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Peter Howard Selz papers, 1929-2014, bulk 1950-2005

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Series 7: Exhibition Files , 1959-2014
5.2 Linear feet
Box 23-27, Box 38

Exhibition files are found for numerous exhibitions organized by Selz, or to which he contributed. Files may include exhibition catalogs, reviews, clippings, writings, correspondence, digital and other material. Files are found for New Images of Man (1959), Seven Decades of Modern Art, 1895-1965 (1965), The Joint Show (1967), The American Presidency in Political Cartoons (1976), American Modern Art Between the Two World Wars (1979), German Realism in the Twenties: Artist As Social Critic (1980), Twelve Artists from the German Democratic Republic (1989), Sam Francis: Blue Balls (1991), a Richard Lindner Retrospective (1996), Spaces of Nature (1999), and a Nathan Oliviera Retrospective (2002), among many others.
Exhibitions are arranged by title in chronological order, and further by document type if needed.
Description Container Select
"New Images of Man" (1959), 1959-1960
38
1
Museum of Modern Art, Art Nouveau Exhibition (1960), 1960
23
1
"Fifteen Polish Painters" (1961), 1960-1961
23
2
Battersea Park Open Air Exhibition (1963), circa 1963
23
3
Documenta III Exhibition (1964), 1963-1964
23
4
"Seven Decades of Modern Art, 1895-1965" (1965)
Correspondence, 1965-1966
23
5-6
Undated Correspondence, circa 1965
23
7
Meeting Minutes and Loan Forms, 1965-1966
23
8
Kinetic Sculpture Exhibition (1966), 1966
23
9
"The Joint Show" (1967), 1967
Exhibition Announcements, 1967
23
10
Photographs, 1967
23
11
Printed Material, 1967
23
12
"The Hippie Poster" Drafts, 1967
23
13
"The American Presidency in Political Cartoons, 1776-1976" (1976)
Correspondence, 1973-1978
23
14-16
Notes, circa 1975
23
17
Exhibition Outline and Planning, circa 1976
23
18
Exhibition Checklists, circa 1976
23
19
Catalog Outline and Draft, circa 1976
23
20
Photographic Material, 1976
23
21
Printed Material, 1975-1976
23
22
Exhibition Reviews, 1976
23
23
"Art in a Turbulent Era: German and Austrian Expressionism" (1978) - Correspondence, 1976-1978
23
24-25
"American Modern Art Between the Two World Wars" (1979)
Dore Ashton Correspondence, 1978
23
26
Nan Rosenthal Correspondence, 1976-1978
23
27
Stadtische Kunsthalle Dusseldorf Correspondence, 1977-1980
23
28
Correspondence with Lenders, A-Z, 1976-1979
23
29-34
Miscellaneous Correspondence, 1977-1979
23
35
Loan Forms, A-F, 1978
23
36
Loan Forms, G-N, 1978
23
37
Loan Forms, O-Z, 1978
23
38
Financial Records, 1978
23
39
Exhibition Checklists, circa 1978
23
40
"American Modern Art Between the Two World Wars" (1979)
Notes and Early Catalog Draft, 1978
24
1-2
Exhibition Catalog Draft, circa 1978
24
3-4
Printed Material, 1979
24
5
"German Realism in the Twenties: The Artist as Social Critic" (1980)
Correspondence, 1978-1981
24
6-7
Notes for Exhibition Catalog, circa 1979
24
8
Notes on Neue Sachlichkeit, circa 1979
24
9
Loan Lists, 1979-1980
24
10-11
"The Art Fabric: Mainstream" (1981)
Correspondence, 1981
24
12
Press Releases, 1981
24
13
Notes, 1981
24
14
"Fabricart" Essay Drafts, 1981
24
15
"Kandinsky in Munich" (1982), 1981-1982
24
16
Michael Dvortcsak Exhibition (circa 1983)
Correspondence, 1983-1985
24
17
Writings, circa 1983
24
18
Printed Material and Slides, 1983-1985
24
19
Jose Luis Cuevas Retrospective (1984), 1983-1984
24
20
"Italian Art of the Twentieth Century" (circa 1984), 1981-1984
24
21
Rupert Garcia (1985), 1985
24
22
Alain Gerbault: Vertical Chamber: 115 Feet High (1986), 1986
24
23
Santa Barbara Contemporary Arts Forum Exhibition (1987), 1985-1986
24
24
"It's Possible: 24 Israeli & Palestinian Artists Unite for Peace" (1989), 1988-1989
24
25
"12 Artists from the German Democratic Republic" (1989)
General Correspondence, 1984-1989
24
26
Harvard University Art Museums Correspondence, 1987-1988
24
27
Artists Biographical Information, circa 1989
24
28
Notes, circa 1989
24
29
Printed Material, 1989-1990
24
30
"Sam Francis: Blue Balls" (1991)
Correspondence, 1990-1995
25
1-2
Notes, circa 1991
25
3
Exhibition Catalog Drafts and Images, circa 1991
25
4
Photographs, 1960-1965
Includes black and white photographs of the artist and some art inside a studio.
