Skip to main content

Robert Rosenblum papers, circa 1927-2009, bulk 1950-2006

Contents and Arrangement

The collection is arranged as 11 series.

Make a Request

  • To request an appointment to view materials, make your selections using the checkboxes and click the "Reading Room" button. Please note, you will receive the full box.
  • To request reproductions, make your selections using the checkboxes and click the "Reproduction" button.

Series 1: Biographical Material, 1927-2006
0.5 linear feet
Box 1

Materials include awards, certificates, fellowship proposals, diplomas, Josef Levi digital sound and video recordings, an interview transcript of Robert Rosenblum by Amy Newman for
Artforum
, and various student materials and education ephemera.
DescriptionContainer
Awards and Certificates, American Academy of Arts and Sciences, Fellow of the Academy, 1984
1
1
Awards and Certificates, Honorary Degree, 1992
1
2
Bibliography, circa 1951-circa 1999
1
3-4
Birth Certificates, 1927
1
5
Diplomas, circa 1948
1
6-7
Education Ephemera, 1950-1951
1
8
Family Composition Paper by Anita Rosenblum, 1937
1
9
Fellowship and Sabbatical Proposals, circa 1981
1
10
Guggenheim Fellowship Reports, 2006
1
11
Interview Transcript, Robert Rosenblum by Amy Newman,
Artforum
Book Project, 1995-1998
1
12
Josef Levi Digital Sound and Video Recordings, 2005-2006
1 electronic disc (dvd)
Label reads: "Josef Levi; TV Interviews"
1 electronic disc (cd)
Label reads: "In Private Hands, PMFA, 5/3/05"
1
13
Petition to Whitney Museum of American Art, 1989-1990
1
14
Presentation Invitation, Citicorp/Citibank, Robert Rosenblum Presents, 1985
1
15
Resume and Recommendations, 1954-1955
1
16
Student Materials, Queens College, 1945-1948
1
17-19
Student Materials, Report Cards and Transcripts, 1934-1956
1
20
Student Materials, Student Book Receipt Form, 1940
1
21
Student Materials, Yale University Summer Session, 1947
1
22

Series 2: Correspondence, circa 1927-2006
4.5 linear feet
Boxes 1-5

Personal and professional correspondence is with friends, family, colleagues and peers, museums and arts organizations, former students, and others. Some correspondents include Melvin Becraft, Guggenheim Museum, Hilton Kramer, Los Angeles County Museum of Art, National Museum of American Art, André Raffray, and many others. Topics include queries regarding artwork and photograph attributions; exhibition suggestions and curatorial discussions; award nominations and recommendations; and publications and writing projects. Postcards are primarily from friends, family, colleagues, and students.
This series is arranged as 3 subseries. Files are arranged alphabetically by correspondent and in loose chronological order thereafter.
2.1 Personal Correspondence, 1927-1990
2.2 Professional Correspondence, circa 1943-2006
2.3 Postcards, circa 1943-2001
2.1:Personal Correspondence, circa 1927-1990
DescriptionContainer
Button, John, 1969-1971
1
23
Condolence Letters for Sister, 1990
1
24
General Correspondence, undated
1
25-27
General Correspondence, 1927-1948
1
28-38
General Correspondence, 1949-1961
2
1-24
General Correspondence, 1961-1976
3
1-13
2.2:Professional Correspondence, circa 1943-2006
DescriptionContainer
Architectural Digest Article Response Letters, 1986-1987
3
14
Artwork and Photo Attribution Queries, 1962-2006
3
15-21
Becraft, Melvin, 1984-2001
3
22-23
Belgian American Educational Foundation, Inc., 1952
3
24
Collins, Richard J., 1985
3
25
Davis, Susan, 1999
3
26
Detroit Institute of Arts, 1968-1974
3
27-28
Distinguished Teaching Award Nomination, 2004-2005
3
29
Golden Dozen Award, New York University, 1994
3
30
Guggenheim Museum Curatorship Appointment, 1996
3
31
Halbert, Jacques, 1991
3
32
Harry N. Abrams, Inc., 1985-1988
3
33-34
Hirschsprung Collection, 1997
3
35
Images of Robert Rosenblum, 1967
3
36
J. Paul Getty Museum, 1982
3
37
John D. and Catherine T. MacArthur Foundation, 1984
4
1
Johnson, Lee, 1968
4
2
Karmel, Pepe, 1996
4
3
Kramer, Hilton, 1966
4
4
Lang, Jack, French Minister of Culture, 1988
4
5
Los Angeles County Museum of Art, 1994
4
6
Los Angeles Institute of Contemporary Art, 1981
4
7
Mitchell Prize Committee, 1977
4
8
National Museum of American Art, 1986
4
9
The New Republic
Magazine, 1999
4
10
New York University, 1956
4
11
Notifications of Artwork on View or For Sale, 1977-circa 2000
4
12-13
Penguin Books, Ltd., 1970-1971
4
14-15
Perrault, John, 2000
4
16
Picasso Paintings, 1997
4
17
Princeton University, 1956-1962
4
18-19
Princeton University Press, 1967
4
20
Projects and Consulting Work, 1979
4
21
Publication Request, 1972
4
22
Raffray, André, 2000-2006
4
23-24
Schlenoff, Norman, 1971
4
25
Scholarship Notifications, 1952-1953
4
26
Speaking Engagements, 1996-1998
4
27
Staditsches Museum Woppertal, 1958
4
28
University of Michigan, 1955-1956
4
29
Varspool, Franz-Joachim, 2002
4
30
Wadsworth Atheneum, 1985
4
31
Watson, Bruce, 2002
4
32
Yale University, 1951
4
33
General Correspondence, undated, 1943-2004
4
34-55
General Correspondence, 1989-2006
5
1-8
2.3:Postcards, circa 1943-2001
DescriptionContainer
Postcards Received, undated, circa 1943-2001
5
9-25

Series 3: Lectures, Writings, and Writing Project Files, 1940-2006
13.5 linear feet
Boxes 5-16, OV 39-41

