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Lucy R. Lippard papers, 1930s-2010, bulk 1960s-1990

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3.1: Writings by Lippard , 1930s-1990s

The series documents Lippard's writing activities, primarily from the 1960s to the 1990s, and provides insight into the content and process of her writing for books, columns, essays, and lectures.
Lippard's most renowned writings from this period, including her seminal text on conceptual art, Six Years: The Dematerialization of the Art Object (1973), her monograph on Eva Hesse (1976), Get the Message?: A Decade Of Art For Social Change (1984), and Mixed Blessings: New Art in a Multicultural America (1990), are represented here. The series also includes Lippard's early "New York Letter" manuscripts written for Art International, and circa 100 additional essays written for publications such as Artforum, Art Voices and Hudson Review, including "The Pink Glass Swan" and "Trojan Horses: Activist Art and Power" (1984), as well as essays written for exhibitions on artists such as Rudy Burckhardt, Sol LeWitt, Ree Morton, and James Rosenquist. Also found are records documenting Lippard's role as co-editor for the Alliance for Cultural Democracy handbook How to '92: Model Actions for a Post-Columbian World.
Correspondence found in this series primarily relates to contracts and other aspects of the publication process, but there is also some correspondence with, and related to, artists including two folders of correspondence from Philip Evergood written to Lippard as she was writing The Graphic Work of Philip Evergood (1966), a detailed letter from Ethelyn Haig concerning recollections of Eva Hesse, photocopies of Hesse's correspondence and interviews, and some photocopies of correspondence from Ad Reinhardt.
The series also includes transcripts, notes and related material, including some audio recordings, of 5 interviews of Lippard and 6 interviews conducted by Lippard. These have been arranged as part of this series because they are annotated and edited by Lippard. They include recordings of interviews of Donald Judd and Robert Mangold in 1965 and 1968, transcripts of Lippard's interviews of Sol LeWitt and Tony Smith, and transcripts of interviews of Lippard conducted by Scott Marsden, and Ursula Meyer. Also found is the transcript of an interview regarding Lippard's 1998 book The Lure of the Local.
From 1970 to 1976 Lippard's speaking engagements at art schools were confined to answering written questions submitted by audiences; this series includes an extensive selection of these "questions addressed to Lippard in art schools." There are files on symposia and conferences which include notes and texts for Lippard's contributions and transcripts and notes of panel discussions edited by Lippard for publication.
Additional writings for exhibition catalogs can be found in Series 5.
Records are arranged by format in which the writings were produced i.e. books, columns, conferences and symposia, interviews, lectures and speeches, and other writings, and are arranged alphabetically by title thereafter.
Description Container Select
Books, Ad Reinhardt (1985)
Bibliography, circa 1966-1970
28
10
Chronology, circa 1960s-1970s
28
11
Correspondence, circa 1960s-circa 1980s
28
12
Correspondence, 1966-1972
28
13
Correspondence, 1973-1974
28
14
Correspondence, 1975-1982
28
15
Footnotes, circa 1960s-1970s
28
16-17
Illustrations, circa 1950s-circa 1970s
28
18-19
Lists of Color Plates and Captions, circa 1970s
28
20
Manuscript, circa 1960s-1970s
28
21-22
Manuscript, Epilogue, 1971
28
23
Notes, circa 1960s-1970s
28
24-26
Notes, circa 1960s-circa 1970s
29
1-4
Original Drawings by Reinhardt, circa 1960s
29
5
Photographic Material, 1960-circa 1967
Includes photo of Ad Reinhardt and Lucy Lippard in 1960 with notation on verso "1st time we were introduced!"
