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  2. Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006
  3. Series 3: Lectures, Writings, and Writing Project Files , 1940-2006

Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006

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Series 3: Lectures, Writings, and Writing Project Files , 1940-2006
13.5 Linear feet
Boxes 5-16, OV 39-41

Lectures, writings, and writing project files document Rosenblum's prolific writing and speaking career, and include notes, copies, and manuscript drafts of lectures, articles, catalog essays, and books, as well as additional materials related to the writings and the publication of books, such as as correspondence, editing feedback, and lists of photographs, and photographs. There are manuscript, notes, and and other materials related to several of Rosenblum's most notable books, including Transformations in Late Eighteenth-Century Art, Paintings in the Musee D'Orsay, 19th-Century Art, The Dog in Art, Ingres, Modern Painting and the Northern Tradition, and several others. Rosenblum's dissertation, "The International Style of 1800: A Study in Linear Abstraction," is also included.
Description Container Select
Articles, "American Painting Since the Second World War", circa 1958
5
26
Articles, Architectural Digest Manuscripts, circa 1980s-circa 1990s
5
27
Articles, "David's Funeral of Patroclus", 1972-1973
5
28
Articles, Encyclopedia of World Art Biographical Articles, 1958-1965
5
29
Articles, "Moses and the Brazen Serpents: A Painting from David's Roman Period", 1963
5
30
Articles, "A New Source for David's Sabines", circa 1960s
5
31
Articles, "Picasso and the Coronation of Alexander III: A Note on the Dating of Some Papiers Colles", 1971
5
32
Articles, "Reconstructing David," Art in America Magazine, 1989
6
1
Articles, "Sources of Two Paintings by Joseph Wright of Derby", 1962
6
2
Articles and Reviews, Art Digest Manuscript Drafts, 1955
6
3
Books
19th-Century Art, Manuscript Drafts, circa 1980s-circa 1984
6
4-15
19th-Century Art, Meeting Notes and Correspondence, 1978
6
16
19th-Century Art, Notes, Problems and Questions with Text, circa 1981
6
17
19th-Century Art, Notes and Reference Materials, circa 1981
6
18
19th-Century Art, Photo Lists, 1776-1870, circa 1980s
6
19
19th-Century Art, Photo Lists, 1815-1848, circa 1980s
6
20
19th-Century Art, Photo Lists, 1848-1870, 1980-1983
6
21-22
19th-Century Art, Photo Requests and Reference Material, 1979
6
23
19th-Century Art, Readers' Reports and Bibliography, 1983
6
24
19th-Century Art, Reference Material, circa 1980s
6
25-29
Art Nouveau, Cancelled, 1962-1965
6
30
Cubism and Twentieth-Century Art, Corrections for Revision, 1958-1966
6
31
Cubism and Twentieth-Century Art, Manuscript Drafts, circa 1976
6
32
Books
Cubism and Twentieth-Century Art, Manuscript Drafts, circa 1976-circa 2000
7
1-7
Cubism and Twentieth-Century Art, Reviews, 1961
7
8
Cubism and Twentieth-Century Art, Revisions, 1971-1976
7
9
The Dog in Art: From Rocco to Post-Modernism, Contract, 1987
7
10
The Dog in Art: From Rocco to Post-Modernism, Manuscript Drafts, circa 1986-circa 1988
7
11-12
The Dog in Art: From Rocco to Post-Modernism, Mock-Layout, 1986
7
13
The Dog in Art: From Rocco to Post-Modernism, Photographs and Reference Materials, circa 1986-circa 1988
7
14-17
The Dog in Art: From Rocco to Post-Modernism, Proof, 1988
Oversized material housed in OV 39.
