"1848: The Revolution of Theory" at Frick Collection Museum, 1956
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"The Academy and the Life and Death of narrative" at J. Wayne Reitz Union, University of Florida, 1984
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"Against the Grain: Representing the Working Woman in 19th Century Painting" at Musée d'Orsay and Musée du Louvre, 2000-2008
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"Alice Neel Lecture" at Victoria Miro Gallery, London, 2004
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"Alice Neel Lecture" at Victoria Miro Gallery, London - Draft, 2004
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"Art Criticism and Its Enemies" at International Association of Art Critics Distinguished Critic Lecture at The New School, New York, 2008
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"The Art of Destruction/The Destruction of Art" at SVA Symposium, Drafts and Notes, 2002
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Art of Jean-Léon Gérôme Lecture at The Getty, 2010
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"Body Politics: Seurat's Poseuses and the Problem of the Nude in the late Nineteenth Century," Article Draft Materials, 1993-1995
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"Body Politics: Seurat's Poseuses and the Problem of the Nude in the late Nineteenth Century" at Metropolitan Museum of Art, Notes and Outlines, 1991-1997
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"Body Politics: Seurat's Poseuses and the Problem of the Nude in the late Nineteenth Century" at Metropolitan Museum of Art, Typescripts, 1991-1997
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"Cézanne and the Modern Portrait" at Portraits in Context Seminar at National Portrait Gallery, Australia, 1996-1999
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"Contemporary Women", 1989
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"The Dark Side of Bohemia," Fragment of Draft, 1987
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Digital Images for Various Lectures, 2002-2005
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Digital Presentations for Various Lectures, 2004-2009
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"Dislocating Tradition: Women Artists and the Body" at Yale University, 2006-2008
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"Equine Visions: The Horse in the 19th Century", 1998
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"Equine Visions: The Horse in the 19th Century," Drafts, 2000-2001
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Feminist Art History Lecture at Association of Art Historians Conference, England, 1986
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"Géricault, or the Absence of Women" at Louvre Museum, 1991
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"Géricault, or the Absence of Women" at Louvre Museum, 1991-1996
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"Géricault, or the Absence of Women" at Louvre Museum, Drafts and Notes, 1991-1995
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"Géricault, Goya and the Representations of Misery After the Industrial Revolution" at The Prado Museum, 2010-2012
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"Girodet Talk" at Louvre Museum, 2005
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"Girodet Talk" at Louvre Museum, 2006
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"Holman Hunt's Awakening Conscience and the Theme of the Fallen Woman in the 19th Century," J. Walter Cook Alumni Lecture, 1970
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"Image of the Working Woman" in Frankfurt, Germany, 1977-1979
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"Introduction: Against Methodology: (Confessions) Thoughts of an Ad Hoc Art Historian," Drafts, 1995-1997
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"Manet, Fashion and the Femme Fetale" at Femme Fetale: Fashion and Visual Culture in Fin de Siècle Paris Symposium at Fashion Institute of Technology, 2002-2003
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"Mary Cassatt, Louisine Havermeyer and Japanese Art" in Frankfurt, Germany, 2008
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"Memoirs of an Ad Hoc Art Historian" at Columbia University, 1995
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"Memoirs of a Radical Art Historian" at Vassar College, 1993-2004
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"Modes of Silence", 1986
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"The Museum as Bildungsroman: My Life in Art, Trash and Fashion" at Material Things Conference, Toronto, 2002
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"The Necessity of Criticism" for International Association of Art Critics Conference, New York, 1983
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"New Woman" at International Center of Photography Panel, 2007
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Nochlin and Yve-Alain Bois Discussing Matisse and Picasso, 1998
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"Not Too Far from Brooklyn: Growing Up, Growing Old with Art" for Charles Homer Haskins Prize in Montreal, 2005-2007
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"Nudes Now and Then: Women Artists and the Body" at Dahesh Museum Symposium, 2000-2002
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Old Age Lecture, Research, 2003-2006
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Old Age Lecture, Presentation, 2004