29
6
Research Material
Announcements and Exhibition Catalogs, circa 1940s-circa 1980s
29
7
Announcements and Exhibition Catalogs, 1940s-1950s
29
8
Announcements and Exhibition Catalogs, 1960s
Oversized material housed in OV 66
29
9
Announcements and Exhibition Catalogs, 1974-1982
29
10
Printed Material About Reinhardt, circa 1940s-circa 1970s
Oversized material housed in Box 51, Folder 7
29
11
Printed Material About Reinhardt, 1944-1949
Oversized material housed in Box 51, Folder 7
29
12
Printed Material About Reinhardt, 1950-1959
Oversized material housed in Box 51, Folder 7
29
13
Printed Material About Reinhardt, 1960-1963
Oversized material housed in OV 64
29
14
Printed Material About Reinhardt, 1964-1965
Oversized material housed in Box 51, Folder 7
29
15
Printed Material About Reinhardt, 1966
Oversized material housed in OV 64
29
16
Printed Material About Reinhardt, 1967-1970
Oversized material housed in OV 64
29
17
Printed Material About Reinhardt, 1975-1982
Oversized material housed in Box 51, Folder 7
29
18
Printed Material, General, circa 1930s-circa 1960s
29
19-20
Printed Material, General, 1937-1968
29
21
Printed Material Illustrated by Reinhardt, circa 1930s-circa 1960s
Includes copies of Reinhardt's "How to Look" series of "art reports from the Art-World" and "Out of the Horse's Mouth;" oversized material housed in OV 64
29
22
Printed Material Illustrated by Reinhardt, 1930s-1953
Oversized material housed in Box 51, Folder 7
29
23
Printed Material of Writings by Reinhardt, circa 1940s-circa 1970s
29
24
Printed Material of Writings by Reinhardt, 1940s-1950s
29
25
Printed Material of Writings by Reinhardt, 1960-1963
29
26
Printed Material of Writings by Reinhardt, 1964-1966
29
27
Reinhardt Correspondence, Photocopies, 1940s-1970s
29
28
Reinhardt Notes and Writings, Photocopies, circa 1940s-circa 1960s
29
29-36
Transcript of Interview of Reinhardt by Bruce Glaser, circa 1950s
29
37
Books, Dadas on Art (1971)
Correspondence, circa 1960s-circa 1970s
29
38
Correspondence, 1966-1967
29
39
Correspondence, 1969-1971
29
40
Notes, 1960s
29
41
Research Material, circa 1960s
29
42-43
Research Material, circa 1960s
30
1-2
Research Material-Printed Material, circa 1930s-circa 1960s
30
3-5
Books, Eva Hesse (1976)
Correspondence and Notes, circa 1960s-circa 1970s
30
6
Correspondence and Notes, 1969-1973
30
7
Correspondence and Notes, 1974
30
8
Correspondence and Notes, 1975-1977
30
9
Manuscript Corrections, 1970s
30
10-11
Manuscript, Corrected Galleys, 1970s
30
12-15
Manuscript Drafts, 1970s
30
16-17
Manuscript Front and End Matter, 1970s
30
18-19
Notes, 1960s-1970s
30
20
Notes from Hesse Correspondence and Diaries, 1970s
Oversized material housed in OV 65
30
21-22
Research Material
Hesse Correspondence, Interviews and Writings, Photocopies, 1960s-1970s
30
23
Printed Material, Announcements and Exhibition Catalogs, circa 1964-1969
Oversized material housed in OV 65
30
24
Printed Material, Announcements and Exhibition Catalogs, 1970-1973
Oversized material housed in OV 65
30
25
Printed Material, Clippings, circa 1950-1968
30
26
Printed Material, Clippings, 1970-1974
30
27
Books, From the Center: Feminist Essays on Women's Art (1976)
Correspondence, circa 1975-1976
30
28
Manuscript Drafts, 1970s
30
29-31
Notes, 1970s
30
32-33