Lectures, writings, and writing project files document Rosenblum’s prolific writing and speaking career, and include notes, copies, and manuscript drafts of lectures, articles, catalog essays, and books, as well as additional materials related to the writings and the publication of books, such as as correspondence, editing feedback, and lists of photographs, and photographs. There are manuscript, notes, and and other materials related to several of Rosenblum's most notable books, including
Transformations in Late Eighteenth-Century Art
,
Paintings in the Musee D’Orsay
,
19th-Century Art
,
The Dog in Art
,
Ingres
,
Modern Painting and the Northern Tradition
, and several others. Rosenblum’s dissertation, “The International Style of 1800: A Study in Linear Abstraction,” is also included.
DescriptionContainer
Articles, "American Painting Since the Second World War", circa 1958
5
26
Articles,
Architectural Digest
Manuscripts, circa 1980s-circa 1990s
5
27
Articles, "David's
Funeral of Patroclus
", 1972-1973
5
28
Articles,
Encyclopedia of World Art
Biographical Articles, 1958-1965
5
29
Articles, "
Moses and the Brazen Serpents
: A Painting from David's Roman Period", 1963
5
30
Articles, "A New Source for David's
Sabines
", circa 1960s
5
31
Articles, "Picasso and the Coronation of Alexander III: A Note on the Dating of Some Papiers Colles", 1971
5
32
Articles, "Reconstructing David,"
Art in America
Magazine, 1989
6
1
Articles, "Sources of Two Paintings by Joseph Wright of Derby", 1962
6
2
Articles and Reviews,
Art Digest
Manuscript Drafts, 1955
6
3
Books
19th-Century Art
, Manuscript Drafts, circa 1980s-circa 1984
6
4-15
19th-Century Art
, Meeting Notes and Correspondence, 1978
6
16
19th-Century Art
, Notes, Problems and Questions with Text, circa 1981
6
17
19th-Century Art
, Notes and Reference Materials, circa 1981
6
18
19th-Century Art
, Photo Lists, 1776-1870, circa 1980s
6
19
19th-Century Art
, Photo Lists, 1815-1848, circa 1980s
6
20
19th-Century Art
, Photo Lists, 1848-1870, 1980-1983
6
21-22
19th-Century Art
, Photo Requests and Reference Material, 1979
6
23
19th-Century Art
, Readers' Reports and Bibliography, 1983
6
24
19th-Century Art
, Reference Material, circa 1980s
6
25-29
Art Nouveau
, Cancelled, 1962-1965
6
30
Cubism and Twentieth-Century Art
, Corrections for Revision, 1958-1966
6
31
Cubism and Twentieth-Century Art
, Manuscript Drafts, circa 1976
6
32
Books
Cubism and Twentieth-Century Art
, Manuscript Drafts, circa 1976-circa 2000
7
1-7
Cubism and Twentieth-Century Art
, Reviews, 1961
7
8
Cubism and Twentieth-Century Art
, Revisions, 1971-1976
7
9
The Dog in Art: From Rocco to Post-Modernism
, Contract, 1987
7
10
The Dog in Art: From Rocco to Post-Modernism
, Manuscript Drafts, circa 1986-circa 1988
7
11-12
The Dog in Art: From Rocco to Post-Modernism
, Mock-Layout, 1986
7
13
The Dog in Art: From Rocco to Post-Modernism
, Photographs and Reference Materials, circa 1986-circa 1988
7
14-17
The Dog in Art: From Rocco to Post-Modernism
, Proof, 1988
Oversized material housed in OV 39.
7
18
The Dog in Art: From Rocco to Post-Modernism
, Reviews, 1988-1989
7
19-20
Eugene Carrier: The Symbol of Creation
, 1989-1990
7
21
Frank Stella
, Correspondence and Reference Material, 1968-1969
7
22
Frank Stella
, Manuscript Drafts, circa 1968-circa 1969
7
23
Ingres
, Clippings, 1967
7
24
Ingres
, Corrections and Essay for Reprint, 1978-1986
7
25
Ingres
, Correspondence and Notes, 1966
7
26
Ingres
, French Translation and Correspondence, 1967
7
27
Ingres
, Manuscript Drafts, circa 1966-circa 1967
7
28-29
Books
Ingres
, Notes, circa 1958-circa 1967
8
1-2
Ingres
, Photo Lists and Correspondence, 1967-1968
8
3
Paintings in the Musée d’Orsay
, Correspondence and Reviews, 1989-1990
8
4
Paintings in the Musée d’Orsay
, Manuscript Drafts, circa 1988-circa 1989
8
5-11
Paintings in the Musée d’Orsay
, Photo Lists and Notes for Commentaries, circa 1988-circa 1989
8
12
Picasso and the Spanish Tradition
, 1992-1996
8
13-14
The Romantic Child: From Runge to Sendak
, 1989
8
15
Transformations in Late Eighteenth Century Art
, Clippings and Reviews, 1967-1968
8
16
Transformations in Late Eighteenth Century Art
, Correspondence, 1967-1970
8
17
Transformations in Late Eighteenth Century Art
, Manuscript Drafts and Notes, circa 1960s-circa 1970
8
18-26
Books
Transformations in Late Eighteenth Century Art
, Manuscript Drafts and Notes, circa 1966-circa 1967
9
1-3
Transformations in Late Eighteenth Century Art
, Notes and Correspondence, 1965-1966
9
4
Unidentified Title, Lists of Illustrations, circa 1963-circa 1964
Possibly for
Transformations in Late Eighteenth Century Art
.
9
5
Unidentified Title, Lists of Photographs and Permissions, circa 1963-circa 1964
Possibly for
Transformations in Late Eighteenth Century Art
.
9
6
Book and Lectures,
Modern Painting and the Northern Romantic Tradition
Correspondence and Reviews, 1975-1983
9
7
Lecture Transcripts, Lectures 1-4, circa 1972
9
8-9
Lecture Transcripts, Lectures 5-6, 8, circa 1972
9
10
List of Illustrations, 1973
9
11
Manuscript Drafts and Notes, Acknowledgements, Forward, and Footnotes, circa 1973
9
12
Manuscript Drafts and Notes, Chapter 1 and Lecture 1, 1972
9
13
Manuscript Drafts and Notes, Chapter 2 and Lecture 2, 1972
9
14
Manuscript Drafts and Notes, Chapter 3 and Lecture 3, 1972
9
15
Manuscript Drafts and Notes, Chapter 4 and Lecture 4, 1972
9
16
Manuscript Drafts and Notes, Chapter 5 and Lecture 5, 1972
9
17
Manuscript Drafts and Notes, Chapter 6 and Lecture 6, 1972
9
18
Manuscript Drafts and Notes, Chapter 7 and Lecture 7, 1972
9
19
Manuscript Drafts and Notes, Chapter 8 and Lecture 8, 1972