7
18
The Dog in Art: From Rocco to Post-Modernism, Reviews, 1988-1989
7
19-20
Eugene Carrier: The Symbol of Creation, 1989-1990
7
21
Frank Stella, Correspondence and Reference Material, 1968-1969
7
22
Frank Stella, Manuscript Drafts, circa 1968-circa 1969
7
23
Ingres, Clippings, 1967
7
24
Ingres, Corrections and Essay for Reprint, 1978-1986
7
25
Ingres, Correspondence and Notes, 1966
7
26
Ingres, French Translation and Correspondence, 1967
7
27
Ingres, Manuscript Drafts, circa 1966-circa 1967
7
28-29
Books
Ingres, Notes, circa 1958-circa 1967
8
1-2
Ingres, Photo Lists and Correspondence, 1967-1968
8
3
Paintings in the Musée d'Orsay, Correspondence and Reviews, 1989-1990
8
4
Paintings in the Musée d'Orsay, Manuscript Drafts, circa 1988-circa 1989
8
5-11
Paintings in the Musée d'Orsay, Photo Lists and Notes for Commentaries, circa 1988-circa 1989
8
12
Picasso and the Spanish Tradition, 1992-1996
8
13-14
The Romantic Child: From Runge to Sendak, 1989
8
15
Transformations in Late Eighteenth Century Art, Clippings and Reviews, 1967-1968
8
16
Transformations in Late Eighteenth Century Art, Correspondence, 1967-1970
8
17
Transformations in Late Eighteenth Century Art, Manuscript Drafts and Notes, circa 1960s-circa 1970
8
18-26
Books
Transformations in Late Eighteenth Century Art, Manuscript Drafts and Notes, circa 1966-circa 1967
9
1-3
Transformations in Late Eighteenth Century Art, Notes and Correspondence, 1965-1966
9
4
Unidentified Title, Lists of Illustrations, circa 1963-circa 1964
Possibly for Transformations in Late Eighteenth Century Art.
9
5
Unidentified Title, Lists of Photographs and Permissions, circa 1963-circa 1964
Possibly for Transformations in Late Eighteenth Century Art.
9
6
Book and Lectures, Modern Painting and the Northern Romantic Tradition
Correspondence and Reviews, 1975-1983
9
7
Lecture Transcripts, Lectures 1-4, circa 1972
9
8-9
Lecture Transcripts, Lectures 5-6, 8, circa 1972
9
10
List of Illustrations, 1973
9
11
Manuscript Drafts and Notes, Acknowledgements, Forward, and Footnotes, circa 1973
9
12
Manuscript Drafts and Notes, Chapter 1 and Lecture 1, 1972
9
13
Manuscript Drafts and Notes, Chapter 2 and Lecture 2, 1972
9
14
Manuscript Drafts and Notes, Chapter 3 and Lecture 3, 1972
9
15
Manuscript Drafts and Notes, Chapter 4 and Lecture 4, 1972
9
16
Manuscript Drafts and Notes, Chapter 5 and Lecture 5, 1972
9
17
Manuscript Drafts and Notes, Chapter 6 and Lecture 6, 1972
9
18
Manuscript Drafts and Notes, Chapter 7 and Lecture 7, 1972
9
19
Manuscript Drafts and Notes, Chapter 8 and Lecture 8, 1972
9
20
Manuscript Draft, Problems, 1973
9
21
Captions, Trivia for Halley Paintings, 2006
9
22
Catalog Essays
Andy Warhol: Portraits of the Seventies (1979) at the Whitney Museum of American Art, 1979
9
23
Art at Work: Forty Years of the Chase Manhattan Collection (1999), 1998-1999
9
24
American Embassy Residence in Paris, circa 1998
9
25
Andy Warhol: Philip's Skull (1999) at the Gagosian Gallery, circa 1999
9
26
The Bellagio Gallery of Fine Art Inaugural Exhibition Catalog, Lichtenstein, Picasso, Pollack, 1998
9
27-28
"A Brief Guide to Gilbert and George", 1988-2002
9
29
"Christ and Bellona: A Franco-German Dialogue in 1900", 2000
9
30
"Cold Sex", circa 1990
9
31
Creation: The Natural History of Art (1984) at the Scottish National Gallery of Modern Art, 1983-1984
9
32
"A Dada Bouquet for New York," Whitney Museum, 1996
Oversized material housed in OV 40.