Books, Get the Message?: A Decade Of Art For Social Change (1984)
Captions, 1980s
30
34-35
Corrected Galleys, 1980s
30
36-38
Correspondence and Outline, 1980s
30
39-40
Index, 1980s
31
1
Miscellaneous Notes, 1980s
31
2
Part 1: The Dilemma, 1970s-1980s
31
3
Part 2: Acting Out, 1970s-1980s
31
4
Part 3: To the Third Power, 1970s-1980s
31
5
Part 4: Hot Potatoes, 1970s-1980s
31
6
Part 6: Collaborate! Demonstrate! Organize! Resist!, 1970s-1980s
31
7
Photographic and Printed Material, 1980s
31
8
Proof, 1980s
Oversized material housed in OV 65
31
9-11
Publication Permissions, 1980s
31
12
Publication Permissions, A-C, 1982-1983
31
13
Publication Permissions, D-K, 1982-1983
31
14
Publication Permissions, L-R, 1982-1983
31
15
Publication Permissions, S-Y, 1982-1983
31
16
Books, The Graphic Work of Philip Evergood (1966)
Correspondence and Notes, 1960s
31
17-18
Correspondence with Evergood, circa 1964
31
19
Correspondence with Evergood, 1964-1966
31
20
Manuscript and Page Proofs, 1960s
31
21-22
Photographs and Reproductions, circa 1960s
31
23-24
Books, I See/You Mean (1979), Correspondence Re. Sales , circa 1979-1981
31
25
Books, Mixed Blessings: New Art in a Multicultural America (1990)
Correspondence and Contract, 1980s
31
26
Correspondence and Notes on Publication, 1980s-1990s
31
27-29
Gallery Copy, Bound, 1990
31
30
Manuscript, Bibliography, 1980s
31
31
Manuscript, Chapter 1: Naming, Copy 1, 1980s
31
32
Manuscript, Chapter 2: Telling, Copy 1, 1980s
31
33
Manuscript, Chapter 3: Landing, Copy 1, 1980s
31
34
Manuscript, Chapter 4: Mixing, Copy 1, 1980s
31
35
Manuscript, Chapter 5: Turning Around, Copy 1, 1980s
31
36
Manuscript, Chapter 1: Naming, Copy 2, 1980s
31
37
Manuscript, Chapter 2: Telling, Copy 2, 1980s
31
38
Manuscript, Chapter 3: Landing, Copy 2, 1980s
31
39
Manuscript, Chapter 4: Mixing, Copy 2, 1980s
31
40
Manuscript, Chapter 5: Turning Around, Copy 2, 1980s
32
1
Manuscript, Chapter 1: Naming, Copy 3, 1980s
32
2
Manuscript, Chapter 2: Telling, Copy 3, 1980s
32
3
Manuscript, Chapter 3: Landing, Copy 3, 1980s
32
4
Manuscript, Chapter 4: Mixing, Copy 3, 1980s
32
5
Manuscript, Chapter 5: Turning Around, Copy 3, 1980s
32
6
Manuscript, Chapter 1: Naming, Copy 4, 1980s
32
7
Manuscript, Chapter 5: Turning Around, Copy 4, 1980s
32
8
Introduction, Mapping, 1980s
32
9
Notes, 1980s-1990
32
10
Notes in Card File Box, 1980s
32
11
Books, Overlay: Contemporary Art and the Art of Prehistory (1983)
Bibliography, circa 1980
32
12
Book Proposal, 1980
32
13
Bound Uncorrected Proof with Corrections by Lippard, 1983
32
14
Captions, Introductions and Chapters 1 and 2, circa 1980
32
15
Captions, Chapters 3 and 4, circa 1980
32
16
Captions, Chapters 5 and 6 and Color Plates, circa 1980
32
17
Captions, Notes, circa 1980
32
18
Correspondence, 1981-1984
32
19
Editing Process, 1980s
32
20-23
Footnotes, circa 1980
33
1
Galley, Corrected, circa 1980
33
2-5
Galley, Master Proof, Front and End Matter, circa 1982
33
6-7
Index, circa 1980
33
8
Manuscript, Corrected/Edited, Introduction and Chapters 1-2, circa 1980
33
9
Manuscript, Corrected/Edited, Chapters 3-4, circa 1980
33
10
Manuscript, Corrected/Edited, Chapter 5, circa 1980
33
11
Manuscript, Corrected/Edited, Chapter 6 and Conclusion, circa 1980
33
12
Manuscript, Corrected/Edited, Copy 2, Introduction and Chapters 1-2, 1980s, circa 1980
33
13