9
20
Manuscript Draft, Problems, 1973
9
21
Captions, Trivia for Halley Paintings, 2006
9
22
Catalog Essays
Andy Warhol: Portraits of the Seventies
(1979) at the Whitney Museum of American Art, 1979
9
23
Art at Work: Forty Years of the Chase Manhattan Collection
(1999), 1998-1999
9
24
American Embassy Residence in Paris, circa 1998
9
25
Andy Warhol: Philip's Skull
(1999) at the Gagosian Gallery, circa 1999
9
26
The Bellagio Gallery of Fine Art Inaugural Exhibition Catalog, Lichtenstein, Picasso, Pollack, 1998
9
27-28
"A Brief Guide to Gilbert and George", 1988-2002
9
29
"Christ and Bellona: A Franco-German Dialogue in 1900", 2000
9
30
"Cold Sex", circa 1990
9
31
Creation: The Natural History of Art
(1984) at the Scottish National Gallery of Modern Art, 1983-1984
9
32
"A Dada Bouquet for New York," Whitney Museum, 1996
Oversized material housed in OV 40.
9
33
Diane Burko Artwork, 1993-1994
9
34
Catalog Essays
Encounters: New Art from Old
(2000), 1999-2000
10
1
"Impressionism, the City and Modern Life", 1996
10
2
"James Ensor: An International Perspective", 1999
10
3
The Natural Paradise: Painting in America 1800-1950
(1976), Museum of Modern Art, circa 1976
10
4
"Notes on Picasso's Sculpture,"
The Sculpture of Picasso
(1982), Pace Gallery, circa 1982
10
5
"On a Painting by Francois-Marius Granet", 1999
10
6
Pavel Tchelitchew: Landscape of the Body
(1998), 1998
10
7
Picasso Exhibit (1981), Louisiana Museum of Modern Art, 1979-1980
10
8
"Picasso, Fernande with a Black Mantilla", 1999
10
9
"Picasso in Gósol: The Calm Before the Storm", 1996
10
10
Richmond Burton Exhibit, circa 1989
10
11
Sol Lewitt Exhibit, Museum of Modern Art, 1978
10
12
"Warhol as Art History," Museum of Modern Art, circa 1989
10
13
"Warhol's Crosses," Jablonka Galerie, 1999
10
14
"Warhol's Eggs," Jablonka Galerie, 1997
10
15
Catalog Essay Projects, Keith Haring Artwork, 1989
10
16
Catalog Essay Projects,
Portraits
Catalog, circa 2006
10
17
Catalog Essay Projects, Proposed, Red Grooms' Artwork, 1989
10
18
Catalog Essay Projects, Proposed, André Raffray Artwork, 2004
10
19
Catalog Project, Mike Bidlo's Artwork, 1987-1998
10
20-23
Catalog Project,
Miró as Sculptor
, 1986
10
24
Creative Writing, circa 1970s-circa 1990s
10
25
Diary Pages, 1940-1942
10
26
Dissertation, "The International Style of 1800: A Study in Linear Abstraction," Manuscript Drafts and Notes, circa 1954-1975
10
27-34
Dissertation, "The International Style of 1800: A Study in Linear Abstraction," Research Notes and Lists, 1953-1962
10
35-39
Essays
American Painting
by Donald Goddard, Introductory, circa 1990
11
1
"Aparicio's Epidémie D'Espagne at the Salon of 1806", circa 1980s-circa 1990s
11
2
"Benjamin West's
Eagle Bringing the Cup of Water to Psyche
: A Document of Romantic Classicism", 1959-1960
11
3
"Cards of Identity", 1998
11
4
"Caritas Romana After 1760", 1971
11
5
"Cubism as Pop Art," in
High and Low: Modern Art and Popular Culture
, 1990
11
6-7
"David and Monsiau: Bonaparte Tames Bucephalus", circa 1990-1993
11
8
"The Dawn of British Romantic Painting, 1760-1780," in
The Varied Pattern: Studies in the 18th Century
, circa 1971
11
9-10
"Elaine Sturtevant", 1999
11
11
"Fernand Pelez, or the Other Side of the Post-Impressionist Coin", circa 1980
11
12
Frank Stella: Paintings, 1958 to 1965: A Catalog Raisonné
, Introductory, 1986
11
13
"Gavin Hamilton's
Brutus
and its Aftermath, 1959-1960
11
14
"Giovanni Segantini: An International View", 2000
11
15
"The Grotesque and the Beautiful: Picasso's Second Encounter with Ingres", circa 2003
11
16
How to Paint a Vermeer
by George Deem, Introductory, 1963-2004
11
17-19
"Jeff Koons: Baby in a Bucket", 1992
11
20
"Johns' Johnses", 1997
11
21
"Johns' Three Flags", circa 1988
11
22
"Les Demoiselles d'Avignon", 1989
11
23
Mike and Doug Starn
by Andy Grundberg, Introductory, circa 1990
11
24
"The New York Ten", 1965
11
25
"On Dogs, Art, and Life", circa 2000
11
26
"On a Painting of Milo of Crotona", 1962-1963
11
27
Per Kirkeby Ceiling, 1999
11
28
"Picasso and the Anatomy of Eroticism," Indiana University Kinsey Institute, 1967-1968
11
29
"Picasso and the Art of Eroticism" and "Philadelphia's Picasso", circa 1969
11
30
"Picasso and the Typography of Cubism", 1970-1971
11
31-33
Picasso Painting
Femme debout
, circa 1990s-circa 2000
11
34
"Picasso's
Disasters of War
: The Art of Blasphemy", 1998
11
35
"Picasso's
Guernica
" The Whole and the Parts", 1997
11
36
"Remembering Joe Brainard", 1997
11
37
"Reynolds in an International Milieu," in
Reynolds
by Nicholas Penny, 1985
11
38
Self and History: A Tribute to Linda Nochlin
, Introductory, circa 2001
11
39
"A Source for David's
Horatii
", 1970
11
40
Essay Notes, "Fortuné Dufau", 1965
11
41
Essay Project, Picasso and the Marie-Thérèse Period, 1995
11
42
Essay Catalog and Seminar Project, Wallraf-Richartz-Museum, 1984-1986
11
43
Lectures
Abstract Expressionism and Second Generation, Notes and Outlines, 1958-2001
12
1
Art 1848-1900, Notes and Outlines, 1955-2000
12
2
"Art and Culture in the Twentieth Century: Four Interactions", 1974-1975
12
3
Art circa 1750-1850, Monographic, Notes and Outlines, 1960-2001
12
4
Art circa 1750-1850 and General 19th Century Art, Non-Monographic, Notes and Outlines, 1955-2001
12
5-6
Art in the United States, 1960s Generation, Notes and Outlines, 1963-2001
12
7
Art in the United States and Europe, 1970s Generation, Notes and Outlines, 1980-2000
12
8
Australia Lecture, Draft, circa 1990s
12
9
Barzun and Modernism, Trilling Seminar, 1976
12
10
Clark/Getty Symposium, 2005
12
11
"Cubism as Pop Art", circa 1980s-circa 1990s
12
12