25
5
"Degenerate Art" (1993), 1992-1993
25
6
"Explorations in the City of Light: African-American Artists in Paris, 1945-1965" (1996), 1993-1996
25
7
Hirshhorn Museum, Richard Lindner Retrospective (1996)
Judith Zilczer Correspondence, 1994-1996
25
8
Correspondence about Chronology for Biography, 1995
25
9
General Correspondence, 1993-1996
25
10-11
Inventories of Paintings, circa 1993
25
12
Project Outline, circa 1994
25
13
Printed Material and Interview Transcripts, circa 1994
25
14
Notes for Essay, circa 1994
25
15
January 1995 Essay Draft, 1995
25
16
February 1995 Essay Draft, 1995
25
17
June 1995 Essay Draft, 1995
25
18
"Richard Lindner's Armored Woman" Final Drafts, circa 1996
25
19
Richard Lindner Retrospective (1996) Catalog Essay, Bellagio Study and Conference Center, 1992-1999
38
2
Essay Draft by Judith Zilczer, circa 1994
25
20
Miscellaneous Printed Material, 1969-1978
25
21
"Exiles + Emigrés: The Flight of European Artists From Hitler" (1997), Los Angeles County Museum of Art, 1997
Peter Selz gave a lecture, "Emigré Artists at Mills College."
38
3
"Offshore: Paintings of the Farallones" (1997), 1997
25
22
Havana Bienal Art Festival (1999), 1988-2000
25
23
Valpraisio University, Robert Kostka and Stephen De Staebler Exhibitions (1999), 1996-1999
25
24
"Spaces of Nature" (1999)
Planning, Checklists, and Exhibition Agreement, 1998-1999
25
25
Bellaver, Tony, 1998-1999
25
26
"Spaces of Nature" (1999)
Brest van Kempen, Mark, 1998-1999
26
1
Champion, Alex, 1998-1999
26
2
Chanco, Pauletta M., 1998-1999
26
3
Hofmann, Angelika, 1998-1999
26
4
Mark, Sue, 1998-1999
26
5
McCormick, Daniel, 1998-1999
26
6
Nelson, Keiko, 1998-1999
26
7
Polster, Laurie, 1998-1999
26
8
Exhibition Catalog, 1999
26
9
"Modern Odysseys: Greek American Artists of the 20th Century" (2000)
Thalia Selz Correspondence, 1992-1998
26
10
Bill Valerio Correspondence, 1999
26
11
Queens Museum of Art Correspondence, 1997-1999
26
12
Correspondence with Artists, 1998-1999
26
13
Exhibition Planning and Agreement, 1996-1998
26
14
Checklists, 1999-2000
26
15
"Color and Fire: Defining Moments in Studio Ceramics, 1950-2000" (2000)
Los Angeles County Museum of Art Correspondence, 1998-2000
26
16-17
"The Figurative Impulse in Ceramics" Essay Drafts, circa 1999
26
18
Images of Artwork from Participating Artists, 1999
26
19
Araki, Takako, 1999-2000
26
20
Beere, Susan, 1999
26
21
Carhartt, Elaine, 1999-2000
26
22
Cecula, Marek, 1999-2000
26
23
De Staebler, Stephen, 1999-2000
26
24
Frimkess, Michael, 1999-2000
26
25
Green, Phyllis, 1999-2000
26
26
Levine, Marilyn, 1999-2000
26
27
Lucero, Michael, 1999-2000
26
28
Notkin, Richard, 1999-2000
26
29
Shaw, Richard and Robert Hudson, 1999-2000
26
30
Takamori, Akio, 1993-2000
26
31
VandenBerge, Peter, 1999-2000
26
32
Voulkos, Peter, 1999-2000
26
33
"Cross-Currents in Modern Art: A Tribute to Peter Selz" (2000)