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Old Age Lecture, Typescripts, 2004-2005
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"Picasso and the Color of Portraiture" at Museum of Modern Art, New York, 1996
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"Picasso and the Color of Portraiture" at Museum of Modern Art, New York - Drafts, Outlines, Slide Lists, 1996
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"Pissarro's Representation of Women" at Pissarro's Politics in Context: Anarchism and the Arts Colloquium at Sterling and Francine Clark Art Institute, 2011
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"Pornography and Political Representation" for Berkshire Conference, 1990
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"Portraiture and the Construction of Modern Identity" at Rutgers University, 1996
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"A Rage to Paint: Jean Mitchell and the Issue of 'Femininity'" at College Art Association - Drafts, Outlines, Slide Lists, 1991-2001
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"A Rage to Paint: Jean Mitchell and the Issue of 'Femininity'" at College Art Association, Research, 1995
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"A Rage to Paint: Joan Mitchell and the Issue of 'Femininity'" at College Art Association, Typescripts, 1995-1996
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"Re-Reading Cassatt: An American Woman Painter and Her Contemporaries" at Metropolitan Museum of Art, 1994
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"Re-Reading Cassatt: An American Woman Painter and Her Contemporaries" at Metropolitan Museum of Art, Drafts, 1994-1997
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"The Revenge of the Spider: Deconstruction and Innovation in the Work of Women Artists" at Albright-Knox Art Gallery, 2014
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Romaine Brooks Lecture, 1976
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"Self Knowledge" at Vassar College, 1957
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"The Seminar as Bildungsroman: History Personal and Impersonal" at College Art Association, Atlanta, 2004-2005
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"The Seminar as Bildungsroman: History Personal and Impersonal" at College Art Association, Atlanta - Drafts, Abstracts, Session Rosters, 2005
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"Sex and the Sepoy Mutiny: The Intersection of Race and Gender in Colonialist Representation," Drafts and Notes, 1981-1999
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"Sex and the Sepoy Mutiny: The Intersection of Race and Gender in Colonialist Representation," Research, 1984-1985
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"The Sketch, Sketchiness and the Effect of the Aesthetic in 19th Century French Art", 1987
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"Speaking About Pictures" Blashfield Address at American Academy of Arts and Letters Ceremony, 2004
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"Speaking About Pictures" Blashfield Address at American Academy of Arts and Letters Ceremony, Draft, 2004
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"Splendeurs et Miseres de la Pornographie" at Centre Pompidou, 1995-1996
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Toulouse-Lautrec and Graphic Work Lecture, 1985-1986
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"Vassar, Art, and Me: Memoirs of a Radical Art Historian," Draft, 1992
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"Who's Millennium is it Anyway? Beauty, Truth and Justice at the Fin de Siècle" at Culture and Humanity in the New Millennium Conference in Hong Kong, 1999-2001
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"Who's Millennium is it Anyway? Beauty, Truth and Justice at the Fin de Siècle" at Culture and Humanity in the New Millennium Conference in Hong Kong, Drafts, 2000-2001
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"Why the 1860s is the Best Decade in the Nineteenth Century - or Any Other", 1994
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"Why the 1860s is the Best Decade in the Nineteenth Century - or Any Other," Drafts, 1993-1994
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"Why Contemporary Art is Great: Two Women, One Man" at Vassar College, 2004
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"Why Contemporary Art is Great: Two Women, One Man" at Vassar College, Draft, 2004
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"Why Have There Been No Great women Artists - 30 Years After" at Princeton University, 2001
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"Why Have There Been No Great women Artists - 30 Years After," Draft, 2004
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"Women, Art and Power", 1985-1988
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"Women Artists: The Japanese Impulse," Drafts, 2004
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"Women Artists: The Japanese Impulse," Nochlin Interview with Midori Yoshimoto in New York City, September 30, 2005
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"Women Artists: The Japanese Impulse," Research, 2004
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"Women and Public Space" at College Art Association, Chicago, 2001
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"Women and Public Space" at College Art Association, Chicago - Drafts, 2001
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