9
33
Diane Burko Artwork, 1993-1994
9
34
Catalog Essays
Encounters: New Art from Old (2000), 1999-2000
10
1
"Impressionism, the City and Modern Life", 1996
10
2
"James Ensor: An International Perspective", 1999
10
3
The Natural Paradise: Painting in America 1800-1950 (1976), Museum of Modern Art, circa 1976
10
4
"Notes on Picasso's Sculpture," The Sculpture of Picasso (1982), Pace Gallery, circa 1982
10
5
"On a Painting by Francois-Marius Granet", 1999
10
6
Pavel Tchelitchew: Landscape of the Body (1998), 1998
10
7
Picasso Exhibit (1981), Louisiana Museum of Modern Art, 1979-1980
10
8
"Picasso, Fernande with a Black Mantilla", 1999
10
9
"Picasso in Gósol: The Calm Before the Storm", 1996
10
10
Richmond Burton Exhibit, circa 1989
10
11
Sol Lewitt Exhibit, Museum of Modern Art, 1978
10
12
"Warhol as Art History," Museum of Modern Art, circa 1989
10
13
"Warhol's Crosses," Jablonka Galerie, 1999
10
14
"Warhol's Eggs," Jablonka Galerie, 1997
10
15
Catalog Essay Projects, Keith Haring Artwork, 1989
10
16
Catalog Essay Projects, Portraits Catalog, circa 2006
10
17
Catalog Essay Projects, Proposed, Red Grooms' Artwork, 1989
10
18
Catalog Essay Projects, Proposed, André Raffray Artwork, 2004
10
19
Catalog Project, Mike Bidlo's Artwork, 1987-1998
10
20-23
Catalog Project, Miró as Sculptor, 1986
10
24
Creative Writing, circa 1970s-circa 1990s
10
25
Diary Pages, 1940-1942
10
26
Dissertation, "The International Style of 1800: A Study in Linear Abstraction," Manuscript Drafts and Notes, circa 1954-1975
10
27-34
Dissertation, "The International Style of 1800: A Study in Linear Abstraction," Research Notes and Lists, 1953-1962
10
35-39
Essays
American Painting by Donald Goddard, Introductory, circa 1990
11
1
"Aparicio's Epidémie D'Espagne at the Salon of 1806", circa 1980s-circa 1990s
11
2
"Benjamin West's Eagle Bringing the Cup of Water to Psyche: A Document of Romantic Classicism", 1959-1960
11
3
"Cards of Identity", 1998
11
4
"Caritas Romana After 1760", 1971
11
5
"Cubism as Pop Art," in High and Low: Modern Art and Popular Culture, 1990
11
6-7
"David and Monsiau: Bonaparte Tames Bucephalus", circa 1990-1993
11
8
"The Dawn of British Romantic Painting, 1760-1780," in The Varied Pattern: Studies in the 18th Century, circa 1971
11
9-10
"Elaine Sturtevant", 1999
11
11
"Fernand Pelez, or the Other Side of the Post-Impressionist Coin", circa 1980
11
12
Frank Stella: Paintings, 1958 to 1965: A Catalog Raisonné, Introductory, 1986
11
13
"Gavin Hamilton's Brutus and its Aftermath, 1959-1960
11
14
"Giovanni Segantini: An International View", 2000
11
15
"The Grotesque and the Beautiful: Picasso's Second Encounter with Ingres", circa 2003
11
16
How to Paint a Vermeer by George Deem, Introductory, 1963-2004
11
17-19
"Jeff Koons: Baby in a Bucket", 1992
11
20
"Johns' Johnses", 1997
11
21
"Johns' Three Flags", circa 1988
11
22
"Les Demoiselles d'Avignon", 1989
11
23
Mike and Doug Starn by Andy Grundberg, Introductory, circa 1990
11
24
"The New York Ten", 1965
11
25
"On Dogs, Art, and Life", circa 2000
11
26
"On a Painting of Milo of Crotona", 1962-1963
11
27
Per Kirkeby Ceiling, 1999
11
28
"Picasso and the Anatomy of Eroticism," Indiana University Kinsey Institute, 1967-1968
11
29
"Picasso and the Art of Eroticism" and "Philadelphia's Picasso", circa 1969
11
30
"Picasso and the Typography of Cubism", 1970-1971
11
31-33
Picasso Painting Femme debout, circa 1990s-circa 2000
11
34
"Picasso's Disasters of War: The Art of Blasphemy", 1998
11
35
"Picasso's Guernica" The Whole and the Parts", 1997
11
36
"Remembering Joe Brainard", 1997
11
37