French Genre Painting in the Eighteenth Century, Symposium, National Gallery of Art, 2003
12
13
General Art History, Iconography, Politics, Notes and Outlines, 1985-2004
12
14
"Goya's Still Lifes", 2000-2001
12
15
"Ingres and Official Painting," Ingres Colloquium, 1967
12
16
"Kirk's Eye", 2004
12
17
"New Art and Old Art History," Skowhegan, circa 1979
12
18
Picasso and Cubism, Notes and Outlines, 1962-2001
12
19
"Picasso: Then and Now," The Christensen Fund, 1988-1989
12
20
Symposium, Hamburg, circa 2003
12
21
Twentieth Century Art 1900-1945, Notes and Outlines, 1963-2002
12
22
Twentieth Century Art, United States General Nineteenth and Twentieth Century Art, Notes and Outlines, 1977-2000
12
23
Lecture and Article, "The Origin of Painting: A Problem in the Iconography of Romantic Classicism", 1957
12
24
Lecture and Essay, "David Versus Goya: The Death of the Royal Portrait", circa 1994-circa 1995
12
25
Lecture and Essay, "The Modernity of 18th-Century Art", 1970-1973
12
26
Lecture and Essay, "The Withering Green Belt: Remarks on Landscape in Early 20th Century Art", 1988
12
27
Lecture and Essay, "The Withering Green Belt: Aspects of Landscape in 20th Century Painting," Museum of Modern Art, circa 1989
12
28
Lecture and Publication, Frank Stella,
Vanity Fair
, 1983
12
29
Lecture and Publication, Getty Museum, "David's Telemachus and Eucharis", 1988
Oversized material housed in OV 41.
12
30
Miscellaneous Manuscript Drafts and Notes, circa 1950s-1980
12
31-38
Miscellaneous Manuscript Drafts and Notes, circa 1979-circa 2005
13
1-16
Miscellaneous Reviews, Drafts, 1954
13
17
Notes, Guernica Symposium, 1999
13
18
Notes, circa 1950s-circa 1981
13
19-22
Notes, Travel in Europe, circa 1957
14
1
Obituaries, Scott Burton Memorial Service Transcript, 1990
14
2
Obituaries, Don Flavin, circa 1997
14
3
Obituaries, Frances Gray Godwin, circa 1979
14
4
Obituaries, circa 1982-circa 1990
14
5
Program Transcripts, BBC "100 Great Paintings" Program, 1979
14
6
Proposed Study, British Romantic Painting, circa 1990
14
7
Questionnaire, Deborah Solomon Response,
Art Papers
Magazine, 1999
14
8
Reviews, National Arts Club Exhibition, "The Ultimate Statement", 1958-1960
14
9
Reviews,
New York Review of Books
, 1969
14
10
Student Writings
Creative Writing, Queens College, circa 1940s
14
11
Essays, Queens College Student Papers, circa 1940s
14
12
Essays, Student Papers, "Two Ingres Portraits", 1946
14
13
Essay and Notes, "Caron 16th Century French Artist", circa 1951
14
14
Essay, "Vasari's Architectural Invenzioni", 1954
14
15
Notebook, 1937
14
16
Notebook, circa 1940s
14
17
Notebook, Chemistry, circa 1940s
14
18
Notebook, Music, circa 1940s-circa 1950s
14
19
Notes, Architecture, 1950
14
20
Notes, Architecture of the Early Renaissance in Italy, circa 1950s
14
21
Notes, Baroque Painting, circa 1950s
14
22
Notes, Antoine-Louis Barye, circa 1950
14
23
Notes, Classical Greek Art, circa 1950s
14
24
Notes, Eighteenth Century Comprehensive Review, circa 1950s
14
25
Notes, Gothic Art, circa 1948-circa 1949
14
26
Notes, High Renaissance Architecture, circa 1953
14
27
Notes, Iconography, circa 1950
14
28
Notes, Italian Baroque Churches, 1949-1950
14
29
Notes, Medieval Art and Architecture, circa 1950s
14
30
Notes, Medieval Art and Architecture, circa 1950s
14
30
Notes, Modern Art, 1948-1949
14
31
Notes, Modern Music, 1950
14
32
Notes, Modern Sculpture, 1951
14
33
Notes, Nineteenth Century Florentine Painting, circa 1950
14
34
Notes, Primitive Art, circa 1950
14
35
Notes, Renaissance Painting in Florence, Siena, and Rome, circa 1950s
14
36
Notes, Roman Painting, circa 1950s
14
37
Notes, Seventeenth Century French Painting, 1952
14
38
Notes, Queens College General Notes, circa 1940s
14
39-42
Notes and Student Papers, circa 1938-circa 1940s
14
43-48
Student Writings
Notes and Student Papers, 1941-circa 1950s
15
1-19
Paper, "American Archaeological Periodicals: 1870-1950", 1950
15
20
Paper, "Cubism and Constructivist Sculpture", circa 1950
15
21
Paper, "Ferrer Bassa and Early Gothic Paintings in Catalonia", circa 1950
15
22
Papers, Gothic and Flamboyant Art, circa 1950
15
23
Paper, Irish Manuscript Art, 1950
15
24
Paper, "Three Methodological Analyses of Paintings at Yale", 1949
15
25
PhD Notes and Papers, circa 1950s
15
26
PhD Exams Proposal, circa 1950s
15
27
Unidentified and Untitled Manuscripts, circa 1960s-circa 1990s
15
28-30
General Writing Projects
20th-Century Art, Survey Project, circa 1984-circa 1989
15
28-30
Academy Editions, Post-Modernism Lecture and Text, 1988-1990
15
31
General Writing Projects
Alexander Runciman's,
The Origin of Painting
, circa 1953-circa 1959
16
1-3
Byron Brown's Artwork, 1981
16
1
Patricia Cronin's Artwork, 2003
16
2
Fred R. Kline Gallery, Gottlieb Schick, circa 1999
16
3
Milton Gallery, 1963
16
4
Robert Colescott Biennale Exhibition (1997), 1997
16
5
Alexander Runciman's, The Origin of Painting, 1997
16
6-8
Strasbourg International Conference, 1988-1989
16
9
August Strindberg, Lecture and Manuscript Drafts, circa 1993
16
10
Philip Taaffe Artwork, Valencia Show, circa 1987-circa 1999
Oversized material housed in OV 41.
16
11-12
Time Magazine
, Delacroix, 1965-1966
16
13
Universite de Provence, 1995
16
14
Oversized Proof, Books,
The Dog in Art: From Rocco to Post-Modernism
, Proof from Box 7, Folder 18, 1988
OV39
Oversized Reference Material, Catalog Essays, "A Dada Bouquet for New York" from Box 9, Folder 33, 1996
OV40
Oversized Photograph, Lecture and Publication, Getty Museum, "David's Telemachus and Eucharis" from Box 12, Folder 30, circa 1988
OV41
Oversized Philip Taaffe Material, General Writing Projects, Philip Taaffe Artwork, from Box 16, Folder 11, 1998
OV41