Manuscript, Corrected/Edited, Copy 2, Chapter 3, circa 1980
33
14
Manuscript, Corrected/Edited, Copy 2,Chapter 4-5, circa 1980
33
15
Manuscript, Corrected/Edited, Copy 2, Chapter 6, circa 1980
33
16
Manuscript Drafts, Dedication and Introduction, 1980s
33
17
Manuscript, Drafts and Notes, Chapter 1, 1980s
33
18-19
Manuscript, Drafts and Notes, Chapter 2, 1980s
33
20
Manuscript, Drafts and Notes, Chapter 3, 1970s-1980s
33
21-23
Manuscript, Drafts and Notes, Chapter 4, 1970s-1980s
Oversized material housed in OV 65
33
24-25
Manuscript, Drafts and Notes, Chapter 5, 1970s-1980s
Oversized material housed in OV 66
33
26-27
Manuscript, Drafts and Notes, Chapter 6, 1970s-1980s
33
28-30
Manuscript, Unedited, Dedication and Introduction, circa 1980
33
31
Manuscript, Unedited, Chapters 1-2, circa 1980
33
32
Manuscript, Unedited, Chapter 3, circa 1980
33
33
Manuscript, Unedited, Chapter 4, circa 1980
33
34
Manuscript, Unedited, Chapter 5, circa 1980
33
35
Manuscript, Unedited, Chapter 6, circa 1980
33
36
Notes, 1970s-1980s
33
37
Notes on Index Cards, circa 1970s-1980s
34
1-2
Notes, "Possible Additions", 1980s
34
3
Part 4: Mazes-Research Material, Correspondence and Notes, 1970s-1980s
34
4
Part 6: Gardens-Research Material, Correspondence and Notes, 1970s-1980s
34
5-6
Publication Permissions, 1970s-1980s
34
7-8
Publicity, 1982-1983
34
9
Books, Pop Art (1966)
Correspondence and Notes, circa 1964-1967
34
10
Correspondence and Notes, 1964
34
11
Correspondence and Notes, 1965
34
12-13
Correspondence and Notes, 1966-1967
34
14
Research Material, Printed Material and Notes, circa 1950s-circa 1960s
Oversized material housed in Box 52 Folder 1
34
15-16
Research Material, Printed Material and Notes, 1956-1962
34
17
Research Material, Printed Material and Notes, 1962-1965
34
18
Research Material, Printed Material and Notes, 1963
34
19-20
Research Material, Printed Material and Notes, 1964
34
21
Research Material, Printed Material and Notes, 1965
Oversized material housed in OV 65
34
22
Research Material, Printed Material and Notes, 1966-1967
34
23
Books, Six Years: The Dematerialization of the Art Object (1973)
Captions, 1970s
34
24
Correspondence and Contract, 1971-1972
34
25
Manuscript Draft, 1970
34
26
Manuscript "Uncut Version," Chapters 1966-1967, 1970s
34
27
Manuscript "Uncut Version," Chapter 1968, 1970s
34
28-29
Manuscript "Uncut Version," Chapter 1969, 1970s
34
30-31
Manuscript "Uncut Version," Chapter 1970, 1970s
34
32-34
Manuscript "Uncut Version," Chapter 1971, 1970s
34
35-37
Manuscript, Edited/Corrected, Chapters 1966-1967 , 1970s
34
38
Manuscript, Edited/Corrected, Chapters 1968-1969, 1970s
34
39
Manuscript, Edited/Corrected, Chapters 1969-1970, 1970s
34
40
Manuscript, Edited/Corrected, Chapter 1970 , 1970s
35
1
Manuscript, Edited/Corrected, Chapter 1971, 1970s
35
2
Notes, 1960s-1970s
35
3
Notes on Index Cards, 1957-1966
35
4
Notes on Index Cards, 1967
35
5
Notes on Index Cards, 1967-1969
35
6
Notes on Index Cards, 1969
35
7-9
Notes on Index Cards, 1970
35
10-11
Notes on Index Cards, 1970-1971
35
12
Notes on Index Cards, 1971
35
13-14
Notes on Index Cards, Artists A-Z, circa 1960s-circa 1970s
35
15
Notes on Index Cards, Miscellaneous, circa 1960s-1970s
35
16
Notes on Index Cards, Numbered Cards, circa 1960s-1970s
35
17
Notes on Index Cards, Rejects, 1962-1968
35
18
