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Morgan Russell papers, 1891-1977

Morgan Russell papers, 1891-1977

Russell, Morgan, 1886-1953

Sculptor, Painter

Collection Information

Size: 6.8 linear ft.

Summary: These papers present a good overview of Russell's career as a painter and sculptor, with an emphasis on his development of the color theory movement, Synchromism. The papers include correspondence with many prominent individuals who played a role in Russell's artistic development, including Mabel Alvarez, Robert Henri, Walter Huston, Michel Kikoine, Stanton Macdonald-Wright, Leo Stein, Igor Stravinsky, and Getrude Vanderbilt Whitney; biographical material primarily documenting his activities in Europe; transcripts of lectures given by Russell; illustrated notebooks and sketches documenting his interest in, and development of, color theory, music and Synchromism; printed material such as exhibition announcements, catalogs and clippings; and photographs of Russell, his wife, friends and artwork.

Biographical/Historical Note

Morgan Russell (1886-1953) was a painter and sculptor from New York, N.Y. Russell studied at the Art Students League with James Earle Fraser, Robert Henri, and Andrew Dasburg from 1906-1907, and in Paris in 1908. After meeting Stanton Macdonald-Wright in 1911, he became interested in Synchromism and studied with Canadian color theorist Ernest Tudor-Hart. In 1913 Russell produced the first abstract Synchromies and in 1917 developed a series of Synchromies entitled EIDOS.

Provenance

The Morgan Russell papers were lent to the Archives of American Art for microfilming by the Montclair Art Museum in 1991. The material was returned to the lender in 1992.

Location of Originals

  • Originals in: Montclair Art Museum, Montclair, N.J.

A Finding Aid to the Microfilm of the Morgan Russell Papers,
1891-1977
, in the Archives of American Art
AAA.russmorg
Author
Finding aid prepared by Stephanie Ashley, Sharity Bannerman, Jean Fitzgerald and Ellen Loll
Biographical Note
Painter and sculptor Morgan Russell was born in New York City. He studied at the Art Students League and the New York School of Art with James Earle Fraser, Andrew Dasburg and Robert Henri from 1906 to 1907, before settling in Paris in 1909 where he remained for almost forty years. After meeting Stanton Macdonald-Wright in 1911, he became interested in Synchromism and studied with Canadian color theorist Ernest Tudor-Hart. In 1913 Russell produced the first abstract Synchromies and in 1917 developed a series of Synchromies entitled EIDOS. He visited California in the early 1930s, teaching at the Chouinard School of Art in Los Angeles from 1931-1932, in addition to lecturing at museums in Los Angeles and San Francisco. Russell left France permanently in 1946 and died in Pennsylvania in 1953.
Arrangement
The collection is arranged as 7 series according to record type and reflecting the lender's arrangement. With the exception of Series 1: Correspondence, all series are arranged chronologically.
Series 1: Correspondence, 1909-1964 (Reels 4524-4527)
Series 2: Biographical Material, 1925-1941 (Reel 4527)
Series 3: Business Records, 1911-1946 (Reel 4527)
Series 4: Writings, 1931-1953 (Reel 4527)
Series 5: Unbound Notes and Sketches, 1891-1977 (Reels 4528-4538)
Series 6: Printed Material, 1908-1963 (Reels 4539-4541)
Series 7: Photographs, 1908-1948 (Reel 4542)
Scope and Content Note
The Morgan Russell papers present a good overview of Russell's career as a painter and sculptor, with an emphasis on his development of the color theory movement, Synchromism. The papers include correspondence with many prominent individuals who played a role in Russell's artistic development; biographical material primarily documenting his activities in Europe; transcripts of lectures given by Russell; illustrated notebooks and sketches documenting his interest in, and development of, color theory, music and Synchromism; printed material such as exhibition announcements, catalogs and clippings; and photographs of Russell, his wife, friends and artwork.
Provenance
The Morgan Russell papers were lent to the Archives of American Art for microfilming by the Montclair Art Museum in 1991. The material was returned to the lender in 1992.
Location of Originals
  • Originals in: Montclair Art Museum, Montclair, N.J.

Additional Forms Available

Microfilm reels 4524-4542 available for use at Archives of American Art offices and through interlibrary loan.

Restrictions on Access

The Archives of American art does not own the original papers. Use is limited to the microfilm copy.

How to Cite This Collection

Morgan Russell papers, 1891-1977. Archives of American Art, Smithsonian Institution.

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