Series 4: Writings by Others, undated, 1954-2006
2.9 linear feet
Boxes 16-19

Files include drafts of articles, books, dissertations, essays, and lectures, written by various students and colleagues.
Files are arranged alphabetically by author.
DescriptionContainer
Alhadeff, Albert, 1998
16
15-16
Bershad, David L., 1980
16
17
Braun, Emily, circa 1990s
16
18
Brown, Marilyn, 1981
16
19
Buenger, Barbara C., 1982
16
20
Carpenter, Joan, 1980
16
21
Christ, Ronald, 1994
16
22
Clearwater, Bonnie, 2006
16
23
Cohen-Solal, Annie, circa 1990s
16
24-26
Danto, Arthur C., circa 1960s-circa 1970s
16
27
Drost, Wolfgang, circa 1981
16
28
Drudi, Barbara, 1984
16
29
Ettinger, Tom, circa 1989
16
30
Ettinger, Tom, circa 1989
17
1
Gaehtgens, M. Thomas W., 1999
17
2
Galligan, Gregory, 1994
17
3
Gedo, Mary, 1983
17
4
Giesicke, Barbara, 1987
17
5
Goodman, John, 2004
17
6
Guggenheim, Eileen, 1973
17
7
Hamilton, George Heard, undated
17
8
Harris, Mark, 1993
17
9
Hedberg, Gregory, 2000
17
10
Heyd, Milly, circa 1983-circa 1986
17
11
Jacobs, undated
17
12
Johnson, Dorothy, circa 1997
17
13
Kachur, Lewis, 1989
17
14
Karmel, Pepe, circa 1994
17
15
Kies, Emily, 1967
17
16
Krauss, Rosalind, 1996
17
17
Leighton, Patricia, 1986-1990
17
18
Lubar, Robert, 1995
17
19
Marlowe, Ann, 1981
17
20
McPhee, Constance Curran, 1995
17
21-22
McVaugh, Robert E., circa 1980s
17
23
Mennel, Timothy, 1999
17
24
Miller, P., 1999
17
25
Miscellaneous Manuscripts by Others, circa 1960s-circa 1990s
17
26
Morphet, Richard, 1986
17
27
Munsterberg, Marjorie, 1987
17
28
Nochlin, Linda Weinberg, 1954
17
29
O'Brien, David, circa 1990s
17
30
O'Brien, David, circa 1990s
18
1-3
O'Brien, Elvy, 1986
18
4
Porter, Robert Fulton, 1974
18
5
Porterfield, Todd, 1997
18
6
Radycki, Diane, 1979
18
7
Rappaport, Richard, 1989
18
8
Reise, Barbara, 1968-1972
18
9
Richardson, J., 1991
18
10
Rosenbaum, Lee, 1997
18
11
Roskill, Mark, 1983
18
12
Smalls, James, circa 1996
18
13-16
Staudt, Cjristina, 1992
18
17
Stativitsky, Gail, 1984-circa 1990s
18
18-19
Synkov, Nikolay, 2006
18
20
Titolo, Theodore S., 1988
18
21
Tuchman, Phyllis, circa 1990s
18
22
Tumasonis, Elizabeth, circa 1990
18
23
Unidentified Authors, Manuscript Drafts and Pages, circa 1970s-circa 2000
18
24-26
Unidentified Authors, Lecture, 1993
18
27
Worley, Michael, 1990
18
28
Watson, Ronald, 1992
18
29
Yang, Alice, 1989-1997
18
30-31
Yang, Alice, 1993-1997
19
1-3
Zwirn, Stephen R., 1986
19
4

Series 5: Exhibition Files, circa 1965-circa 2006
5.2 linear feet
Boxes 19-24

Primarily reflecting Rosenblum’s work as Stephen and Nan Swid Curator of 20th-Century Art at the Guggenheim, exhibition files are comprised of a variety of materials, including correspondence, lists of works, two sound recordings and transcripts of interviews with James Rosenquist, photographs, proposals, reference materials, two digital art inventory lists, catalog drafts and outlines, and clippings of reviews. Notable exhibitions include
French Painting, 1774-1830: The Age of Revolution
(1974),
Picasso and the War Years: 1937-1945
(1998),
1900: Art at the Crossroads
(2000),
Norman Rockwell: Pictures for the American People
(2002),
Best in Show: Dogs in Art from the Renaissance to the Present
(2006), and
Citizens and Kings: Portraits in the Age of Revolution, 1760-1830
(2007).
A few files of exhibitions curated by others are also found in this series and may have been compiled because Rosenblum was consulted about artwork selections, or contributed to the planning of the exhibition.
Files are arranged chronologically by exhibition date.
DescriptionContainer
Age of Neoclassicism
(1972), Council of Europe Exhibition, 1970-1972
19
5-6
French Painting, 1774-1830: The Age of Revolution
(1974), 1968-1976
19
7-25
Louis Phillipe Show (circa 1976), circa 1976
19
26
National Gallery of Art Bicentennial Exhibition (1976), 1973
19
27
Pablo Picasso: A Retrospective
(1980), 1980
19
28
Tremaine Collection Exhibition (circa 1984), circa 1983
19
29-31
AIDS Benefit Exhibition (1986), Leo Castelli Gallery, circa 1986
20
1
Miró Exhibition (circa 1986), 1986
20
2
James Rosenquist: The Swimmer in the Econo-mist
(1998), circa 1998
Includes 2 sound cassettes (microcassettes).
Sound recordings are of Robert Rosenblum interviewing James Rosenquist. Interview transcripts are also included.
20
3-5
Picasso and the War Years: 1937-1945
(1998), 1996-1999
20
6-14
Vilhelm Hammershoi (1864-1916): Danish Painter of Solitude and Light
(1998), 1998
20
15-19
1900: Art at the Crossroads
(2000), 1997-circa 1999
20
20-29
1900: Art at the Crossroads
(2000), circa 1990s-circa 2001
21
1-43
1900: Art at the Crossroads
(2000), circa 1990s-circa 2000
22
1-8
Giovanni Segantini: Light and the Symbolist Vision (1884-1899)
(2000), 2000
22
9
Looking Backwards: American Art at the Century's End
(circa 2000), 1985-1986
22
10
Jeff Koons: Easy Fun-Ethereal
(2001), 1998-2000
22
11-12
Motherhood Exhibit (circa 2001), 1999-2001
22
13
Norman and Irma Braman Collection Exhibit (2002), 2002
2 electronic discs (cd)
Labels read: "Norman Braman Collection," and letter indicates an inventory of the collection.
22
14
Norman Rockwell: Pictures for the American People
(2002), 2001-2002
22
15-17
Art of Tomorrow: Hilla von Rebay and Solomon R. Guggenheim
(2004), 2004
22
18
Picasso and Modern Art
(2004), 2004
22
19
Scott Burton Exhibit (2004), 2003-2004
22
20
Andy Warhol's Timeboxes
(2006), circa 2006
22
21
Best in Show: Dogs in Art from the Renaissance to the Present
(2006), circa 1983-circa 2006
22
22-28
Portrait Show
(2006), 2003
22
29-30
Portrait Show
(2006), 2004
23
1
Russia!
(2006), 2005-circa 2006
23
2-6
The Abstraction of the Landscape
(2007), 2004
23
7
Citizens and Kings: Portraits in the Age of Revolution, 1760-1830
(2007), 2000-2006
23
8-20
Faith and Fantasy: Gustave Doré Exhibition
(circa 2007), circa 1985-circa 2006
23
21-23
Masterpieces of American Art: 300 Years
(2007), circa 2005
23
24
Warhol on Warhol
(2007), 2008
24
1
Proposed, "Picasso Bon Vivant," Checklist, 1997
24
2
Exhibitions by Others,
Van Gogh to Mondrian: Dutch Works on Paper
(2000), 1999-2000
24
3
Exhibitions by Others,
The Figure: Another Side of Modernism
(2001), circa 1965-2001
24
4-7
Exhibitions by Others,
May Wilson: Ridiculous Portraits and Snowflakes
(2001), circa 2001
24
8
Guggenheim International Curatorial Meeting, Exhibition Proposals and Planning, 1997
24
9
Various Exhibition Lists and Materials, 1968-2006
24
10