Photographs and Captions, 1970s
Includes 1 sound disc (vinyl), 45 rpm entitled "Terry Fox 'Isolation Unit', Dusseldorf Kuntsakademie 11-24-70"
Oversized material housed in OV 66
35
19-22
Publication Permissions, 1970s
35
23
Research Material, circa 1968-circa 1972
Oversized material housed in OV 66
35
24
Supplement to Index, circa 1971
35
25
Books, Surrealists on Art (1971)
Correspondence and Publication Permissions, circa 1966-1970
35
26-27
Research Material, 1960s-1980s
35
28-31
Research Material and Notes, 1960s-1980s
35
32-35
Books, Tony Smith (Art Now) (1972)
Correspondence, 1968-1974
35
36
Manuscript, 1970s
35
37
Notes, 1970s
36
1-3
Photographs, circa 1966-1969
Includes photo of Smith
36
4
Research Material, Printed Matter, 1960-1980
36
5
Columns
D'Ars, "New York Report," Manuscripts, 1965-1969
36
6
D'Ars, "New York Report," Correspondence, 1965-1969
36
7
"New York Letter," Manuscripts, 1964
36
8
"New York Letter," Manuscripts, 1965 January-March
36
9
"New York Letter," Manuscripts, 1965 April-December
36
10
"New York Letter," Manuscripts, 1966
36
11
"New York Letter," Manuscripts, 1967-1968
36
12
"New York Letter," Manuscript Fragments, 1960s
36
13
"Sniper's Nest," Manuscripts, 1990s
36
14
36
14
"Studio International," Manuscripts and Galleys, 1970s
36
15
"Studio International," Correspondence, 1973-1974
36
16
"Studio International," Notes, 1970s
36
17
Conferences and Symposia
Art and Technology Symposium, Rutgers University (1968 May 7), 1968 May
2 Sound tape reels
Includes born-digital records, see ER01
Reel 1, side 1 contains slide lecture by Lucy Lippard. Reel 2, both sides, contains lecture by Dan Graham. Note that reel 2 is labeled "Windham Symposium," but as no other reference was found to this term, and both reels are from the same event, this recording has been given the name "Art and technology symposium." Reel 1, side 2 contains apparently unrelated recording, possibly taped off-the-air, of a news program related to the assassination of Rev. Martin Luther King, Jr.
36
18
Art and Technology Symposium, Rutgers University (1968 May 7), Digital Audio Recording, 2019
0.454 Gigabytes
Four computer files
Duplicate of audio recording in Box 36, Folder 18.
ER01
Art and Technology Symposium, Rutgers University (1968 May 7)
1 electronic discs (cd)
Research copy
36
19
Art Forum on New Nihilism with Don Flavin, Don Judd and Frank Stella, Moderated by Bruce Glaser, circa 1964
36
20
"Art Without Space" Symposium, circa 1960s
36
21
Critica 1: L'Arte da Chi a Chi, 1980s
36
22-23
Frank Stella and Donald Judd, Discussion Moderated by Bruce Glaser, circa 1960s
Oversized material housed in OV 66
36
24
Ian Wilson and Robert Barry on Oral Communication, 1970
36
25
Mapping the Terrain, 1990s
36
26-27
National Gallery of Canada, 1969
36
28-29
Taller Boricua Panel, 1989
36
30
"Time," "Issues in Art" Panel Discussion Series , 1969
36
31
"Time," "Issues in Art" Panel Discussion Series, Forum 2 (1969 March 17), 1969
2 Sound tape reels
Note on original container reads "Careful when playing, 1st foot or so is twisted"
36
32
Unidentified Artist Discussion, circa 1960s-circa 1970s
2 Sound tape reels
Unidentified artists in discussion; labels read "NY 1" and "NY 2."
36
33
Interviews
Donald Judd, 1965 December
1 Sound tape reel
Judd is interviewed by Lippard and Bruce Glaser.