"Reynolds in an International Milieu," in Reynolds by Nicholas Penny, 1985
11
38
Self and History: A Tribute to Linda Nochlin, Introductory, circa 2001
11
39
"A Source for David's Horatii", 1970
11
40
Essay Notes, "Fortuné Dufau", 1965
11
41
Essay Project, Picasso and the Marie-Thérèse Period, 1995
11
42
Essay Catalog and Seminar Project, Wallraf-Richartz-Museum, 1984-1986
11
43
Lectures
Abstract Expressionism and Second Generation, Notes and Outlines, 1958-2001
12
1
Art 1848-1900, Notes and Outlines, 1955-2000
12
2
"Art and Culture in the Twentieth Century: Four Interactions", 1974-1975
12
3
Art circa 1750-1850, Monographic, Notes and Outlines, 1960-2001
12
4
Art circa 1750-1850 and General 19th Century Art, Non-Monographic, Notes and Outlines, 1955-2001
12
5-6
Art in the United States, 1960s Generation, Notes and Outlines, 1963-2001
12
7
Art in the United States and Europe, 1970s Generation, Notes and Outlines, 1980-2000
12
8
Australia Lecture, Draft, circa 1990s
12
9
Barzun and Modernism, Trilling Seminar, 1976
12
10
Clark/Getty Symposium, 2005
12
11
"Cubism as Pop Art", circa 1980s-circa 1990s
12
12
French Genre Painting in the Eighteenth Century, Symposium, National Gallery of Art, 2003
12
13
General Art History, Iconography, Politics, Notes and Outlines, 1985-2004
12
14
"Goya's Still Lifes", 2000-2001
12
15
"Ingres and Official Painting," Ingres Colloquium, 1967
12
16
"Kirk's Eye", 2004
12
17
"New Art and Old Art History," Skowhegan, circa 1979
12
18
Picasso and Cubism, Notes and Outlines, 1962-2001
12
19
"Picasso: Then and Now," The Christensen Fund, 1988-1989
12
20
Symposium, Hamburg, circa 2003
12
21
Twentieth Century Art 1900-1945, Notes and Outlines, 1963-2002
12
22
Twentieth Century Art, United States General Nineteenth and Twentieth Century Art, Notes and Outlines, 1977-2000
12
23
In Private Hands: 200 Years of American Painting, Digital Presentation, 2005
0.063 Gigabytes
One computer file
ER01
Lecture and Article, "The Origin of Painting: A Problem in the Iconography of Romantic Classicism", 1957
12
24
Lecture and Essay, "David Versus Goya: The Death of the Royal Portrait", circa 1994-circa 1995
12
25
Lecture and Essay, "The Modernity of 18th-Century Art", 1970-1973
12
26
Lecture and Essay, "The Withering Green Belt: Remarks on Landscape in Early 20th Century Art", 1988
12
27
Lecture and Essay, "The Withering Green Belt: Aspects of Landscape in 20th Century Painting," Museum of Modern Art, circa 1989
12
28
Lecture and Publication, Frank Stella, Vanity Fair, 1983
12
29
Lecture and Publication, Getty Museum, "David's Telemachus and Eucharis", 1988
Oversized material housed in OV 41.
12
30
Miscellaneous Manuscript Drafts and Notes, circa 1950s-1980
12
31-38
Miscellaneous Manuscript Drafts and Notes, circa 1979-circa 2005
13
1-16
Miscellaneous Reviews, Drafts, 1954
13
17
Notes, Guernica Symposium, 1999
13
18
Notes, circa 1950s-circa 1981
13
19-22
Notes, Travel in Europe, circa 1957
14
1
Obituaries, Scott Burton Memorial Service Transcript, 1990
14
2
Obituaries, Don Flavin, circa 1997
14
3
Obituaries, Frances Gray Godwin, circa 1979
14
4
Obituaries, circa 1982-circa 1990
14
5
Program Transcripts, BBC "100 Great Paintings" Program, 1979
14
6
Proposed Study, British Romantic Painting, circa 1990
14
7
Questionnaire, Deborah Solomon Response, Art Papers Magazine, 1999
14
8
Reviews, National Arts Club Exhibition, "The Ultimate Statement", 1958-1960
14
9
Reviews, New York Review of Books, 1969
14
10
Student Writings
Creative Writing, Queens College, circa 1940s
14
11
Essays, Queens College Student Papers, circa 1940s
14
12