Series 6: Research Files, circa 1927-2006
2.9 linear feet
Boxes 24-27

Research files document a range of topics, including various individual artists, and British and French painting and painters. Files also include artist bibliographic index cards, general research materials and notes, collected syllabi, and bibliographies. Most likely these materials were maintained and used for reference for a variety of curatorial, teaching, and writing purposes, as well as for general research.
DescriptionContainer
Art Collection Checklists, 1958-2005
24
11
Artist Index Card Files, circa 1950s
24
12
Artist Bibliographic Index Card Files, circa 1950s-circa 1960s
24
13-18
Bibliographies, circa 1970s
24
19
Bibliographies, The Arts in American Civilization Conference, 1963
24
20
Bibliography of French Painting, Seventeenth and Eighteenth Centuries, circa 1950s
24
21
Books Requested, List with Call Numbers, 1995-1996
24
22
Breton, André, circa 1947
24
23
British Paintings, A-C, circa 1969-circa 1987
24
24
British Paintings, M-Q, circa 1969-circa 1987
24
25
British Paintings, R, circa 1969-circa 1987
24
26
British Paintings, S-V, circa 1967-circa 1987
25
26-27
British Paintings, W-Z, circa 1969-circa 1993
25
28
British Romantic Art, Research Notes, 1958-1962
25
4
Cattelan, Maurizio, circa 2006
25
5
Currin, John, circa 2001
25
6
David, Jacques-Louis, Portraits, 1965-1994
25
7-9
David, Jacques-Louis, "Subject Pictures", 1967-1993
25
10-12
Dubsky, Mario, 1984-1985
25
13-14
English and French Romantic Painting, circa 1945
25
15
French Paintings, "Bh-Boilly", circa 1977-circa 1994
25
16
French Paintings, "Boissieu-Bz", 1927-circa 1980
25
17
French Paintings, "C", circa 1966-circa 1980
25
18
French Paintings, "Da-Doy", 1969-1985
25
19-20
French Paintings, "F", circa 1966-circa 1979
25
21
French Paintings, "Gérard, Marguerite", circa 1974-circa 1994
25
22-23
French Paintings, "Geri-Gz, Except Girodet and Groz", circa 1969-circa 1992
26
1-2
French Paintings, "Girodet-Trioson, Anne-Louis", circa 1967-circa 1994
26
3
French Paintings, "H-K, Excluding Ingres", circa 1965-circa 1990
26
4
French Paintings, "Ingres, J. A. D.", circa 1968-circa 1992
26
5
French Paintings, "La-Laz", circa 1927-circa 1992
26
6
French Paintings, "Le-Lz", circa 1976-circa 1989
26
7-8
Hunt, The Awakening Conscience, 1964
26
9
Lewitt, Sol and Jasper Johns Reference Materials, circa 1975-circa 1977
26
10
Mariani, Carlo Maria, circa 1984-circa 1988
26
11
Miró, Joan, 1940
26
12
O'Conor, Roderic, 1993
26
13
Picasso, Pablo, circa 1991-circa 1992
26
14
Research Notebook, circa 1970s-circa 1980s
26
15
Research Notes, General, circa 1950s-circa 1980s
26
16-17
Romantic Painting, 1960
26
18
Staley, Earl, circa 1980s
26
19
Stoical Subjects and Exemplar Virtutis, Research Notes, circa 1954-circa 1960
26
20
Syllabus and Lecture Outlines, "From David to Cezanne", circa 1950s
26
21
Syllabus and Lecture Outlines, "Survey of Romanesque Sculpture in Italy", circa 1950s
26
22
Syllabi and Bibliographies, NYU, circa 1950s
26
23-28
Syllabi and Bibliographies, NYU, circa 1950s
27
1-2
Syllabi, circa 1970s-circa 1980s
27
3-4
Wesselmann, Tom, circa 2000
27
5
Williamsen, 1995
27
6
General Research Material, circa 1948-circa 2006
27
7-12

