Scope and Contents
Correspondence with artists kept by Russell Lynes in his capacity as managing editor of Harper's Magazine, measures one linear foot and dates from 1946 to 1965. The files consist primarily of correspondence with young artists and illustrators wishing to submit material to the magazine. Biographical notes from the magazine's "Personal and Otherwise" column about the artists whose material was accepted, clippings, scattered original artwork, and printed reproductions of artwork, are also included.
Although brief, the exchanges found in this collection offer a glimpse into the early careers of the artists represented, who often penned introductions to their work, and provided biographical information. Some of the letters are illustrated. Artists represented include Edmond Amateis, Benny Andrews, Irene Aronson, Oscar Berger, Marvin Bileck, Isabel Bishop, Carlyle Brown, Claire Burch, Ivan Chermayeff, Richard E. Davis, Robert J. Day, Eldon Dedini, Harvey Dinnerstein, Dean Ellis, Joseph Farris, Helen Frank, Frank Gallo, William D. Gorman, Douglas W. Gorsline, William Gropper, John Groth, Albert Hirschfeld, Carl Holty, Anne M. Jauss, Hans Jelinek, Kay Kato, Ted Key, Bernard Krigstein, Joseph Low, Loren MacIver, Jack Markow, Reginald Marsh, Charles E. Martin, William Mauldin, Richard Mayhew, Edward Melcarth, Glen Michaels, Nicolas Mordvinoff, Robert Osborn, David Pascal, Bernard Perlin, Ben Shahn, Bernarda Bryson Shahn, Aaron Sopher, Saul Steinberg, Susanne Suba, Peter Takal, Tony Walton, Andy Warhol, and Robert J. Wolff.
In addition to correspondence with artists there are notes on telephone calls to artists used for updating information in the Harper's Magazine files, reference letters written by Lynes on behalf of some artists, correspondence and memoranda with others regarding publishing logistics, and printed material featuring artwork.
Immediate Source of Acquisition
The collection was donated to the Archives of American Art in 1967 by Harper & Row via Russell Lynes.
The collection was microfilmed on reels D360 and 4961 after donation. The collection was fully processed and a finding aid prepared by Stephanie Ashley in 2018.