36
34
Bob Mangold, 1965 December
1 Sound cassette
duplicate
1 Sound tape reel
original
Label reads "Don Judd Dec. 1965" and "Bob Mangold Dec. 1965;" tape begins with an incomplete, poor quality copy of the Donald Judd interview found in Box 36, folder 34. Mangold interview on this tape is not duplicated elsewhere in the collection.
36
35
Donald Judd Interviewed by Lippard , 1968 April 10 - June
2 Sound tape reels
Includes transcript and corrected transcript
Judd is interviewed in three sessions; at the Whitney Museum, at his studio, and at his home.
36
36-40
Lucy Lippard Interviewed by Lyn Blumenthal and Kate Horsfield for "On Art and Artists Video Data Bank (1979), 1979
36
41
Lucy Lippard Interviewed by C.A.J. about The Lure of the Local, 1990s
36
42
Lucy Lippard Interviewed by Scott Marsden (1989), 1989
36
43
Lucy Lippard Interviewed by Ursula Meyer (1969), 1969
36
44
Lucy Lippard and Esther Broner Interviewed by Jody Hoy (1989), 1989-1990
37
1
"'Right Now is Always the Best Age,' Interviews with Women and Girls Age 8-80 on Notions About Youth and Age" by Lippard and Mary Mizenko, circa 1970s
37
2
Sol LeWitt Interviewed by Lippard, circa 1970s
37
3
Tony Smith Interviewed by Lippard, "The New Work: More Points on the Lattice", circa 1970s
37
4
Lectures and Speeches
Notes and Texts, 1969-1972
37
5
Notes and Texts, 1960s-1970s
37
6
Notes and Texts, 1960s-1970s
37
7
Notes and Texts, 1980s
37
8
Notes and Texts, 1990s
37
9-12
Notes and Texts, circa 1970s-1990s
37
13-19
Notes and Texts, Fragments, circa 1970s-1990s
37
20-24
Notes and Texts, "Gardens: Some Metaphors for Public Art", 1980s
37
25-26
Notes and Texts, "Headlines, Heartlines, Hardlines: Advocacy Criticism as Activism", 1980s
37
27
Notes and Texts, "Imagine Being Here Now", 1980s
37
28
Notes and Text, Power Lecture for Studio International, circa 1975-1976
37
29
Notes and Texts, "You Don't Know What I Like: The Alienation of the Avant-Garde", circa 1980s
37
30
Questions Addressed to Lippard in Art Schools, 1970s
37
31-33
Questions Addressed to Lippard in Art Schools, 1970s
38
1-3
Other Writings
"A Note on the Politics and Esthetics of a Woman's Show", circa 1970s
38
4
"After a Fashion: The Group Show and the Critical Intermurals," for Hudson Review, circa 1970s
38
5
"American Painting, 1945-1965: Cult of the Direct and the Difficult", circa 1960s
38
6
"Antipodal Anthropolitics", circa 1970s-circa 1980s
38
7
"Art Within the Arctic Circle: A Two-Part Journal", circa 1970s-circa 1980s
38
8
"As Painting is to Sculpture: A Changing Ratio", circa 1970s
38
9
"Back Again", circa 1970s
38
10
"Beauty and the Bureaucracy", circa 1970s
38
11
"Bending", circa 1970s
38
12
"Bibliography of Artists Statements", 1960s
38
13
"Biting the Hand: Artists and Museums Since 1969"
38
14
"Bladen: Black Triangle, White Box" for Artforum, 1960s
38
15
"Brought to Light: Notes on Babies, Veils, War and Flowers", 1990s
38
16
"Charitable visits by the AWC to Whitney, MOMA, Met.", circa 1970s
38
17
Chartres by Auguste Rodin, Translated by Albert Alhadeft and Lucy R. Lippard, 1960s
38
18-21
"Complexes: Architectural Sculpture as Shelter in Nature", circa 1970s
38
22
"Constellation by Harsh Daylight: The Whitney Annual", circa 1970s
38
23
"Contact Lenses, Corrected Vision", circa 1990s
38
24
"Contemporary Art in the United States", 1960s
38
25
"Cross Fires", circa 1980s
