Louise Nevelson papers, circa 1903-1982

Subseries consists of glass slides and transparencies of Nevelson and her art work. The photographs on these slides typically do not duplicate those found amongst the artist and art work photographs above. Included are glass slides of photographs taken by Dorothy Dehner, primarily documenting the works of art in the rooms, studio, and garden of Nevelson's house on Thirtieth Street. Dehner's photographs also feature Nevelson at work and posed in front of certain works, outside views of the house, and the Eilshemius paintings and pre-Columbian sculptures owned by Nevelson. Dehner took the photographs on successive trips to Nevelson's house. The slides appear to be numbered in various sequences, perhaps corresponding to each trip. However, at this point, all the slides have been mixed together and it is difficult to reconstruct any meaningful order from the numbers.

Also included are various slides of Nevelson and her art work dating from the 1950s; slides of art work dating from circa 1961, three of which seem to have been used by Tom Kendall in a lecture; slides of Nevelson and her assistant in front of her house, and ones of Nevelson alone in her house and studio dating from the mid-1960s; slides featuring Nevelson posing in front of her art work, at home and in her studio, in her neighborhood, and at a foundry, and slides featuring different views of various outdoor installations of her metal sculptures, all of which date from the 1970s; and glass slides of Nevelson art work, along with some negatives.

Slides are undated; however the dates provided represent the decade in which they were most likely created. Slides are arranged according to type and photographer or subject of photograph.