Square Park riots of 1988 and footage of performers Carolee Schneemann, Trisha Brown, Laura Foreman, and Leonard Horowitz, among others.

An addition (0.6 linear feet) received in 2013 includes 8 video tapes (2 videocassettes: U-Matic; 4 reels videotape) created by Wiegand, 1970s.

Some of the videocassettes in this collection have been digitized for research access and are available at Archives of American Art offices.

Ingrid Wiegand has retained copyright where applicable to videos she co-produced. AAA has been given a non-exclusive license to reproduce and display.

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

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