38
26
Cuban Book of Essays and Art Criticism, Preface, 1980s
38
27-28
"David Weinrib (Royal Marks Gallery); Richard Van Buren (Bykert); Charles Ross (Dwan)", circa 1960s
38
29
"Distancing: Nancy Graves Films", circa 1970s
38
30
"Distant Relations", circa 1980s
38
31
"Drawing on Strength", circa 1990s
38
32
"Equal Parts" and "Eros Presumptive", circa 1970s
38
33
"Escalation in Washington", 1967
38
34
"Escape Attempts", 1995
38
35
"Frames of Mind", 1990s
38
36
Gene Swenson Collection Catalog, 1971
38
37
"Give and Takeout: Toward a Cross-Cultural Consciousness", 1985
38
38
"The Hand of Memory in Some African American and Latina Art" for Ikon, 1990s
38
39
"Hanne Darboven: Deep in Numbers", 1973
38
40
"Henry Pearson: Black Icons into an Outer Space", circa 1970s
38
41
"Heroic Years from Humble Treasures: Notes on African and Modern Art", 1966
38
42
"His Eye is Always on the Line" and "Homage to the Square", 1960s
38
43
"Hot Potatoes: Art and Politics in 1980", 1980s
38
44
How to '92: Model Actions for a Post-Columbian World, Correspondence, circa 1990s
38
45
How to '92: Model Actions for a Post-Columbian World, Correspondence, 1988-1990
38
46
How to '92: Model Actions for a Post-Columbian World, Correspondence, 1991-1992
38
47
How to '92: Model Actions for a Post-Columbian World, Notes, 1990s
38
48
How to '92: Model Actions for a Post-Columbian World, Proofs and Final Publication, 1990s
38
49
How to '92: Model Actions for a Post-Columbian World, Photographs, 1990s
38
50
"Inside Picture from the Outside", 1980
38
51
"James Rosenquist: Aspects of a Multiple Art" for Artforum, 1960s
38
52
Kathe Kollwitz, Foreword, 1980s
38
53-54
"Larry Poons: The Illusion of Disorder", circa 1960s
38
55
"Lunch 1" and "Lunch 2", circa 1970s
38
56
"Lynda Benglis and Adrian Piper", circa 1980s
38
57
"Made in the USA-Art from Cuba", 1980s
Oversized material housed in Box 52 Folder 1
38
58
Marks in Place: Contemporary Response to Rock Art, Foreword, 1980s
38
59
"May Steven's Big Daddies", circa 1970s
38
60
"Museo, Museas, Museat", circa 1970s
38
61
"'New' Art as Art History", circa 1970s
39
1
"New York: Information on How to Look", 1960s
39
2
"Notes in Review of Canadian Artists '68", 1960s
39
3
"Notes on Max Ernst and a Sculpture of Fantasy", 1966-1967
39
4
"One Century One Year" for Artforum, 1960s-1970s
39
5
"Out of Turn", circa 1980s
39
6
"Parthenogenesis: Giving Birth to American History; Giving Birth to Each Other; Aunt Jemima Meets Barbie and they Fall for Each Other", circa 1970s
39
7
"Passed and Pressing Tensions: Max Ernst in Stockholm", circa 1970s
39
8
"Perverse Perspectives", 1960s
39
9
"Peter Dean: Builder on the Edge of a Weakening World", circa 1980s
39
10
"The Pink Glass Swan: Upward and Downward Mobility in the Art world and It's Effect on Women", circa 1970s
39
11
"Points of View: Stuart, DeMott, Jacquette Graves", circa 1970s
39
12
"Pulsa: New Haven/Boston", 1968
39
13
"Quite Contrary: Nature and Ritual in Women's Art", 1970s
39
14-15
"Real Estate and Art (A La Fashion Moda)", circa 1970s
39
16
"Ree Morton: At the Still Point of the Turning World", circa 1970s
39
17
"Robert Goldwater", circa 1970s
39
18
"Rudy Burckhardt: Photos and Paintings, 'The Pursuit of Happiness'", circa 1970s
39
19
"Scattering Selves", 1998
39
20
"Sensuous, Sensual, Sexual, and/or Erotic Abstraction", 1975
39
21