Essays, Student Papers, "Two Ingres Portraits", 1946
14
13
Essay and Notes, "Caron 16th Century French Artist", circa 1951
14
14
Essay, "Vasari's Architectural Invenzioni", 1954
14
15
Notebook, 1937
14
16
Notebook, circa 1940s
14
17
Notebook, Chemistry, circa 1940s
14
18
Notebook, Music, circa 1940s-circa 1950s
14
19
Notes, Architecture, 1950
14
20
Notes, Architecture of the Early Renaissance in Italy, circa 1950s
14
21
Notes, Baroque Painting, circa 1950s
14
22
Notes, Antoine-Louis Barye, circa 1950
14
23
Notes, Classical Greek Art, circa 1950s
14
24
Notes, Eighteenth Century Comprehensive Review, circa 1950s
14
25
Notes, Gothic Art, circa 1948-circa 1949
14
26
Notes, High Renaissance Architecture, circa 1953
14
27
Notes, Iconography, circa 1950
14
28
Notes, Italian Baroque Churches, 1949-1950
14
29
Notes, Medieval Art and Architecture, circa 1950s
14
30
Notes, Medieval Art and Architecture, circa 1950s
14
30
Notes, Modern Art, 1948-1949
14
31
Notes, Modern Music, 1950
14
32
Notes, Modern Sculpture, 1951
14
33
Notes, Nineteenth Century Florentine Painting, circa 1950
14
34
Notes, Primitive Art, circa 1950
14
35
Notes, Renaissance Painting in Florence, Siena, and Rome, circa 1950s
14
36
Notes, Roman Painting, circa 1950s
14
37
Notes, Seventeenth Century French Painting, 1952
14
38
Notes, Queens College General Notes, circa 1940s
14
39-42
Notes and Student Papers, circa 1938-circa 1940s
14
43-48
Student Writings
Notes and Student Papers, 1941-circa 1950s
15
1-19
Paper, "American Archaeological Periodicals: 1870-1950", 1950
15
20
Paper, "Cubism and Constructivist Sculpture", circa 1950
15
21
Paper, "Ferrer Bassa and Early Gothic Paintings in Catalonia", circa 1950
15
22
Papers, Gothic and Flamboyant Art, circa 1950
15
23
Paper, Irish Manuscript Art, 1950
15
24
Paper, "Three Methodological Analyses of Paintings at Yale", 1949
15
25
PhD Notes and Papers, circa 1950s
15
26
PhD Exams Proposal, circa 1950s
15
27
Unidentified and Untitled Manuscripts, circa 1960s-circa 1990s
15
28-30
General Writing Projects
20th-Century Art, Survey Project, circa 1984-circa 1989
15
28-30
Academy Editions, Post-Modernism Lecture and Text, 1988-1990
15
31
General Writing Projects
Alexander Runciman's, The Origin of Painting, circa 1953-circa 1959
16
1-3
Byron Brown's Artwork, 1981
16
1
Patricia Cronin's Artwork, 2003
16
2
Fred R. Kline Gallery, Gottlieb Schick, circa 1999
16
3
Milton Gallery, 1963
16
4
Robert Colescott Biennale Exhibition (1997), 1997
16
5
Alexander Runciman's, The Origin of Painting, 1997
16
6-8
Strasbourg International Conference, 1988-1989
16
9
August Strindberg, Lecture and Manuscript Drafts, circa 1993
16
10
Philip Taaffe Artwork, Valencia Show, circa 1987-circa 1999
Oversized material housed in OV 41.
16
11-12
Time Magazine, Delacroix, 1965-1966
16
13
Universite de Provence, 1995
16
14
Oversized Proof, Books, The Dog in Art: From Rocco to Post-Modernism, Proof from Box 7, Folder 18, 1988
39
Oversized Reference Material, Catalog Essays, "A Dada Bouquet for New York" from Box 9, Folder 33 , 1996
40
Oversized Photograph, Lecture and Publication, Getty Museum, "David's Telemachus and Eucharis" from Box 12, Folder 30, circa 1988
41
Oversized Philip Taaffe Material, General Writing Projects, Philip Taaffe Artwork, from Box 16, Folder 11, 1998
41

Make a Request

  • To request an appointment to view materials, make your selections using the checkboxes and click the "Reading Room" button. Please note, you will receive the full box.
  • To request reproductions, make your selections using the checkboxes and click the "Reproduction" button.