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Reuben Tam papers, 1931-2006

Reuben Tam papers, 1931-2006

Tam, Reuben, 1916-1991

Painter, Educator

Collection Information

Size: 8.1 linear feet

Summary: The papers of landscape painter and educator Reuben Tam measure 8.1 linear feet and date from 1931 to 2006. The papers document his career as a painter in New York, Maine, and Hawaii through biographical material; correspondence with family, friends, art organizations, schools, and galleries; diaries, poetry, and other writings; exhibition catalogs, news clippings, other printed material; photographs; artwork, including seventeen sketchbooks; and eight scrapbooks.

Biographical/Historical Note

Reuben Tam (1916-1991) was an American landscape painter in Maine and Hawaii.

Provenance

Scrapbooks were lent for microfilming 1970 by Reuben Tam and were subsequently donated in 2009 along with additional papers by Geraldine King Tam, Reuben Tam's widow.

Related Materials

A Finding Aid to the Reuben Tam Papers,
1931-2006
, in the Archives of American Art
AAA.tamreub
Author
Finding aid prepared by Erin Kinhart
Biographical Note
Reuben Tam (1916-1991) was a landscape painter and educator in New York, Maine, and Hawaii. Tam was born in Kapaa, Hawaii, in 1916. He received a degree in education in 1937 from the University of Hawaii and was briefly a public school teacher before attending graduate courses at the California School of Fine Arts. In 1941 he moved to New York and took courses in art history and philosophy at the New School for Social Research and Columbia University. Tam became affiliated with the Downtown Gallery in 1945 and was a prolific exhibitor in national and regional shows, winning critical praise as an abstract landscape painter. In 1948 he was awarded a Guggenheim Fellowship and first exhibited in the National Academy's annual exhibition in 1947.
Tam was an instructor at the Brooklyn Museum of Art School from 1946 to 1974. While there he taught advanced studies in painting and was chairman of the graduate painting department. He also served as a visiting professor at Oregon State University, Haystack, and Queens College, CUNY.
Beginning in 1948, Tam and his wife, Geraldine, spent summers at their home and studio on Monhegan Island, Maine. Tam's work was deeply influenced by coastal landscapes both in Maine and in his native Hawaii. In 1981 he and his wife moved back to Kapaa, Hawaii, where he continued to paint and exhibit his new works until his death in 1991.
Arrangement
The collection is arranged as 8 series:
Series 1: Biographical Material, 1934-1993 (Box 1; 0.4 linear feet)
Series 2: Correspondence, 1931-2006 (Box 1-4; 3.5 linear feet)
Series 3: Diaries, 1932-1974 (Box 4-5; 0.4 linear feet)
Series 4: Writings, 1939-1987 (Box 5; 7 folders)
Series 5: Printed Material, 1935-1997 (Box 5-6; 1.2 linear feet)
Series 6: Photographs, circa 1930s-1990 (Box 6-7, 9; 1.0 linear foot)
Series 7: Artwork, circa 1936-1975 (Box 7, 9-11; 0.7 linear feet)
Series 8: Scrapbooks, 1938-1978 (Box 7-8; 0.9 linear feet)
Scope and Content Note
The papers of landscape painter and educator Reuben Tam measure 8.1 linear feet and date from 1931 to 2006. The papers document his career as a painter in New York, Maine, and Hawaii through biographical material; correspondence with family, friends, art organizations, schools, and galleries; diaries, poetry, and other writings; exhibition catalogs, news clippings, other printed material; photographs; artwork, including seventeen sketchbooks; and eight scrapbooks.
Biographical material includes school documents, records of his tenure as an instructor at the Brooklyn Museum of Art School, artwork consignment and sales records, and slides and accompanying audio cassette recording of the "Reuben Tam Show" about his work as an artist on Monhegan Island, Maine.
Correspondence is with family, fellow artists, including William Kienbusch and Hyde Solomon, as well as art organizations, schools, and museums, such as Brooklyn Museum of Art School, Guggenheim Memorial Foundation, Maine Coast Artists group, and the Skowhegan School of Painting and Sculpture. Also found is correspondence with the three galleries which represented his work: Downtown Gallery, Alan Gallery, and Coe Kerr Gallery.
The collection includes five bound diaries as well as diary entries written by Reuben Tam on loose sheets of paper, primarily documenting the 1940s. Other writings include drafts of poetry, one notebook, miscellaneous notes, and essays by others.
Printed material consists of school publications, exhibition catalogs and announcements for solo and group shows, brochures, flyers, magazines, bulletins, and news clippings. Eight scrapbooks found in this collection also include newspaper clippings, exhibition announcements and catalogs, as well as event invitations, membership cards, and letters, documenting 40 years of Reuben Tam's career.
Photographs are of Reuben Tam, Tam with friends and family, and artwork. One photograph album contains photographs from Tam's visits to Maine from 1946 to 1948, and includes photographs of fellow artists Hyde Solomon, Carl Nesjar, Dorothy Andrews, and William Kienbusch. Artwork in the collection includes prints, drawings, and watercolors as well as seventeen large sketchbooks documenting the coastal landscape of Monhegan Island, Maine.
Provenance
Scrapbooks were lent for microfilming 1970 by Reuben Tam and were subsequently donated in 2009 along with additional papers by Geraldine King Tam, Reuben Tam's widow.
Related Material
Reuben Tam papers, 1958-1966, are also located at Syracuse University.
Processing Information
The collection was processed and described in a finding aid by Erin Kinhart in 2011.

Additional Forms Available

Scrapbooks in this collection are available on 35 mm microfilm reel 33 at Archives of American Art offices, and through interlibrary loan.

Restrictions on Access

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

How to Cite This Collection

Reuben Tam papers, 1931-2006. Archives of American Art, Smithsonian Institution.

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