Achim Moeller Gallery Correspondence, 1998-2000
26
34
General Correspondence, 1999
26
35
Peter Selz Interview Transcripts, 1999-2000
26
36
Typescript Drafts and Printed Material, 1999-2000
26
37
Exhibition Checklists and Publicity, 2000-2001
26
38
Jim Morphesis Paintings Exhibition, 2002
38
4
Nathan Oliviera Retrospective and Monograph (2002)
Exhibition Planning Correspondence, 1998-2001
26
39
John Berggruen Gallery Correspondence, 2001
26
40
Photocopies of Nathan Oliviera's Correspondence with Galleries, 1957-1977
26
41
Nathan Oliviera Correspondence, 1999-2000
26
42
Nathan Oliviera Retrospective and Monograph (2002)
Palm Springs Desert Museum Correspondence, 2002-2003
27
1
Portugal Embassy Correspondence, 1999-2000
27
2
San Jose Museum of Art Correspondence, 2000
27
3
San Jose Museum of Art Correspondence and Checklists, 2001-2002
27
4-5
University of California Press Correspondence, 2000
27
6
Exhibition Proposal and Agreement, 1999-2000
27
7
Art Loan Requests, 2002
27
8
Reviews, 2002
27
9
Nathan Oliviera Interview Transcripts, 1978-2000
27
10-12
Typescript Drafts of Introduction by Joann Moser, 1999-2000
27
13
Typescript Drafts of Biography, circa 2002
27
14
Bibliography, 1999
27
15
Printed Material and Notes, 1952-1989
27
16-19
Hirsshorn Museum Records on Nathan Oliviera's Artwork, circa 1999
27
20
Photographs of Artwork, circa 1999
27
21
Lyonel Feininger Watercolors Exhibition (2003), 2002-2003
27
22
Exhibition of Work by Lyonel Feininger, 2006
38
5
"Trans: Abstraction" (2007), 2007-2009
Includes born-digital records, see ER 09-ER10.
27
23
"Trans: Abstraction", Digital Photographs and Document, 2007-2008
0.009 Gigabytes
23 computer files
ER09
"Trans: Abstraction", Exhibition Opening, Munich, Germany (2007), Digital Photographs, 2008
0.017 Gigabytes
14 computer files
ER10
"Kevan Jenson: Paintings, Drawings and Photographs" (2008), Meridian Gallery, 2007-2009, 2014
38
6
"Bruce Hasson: Sculpture and Work on Paper" (2008), 2003-2008
38
7
"Gustav Klimt: In Search of the 'Total Artwork'" (2009), 2007-2008
27
24
George Krevsky Gallery, Richard Lindner Exhibition (2009), 2008-2009
27
25
Dolby Chadwick Gallery, "Heads" (2011), 2010-2011
27
26
"Framing Abstraction: Mark, Symbol, Signifier" (2011), circa 2011
27
27
"Eco-Art on Paper" (2011), 2010-2011
Includes born-digital records, see ER11.
27
28
"Eco-Art on Paper", Pori Art Museum, Finland (February-May 2011), Digital Photographs, 2011
0.067 Gigabytes
Two computer files
ER11
"The Painted Word" (2012), 2012
27
29

Make a Request

  • To request an appointment to view materials, make your selections using the checkboxes and click the "Reading Room" button. Please note, you will receive the full box.
  • To request reproductions, make your selections using the checkboxes and click the "Reproduction" button.