Series 7: Teaching Files and Class Notes, 1955-2006
4.3 linear feet
Boxes 27-31

Teaching files and class notes document permanent and visiting professorships at Barnard College, Columbia University, Duke University, New York University, Princeton University, University of Michigan, Yale College, and Yale University. Materials include course outlines, exam materials, course lecture schedules, class notes by Rosenblum and students, syllabi, and submitted student papers and assignments.
DescriptionContainer
Barnard College, Course Materials, Picasso and Cubism, 1957-1958
27
13
Columbia University, Course Materials, Aspects of Painting 1800, 1963-1964
27
14
Columbia University, Course Materials, French Neoclassic Painting, 1963
27
15
Columbia University, Course Materials, Late 18th Century Art Historicism, 1965
27
16
Columbia University, Course Materials, Seminar, Early 19th-Century Painting, 1960-1961
27
17
Columbia University, Course Materials, Seminar, Victorian Art, 1966
27
18
Duke University, Lectures on Romanticism, 1982
27
19
New York University
Assignment Notes, 1958
27
20
Class Notes, 1996
27
21
Course Materials, Art of the 19th Century, 1966-1967
27
22
Course Materials, Art of the 20th Century, 1967-1970
27
23-27
Course Materials, Art Since 1945, 1975-1989
27
28-33
Course Materials, Art Under the Bourbon Restoration, 1815-1830, 1973
27
34
Course Materials, Aspects of British Painting, 1760-1800, 1974
27
35
Course Materials, British Painting, 1760-1800, 1977-1994
27
36-40
Course Materials, British Painting of the Late 18th Century, 1968-1994
27
41-42
New York University
Course Materials, Cubism to Surrealism, 1977-1992
28
1-6
Course Materials, David and His School, 1976-1991
28
7-8
Course Materials, French Painting, 1755-1789, 1998
28
9
Course Materials, French Painting, 1759-1789, 1979-2002
28
10-14
Course Materials, French Painting, 1789-1799, 1999
28
15
Course Materials, French Painting, 1789-1815, 1980-1990
28
16-18
Course Materials, French Painting, 1799-1814, 1992
28
19
Course Materials, French Painting, 1815-1830, 1981-1987
28
20-22
Course Materials, French Painting Between David and Géricault, 1977
28
23
Course Materials, French Painting of the Early 19th Century, 1968
28
24
Course Materials, French Painting of the Late 18th Century, 1967-1976
28
25-26
Course Materials, French Painting from Grenze to David, 1970
28
27
Course Materials, French Painting from Gros to Delacroix, 1973
28
28
Course Materials, French Painting from Romanticism to Realism, 1970
28
29
Course Materials, French Painting Salons of the Consulate, 1993
28
30
Course Materials, Modern Art from Cubism to the Present, 1971-1976
28
31-34
Course Materials, Neoclassicism and Romanticism, 1970-1999
28
35-48
New York University
Course Materials, Neoclassicism and Romanticism, 2001-2006
29
1-4
Course Materials, Official Art and the Avant-Garde in the 1880s, 1992
29
5
Course Materials, Origins of Symbolism in Northern European Art, 1996
29
6
Course Materials, Paintings Under Louis-Phillippe, 1830-1848, 1976-1988
29
7-8
Course Materials, Post-Impressionism to Expressionism, circa 1970s-2002
29
9-20
Course Materials, Problems in Romantic Iconography, 1969
29
21
Course Materials, Realism and Impressionism, 1978-1994
29
22-27
Course Materials, Religious Painting of the Romantic Period, 1989
29
28
Course Materials, Seminar, American Artist in Europe, circa 1865-1930, 1986
29
29
Course Materials, Seminar, Anti-Modernism in Early 20th Century Art, 1991
29
30
Course Materials, Seminar, Cubism: Recent Research, 1974
29
31
Course Materials, Seminar, Eighteenth-Century Origins of Romantic Painting, 1978-1995
29
32-34
Course Materials, Seminar, Eighteenth-Century Origins of Romantic Art, 2006
29
35
Course Materials, Seminar, French Painting Between Romanticism and Realism, 1975-1979
29
36
Course Materials, Seminar, Friedrich to Rothko, 1972
29
37
Course Materials, Seminar, Goya and His Contemporaries, 2003-2005
29
38-39
Course Materials, Seminar, Matisse, 1994
29
40
New York University
Course Materials, Seminar, Neo-Historicism in Late 20th Century Art, 2001
30
1
Course Materials, Seminar, Painting circa 1900, 1997-2000
30
2-3
Course Materials, Seminar, Picasso, 1967
30
4
Course Materials, Seminar, Picasso and Tradition, 2002
30
5
Course Materials, Seminar, Picasso: Recent Research, 1996
30
6
Course Materials, Seminar, Picasso Reconsidered, 2000
30
7-8
Course Materials, Seminar, Portraiture in the Age of Revolution, 2004
30
9
Course Materials, Seminar, Portraiture in the Late 18th Century, 2006
30
10
Course Materials, Seminar, Problems in 19th Century Architecture, 1967
30
11
Course Materials, Seminar, Problems in French Painting 1789-1815, 1971
30
12
Course Materials, Seminar, Problems in Modern Art, Picasso, 1968
30
13
Course Materials, Seminar, Problems of Religious Art of the Romantic Period, 1770-1840, 1971
30
14
Course Materials, Seminar, Romantic Art and Its Heritage, 1971
30
15
Course Materials, Seminar, Salons, 1789-1801, 1985
30
16
Course Materials, Seminar, Surrealism, 1968-1969
30
17
Course Materials, Seminar, Twentieth Century Self-Portraiture, 1998
30
18
Faculty Personnel Record and Academic Activity, 1979-2004
30
19-20
Institute of Fine Arts Course Offerings, 1957
30
21
List of Courses Given, circa 1995
30
22
Make-Up Exams, 1970-1971
30
23
References for Comprehensive Examination, 1955
30
24
Student Course Notebook, 1973
30
25
Student Paper, Graded, 1969
30
26
Student Papers, 1973-2006
30
27-31
Princeton University
Course Materials, American Art, 1956-1961
30
32
Course Materials, Baroque Painting, 1956-1960
30
33
Princeton University
Course Materials, Baroque Painting, 1963-1965
31
1
Course Materials, Italian Painting, 1956-1960
31
2
Course Materials, Modern Architecture, 1959
31
3-4
Course Materials, Modern Art, British Painting Late 18th Century, 1963
31
5
Course Materials, Modern Art, David, 1963
31
6
Course Materials, Modern European Painting, 1956-1966
31
7-15
Course Materials, Nineteenth Century Religious Paintings, 1966
31
16
Course Materials, Problems in French Neo-Classic Painting, 1966
31
17
Course Materials, Seminar, Architecture, 1960
31
18
Course Materials, Seminar, From Cassicism to Romanticism, circa 1959
31
19
Course Materials, Seminar, Neo-Classic and Romantic Painting, 1959
31
20-21
General Notes and Course Materials, circa 1963
31
22
Graduate Student Recommendations and Reports, 1964-1965
31
23
Senior General Exam Questions and Entering MFA Student Exam Questions, 1957-1965
31
24
Spears Fund Research Grant Committee, Requests and Meetings, 1957-1965
31
25
Queens College, Course Materials, 1974-1975
31
26
Unidentifed Doctoral Dissertation Proposal and Schedule, circa 1970s
31
27
University of Michigan, Course Materials, 1955-1956
31
28
University of Michigan, Course Materials, Notes, and Exams, 1956
31
29
Yale College, Course Materials, 1966
31
30
Yale University, Course Materials, 1966
31
31
Yale University, Student Paper, 1966
31
32

