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Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999

Leo Castelli Gallery

This site provides access to the records of the Leo Castelli Gallery in the Archives of American Art that were digitized in 2015. The bulk of the Exhibition Files and the Photographs Series (Series 3 and 10) have been scanned and total 27,581 images.

Funding for the partial digitization of this collection was provided by the Roy Lichtenstein Foundation.

Collection Information

Size: 215.9 Linear feet; 0.001 Gigabytes

Summary: The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films.

Biographical/Historical Note

Leo Castelli (1907-1999) was one of America's most noted contemporary art dealers and opened the Leo Castelli Gallery in New York City in 1957. The gallery showcased cutting edge American contemporary art, including Surrealism, Abstract Expressionism, Neo-Dada, Pop Art, Op Art, Color Field painting, Hard-edge painting, Lyrical Abstraction, Minimal Art, Conceptual Art, and Neo-expressionism, among other movements.

Provenance

Leo Castelli loaned printed material for microfilming in 1968. Leo Castelli's wife, Barbara Bortuzzo Castelli, and his children, Nina Castelli Sundell and Jean-Christophe Castelli, donated the Leo Castelli Gallery records to the Archives of American Art in 2007.

Related Materials

Language Note

Some records are in French, Italian and German. French; Italian; German

Funding

Funding for the partial digitization of this collection was provided by the Roy Lichtenstein Foundation.

Also in the Archives

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