"Sexual Discrimination Against Women Artists (AKA Politics: Art Style)", 1970s
39
22
"The Silent Art: Monotone Painting" and "Slouching Toward a Decision", circa 1960s
39
23
"So What's a Wolf Ticket Anyway?" for Artforum, 1980s
39
24-27
"Sol LeWitt", 1970s
39
28
"Special Deliverance from the Enigmatic Mr. Johnson", 1990s
39
29
"Sweeping Exchanges: The Contribution of Feminism to the Art of the 1970s", circa 1980s
39
30
"Ten Frustrations, or Waving and Smiling Across the Great Cultural Abyss," for Artforum, 1980s
39
31
"10 Structurists in 20 Paragraphs", 1968
39
32
"The Third Stream: Constructed Painting and Painted Structures", 1965
39
33
"This is Art? The Alienation of the Avant-garde from the Audience," Correspondence and Notes, 1970s
39
34
"This is Art? The Alienation of the Avant-garde from the Audience," Manuscript Drafts, 1970s
39
35-37
"This is Art? The Alienation of the Avant-garde from the Audience," Photographs, 1970s
39
38
"Three Generations of Women: De Kooning's First Retrospective", circa 1960s
39
39
"To the Third Power: Art and Writing and Social Change", circa 1970s
39
40
"Tony Smith: The Ineluctable Modality of the Visible", 1967
39
41
"Top to Bottom, Left to Right", 1970s
39
42
"Toward Total Theatre", 1966
39
43
"Trojan Horses: Activist Art and Power", circa 1980s
39
44
"Vancouver Notes", circa 1960s
39
45
"The Virgin Microbe Comes of Age", circa 1970s
39
46
"Visual Art and the Invisible World", 1967
39
47
"Women Artists Series: Year Five", circa 1970s
39
48
"You Are Now in the Middle of a Revisionist History of Net Co.", circa 1980s
39
49
"Yvonne Ranier on Feminism and Her Film" and "Talking, Pictures, Silent words: Yvonne Ranier's Last Two Films", 1970s
39
50-51
Miscellaneous, Untitled, circa 1960s-circa 1980s
39
52
Unidentified, Fragments, circa 1960s-circa 1980s
39
53-55
Notes
About Titles, circa 1960s-circa 1980s
39
56
Daniel Seghers, circa 1960s-circa 1980s
39
57-58
"Fantastic Landscape", circa 1960s
39
59
Ideas, circa 1960s-circa 1980s
Oversized material housed in OV 66
39
60
Miscellaneous, circa 1960s-circa 1990s
39
61-62
Miscellaneous, circa 1960s-circa 1990s
Oversized material housed in OV 66
40
1-3
Miscellaneous, circa 1970s
40
4-5
Miscellaneous, circa 1980s
40
6
Miscellaneous, 1990s
40
7
Sandak Slides, Notes and Captions, 1960s
40
8-11
Oversized Books, Ad Reinhardt housed with Box 29, Folders 11-13, 15, 18 and 23
51
7
Oversized Books, Pop Art housed with Box 34, Folders 15-16
52
1
Oversized Other Writings housed with Box 38, Folder 58
52
1
Oversized Books, Ad Reinhardt, Research Material housed with Box 29, Folders 14, 16-17, and 22
OV 64
Oversized Books, Eva Hesse housed with Box 30, Folders 21-22, 24-25
OV 65
Oversized Books, Get the Message? housed with Box 31, Folders 9-11
OV 65
Oversized Books, Overlay housed with Box 33, Folders 24-25
OV 65
Oversized Books, Pop Art housed with Box 34, Folder 22
OV 65
Oversized Books, Ad Reinhardt housed with Box 29, Folder 9
OV 66
Oversized Books, Overlay housed with Box 33, Folders 26-27
OV 66
Oversized Books, Six Years housed with Box 35 Folders, 19-22 and 24
OV 66
Oversized Conferences and Symposia housed with Box 36, Folder 24
OV 66
Oversized Notes, Ideas housed with Box 39, Folder 60
OV 66
Oversized Notes, Miscellaneous housed with Box 40, Folders 1-3
OV 66

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