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Richard Tuttle papers, circa 1935-2019

Tuttle, Richard, 1941-

Muralist, Painter, Sculptor

Collection Information

Size: 26.6 Linear feet 4.14 Gigabytes

Summary: The papers of New York City and New Mexico based postminimalist artist Richard Tuttle date from circa 1935-2018. The collection measures 26.6 linear feet and 4.14 GB. The evolution of Tuttle's art practice is well documented through biographical material; paper correspondence and email; writings and over 200 richly illustrated notebooks; exhibition and gallery files; residency and visiting artist files; book projects and print edition files; personal business records; printed material; photographic material; and sketches. The illustrated notebooks comprise a significant bulk of the collection and document Tuttle's visual explorations, travel, language studies, and inner life over six decades. Paper correspondence, particularly Tuttle's frequent letters to his parents over four decades, communicate personal and professional developments in detail. Other notable collection material includes biographical items documenting Tuttle's childhood, high school, and college life, as well as limited edition and one of a kind artist books. The collection contains born-digital material, consisting of emails, writings, images of artwork and installations, a presentation, and video recording.
There is a 2.1 linear feet unprocessed addition to the collection including fabric samples for projects, receipts, printed material, sketches, installation photographs, notes and notebooks, and correspondence. A portion of the addition contains electronic media.

Biographical/Historical Note

Richard Tuttle (1941- ) is a postminimalist artist and author working in New York City and New Mexico. Born in Rahway, New Jersey, Tuttle attended Trinity College in Hartford, Connecticut from 1959-1963. After earning his Bachelor's degree, he moved to New York City, where he spent one semester at Cooper Union before working as a gallery assistant to Betty Parsons. Tuttle had his first exhibition at the Betty Parsons Gallery in 1965.

Provenance

Donated to the Archives of American Art by Richard Tuttle in 2017, 2018, and 2020.

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