Series 8: Personal Business Records, 1951-2009
4.4 linear feet
Boxes 31-36

Personal business records include various financial and legal materials, such as: expense and income documentation, containing receipts and statements of payment; travel expenses; property leases and materials; lecture and publishing contracts, royalties, and arrangements; and photograph purchases and reproduction requests, among other materials.
DescriptionContainer
Acoustiguide Corporation, 1980
31
33
Bank Statements and Checks Deposited, 1964
31
34
Citibank Loan, 1985
31
35
Contract, American Society for 18th Century Studies, circa 1970s-circa 1990s
31
36
Contract, Chase Manhattan Bank Art Collection, 1973
31
37
Credit Card Statements, 1984-1986
31
38
Delta Airlines Consumer Affairs, 1982
31
39
Department of Cultural Affairs, 1978-1981
31
40
Donations, 1984-1988
31
41
Donations Appraisal, 1990
31
42
Donations, Books, 2004-2005
31
43
Expenses and Income, 1956-1965
31
44-48
Expenses and Income, 1964-1984
32
1-23
Expenses and Income, 1985-2007
33
1-20
Expenses, Summer in Europe, 1986
33
21
General Financial Materials, 1998-2002
33
22
Income Tax Documentation, 1981-1985
33
23
Income Documentation, 2004
33
24
Invoice, Roy Lichtenstein Painting Purchase, 1964
33
25
Lawyers, 1978-1981
33
26
Leases, 1969
33
27
Lecture Contracts and Arrangements, 1980-1986
33
28-31
Lecture Contracts and Arrangements, 1986-2006
34
1-19
Legal Materials, Hirshhorn Luncheon Case, 1989
34
20
Literary Agent Agreements and Contracts, Maxine Grofsky, 1980-2001
34
21
Literary Agent, Maxine Grofsky, Posthumous, 2008
34
22
London Banking, circa 2003
34
23
Medical and Life Insurance Coverage, New York University, 1966-1978
34
24
Personal Library Inventory, Rosenblum Bookshelves, circa 2000
34
25
Photograph Purchases and Reproductions, 1967-circa 1980s
34
26-34
Property, Shelter Island, 1984-1986
34
36
Property, London, 1985
34
37
Publishing Contract and Arrangements, Museo Thyssen-Bornemisza, 2006
34
37
Publishing Contract and Arrangements, Museum of Modern Art and National Gallery of Art, 1975-1978
34
38
Publishing Contracts and Royalties,
19th Century Art
, 1978-2007
34
39-43
Publishing Contracts and Royalties,
20th Century Art
, 1984-1999
34
44-45
Publishing Contracts and Royalties,
American Art in the Twentieth Century: Selected Essays
, 1984-1999
35
1-2
Publishing Contracts and Royalties,
Art of the Twentieth Century
, 1986
35
3
Publishing Contracts and Royalties,
Dog in Art
, 1986-2003
35
4-6
Publishing Contracts and Royalties,
Frank Stella
, 1968-1979
35
7
Publishing Contracts and Royalties, Garland Publishing, 1975-2005
35
8-9
Publishing Contracts and Royalties, Harry N. Abrams, Inc., 1964-1988
35
10
Publishing Contracts and Royalties,
Jacques-Louis David: Two Late Paintings
, 1988
35
11
Publishing Contracts and Royalties,
Modern Painting and Northern Romantic Tradition: Friedrich to Rothko
, 1973-1996
35
12-14
Publishing Contracts and Royalties,
On Modern American Art
, 1999-2007
35
15
Publishing Contracts and Royalties,
Paintings in the Musee D'Orsay
, 1988-2007
35
16-18
Publishing Contracts and Royalties,
Picasso
, 1970-1989
35
19
Publishing Contracts and Royalties,
Picasso and the Spanish Tradition
, 1996
35
20
Publishing Contracts and Royalties,
Transformations in Late Eighteenth Century Art
, 1970-1994
35
21
Publishing Contracts and Royalties, Various, 1979-2006
35
22-32
Receipts, Veterans Administration Life Insurance, 1951
35
33
Rights Reverted, Posthumous, 2007
35
34
The Robert and Jane Rosenblum Trust, 1992
35
35
Savings Deposit Books, 1959-1976
35
36
Savings Register, Lillian Rosenblum, 1973
35
37
Text Reproduction Requests, Posthumous, 2006-2009
35
38
Travel Expenses, 1979-2003
35
39-47
Travel Expenses, 2003-2006
36
1-2
Travel Receipts and Arrangements, 2006
36
3
U. K. Tax Exemption, Collins Publishers, 1988
36
4
University of Oxford Appointment Documentation, 1969-1972
36
5
U. S. Residency Tax Relief, 2004-2005
36
6
WNET/Thirteen, "Art of the Western World" Broadcast Documentation, 1986
36
7

Series 9: Printed Material, 1927-2009
2.4 linear feet
Boxes 36-38

Printed material includes clippings, collected printed materials, exhibition announcements and catalogs, journals, posters, and published articles and essays.
DescriptionContainer
Announcements and Itineraries, Lectures and Seminars, 1971-2000
36
8-16
Art Publications, 1980-1992
36
17-18
Blank Postcards, circa 1980s
36
19
Brochures and Newsletters, 1944-2005
36
20-24
Clippings, About Robert Rosenblum, 1971-2001
36
25-27
Clippings, Articles by Robert Rosenblum, 1993
36
28
Clippings, Book Reviews, 1994
36
29
Clippings, "Camp", circa 1970s-circa 2000
36
30
Clippings, David Sylvester's Death, 2001
36
31
Clippings, Images, 1980-1982
36
32
Clippings, Kathy Weil Garrison, 1996
36
33
Clippings, Picasso, 1985-1999
36
34
Clippings, Reviews, 1973-2007
36
35-39
Clippings, General, circa 1948-2006
36
40-50
Clippings and Information on Keith Sonnier, circa 1994
36
51
Clippings and Information on Clyfford Still, 1982-2001
36
52
Collected Materials, 1927-2006
36
53-56
Exhibition Announcements, 1976-2002
37
1-4
Exhibition Announcements and Postcards, circa 1960s-circa 2000
37
5
Exhibition Bibliography, 1969
37
6
Exhibition Catalogs, 1959-1999
37
7-17
Exhibition Materials, 1980s
37
18
Journals, 1948-2009
37
19-23
Posters, 1974-1992
37
24-25
Press Release, 1972
37
26
Press Reviews, 1991
37
27
Publicity, 1970-1983
37
28
Published Articles and Essays by Robert Rosenblum, 1955-circa 1970s
37
29-31
Published Articles and Essays, General, circa 1951-circa 2001
37
32-34
Published Articles and Essays, General, circa 1980s-circa 2005
38
1-5
General Printed Material, circa 1950s-circa 2000
38
6-16

Series 10: Photographs, circa 1950s-circa 2000
0.3 linear feet
Box 38, OV 41

Photographs are of Robert Rosenblum, exhibitions and installations, and artwork.
DescriptionContainer
Images of Robert Rosenblum, circa 1950s-1990
38
17-18
Exhibition and Installation Photographs, 1975-1998
38
19-20
Artwork for Unidentified Publication, 1982
38
21
Artwork, circa 1960s-circa 2000
Oversized photograph housed in OV 41.
38
22-28
Artwork, Transparencies, circa 1980s
38
29

Series 11: Artwork, circa 1940s-circa 1980s
0.1 linear feet
Box 38

Artwork includes paint sketches and a sketchbook by Robert Rosenblum when he was a student, as well as one unidentified mixed media collage.
DescriptionContainer
Paint Sketches by Robert Rosenblum as Student at Queens College, circa 1940s
38
30
Student Sketchbook by Robert Rosenblum, Art Appreciation, circa 1940s-circa 1950s
38
31
Unidentified Mixed Media Collage, circa 1960s-circa 1980s
38
32

Make a Request

  • To request an appointment to view materials, make your selections using the checkboxes and click the "Reading Room" button. Please note, you will receive the full box.
  • To request reproductions, make your selections using the checkboxes and click the "Reproduction" button.