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Konrad and Florence Ballin Cramer papers, 1897-1968

Cramer, Konrad, 1888-1963


This site provides access to the papers of Konrad and Florence Ballin Cramer in the Archives of American Art that were digitized in 2014, and total 13,004 images.

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.

Collection Information

Size: 8.5 linear feet

Summary: The papers of painter, printmaker, and photographer Konrad Cramer and his wife, painter and printmaker Florence Ballin Cramer, measure 8.5 linear feet and date from 1897 to 1968. Papers document both artists' personal and professional lives and are especially rich in documentation of the art community of Woodstock, New York, from 1906, when Florence first attended art classes there, and where the couple resided until their deaths in the 1960s. Records include biographical materials, correspondence, a Christmas card album, business records, diaries, writings, personal financial records, printed materials, photographs, and artwork.
Correspondence is between the Cramers and other artists, curators, gallery staff, editors, writers, and personal friends and family. Many drafts and carbons of outgoing letters are also present. The Christmas card album brings together original cards made by their artist friends in the 1920s and early 1930s. Diaries are of both artists, mostly from 1949 onward, with notes and excerpts from earlier diaries present. Writings include technical and biographical essays by Konrad Cramer, and autobiographical and historical essays by Florence Ballin Cramer; notebooks and notes related to art, travel, photography, and other subjects. Personal Business Records include price lists, receipts, and gallery correspondence with dealers and exhibitors; correspondence, accounting records, and writings related to Florence Ballin Cramer's Florence Gallery in New York City (1919-1920); records related to Woodstock arts and civic organizations in which the Cramers were involved; and personal financial records.
Printed Materials include publicity materials related to the Cramers' various endeavors and the activities of Woodstock arts and civic organizations, as well as dozens of books, little magazines, and journals by and about members of the Woodstock artist's colony. Photographs depict the Cramers and their friends, including early Art Students League Classes and the annual Maverick festival in the 1920s. Also found are a small number of photo-collages and experiments with color photography, and a series of early twentieth century photographs in the pictorialist style. Artwork includes early sketchbooks of both artists; loose sketches, drawings, and designs; textile designs by Konrad Cramer; and prints and printing blocks.

Biographical/Historical Note

Konrad Cramer (1888-1963) and Florence Ballin Cramer (1884-1962) were painters from Woodstock, New York.


A portion of the papers in this collection were loaned to the Archives of American Art for microfilming in 1964 by Aileen Cramer and Margot Cramer Taylor, daughters of Florence and Konrad Cramer. Selected diaries, sketches, and photographs were returned to Aileen Cramer at that time. Some, but not all, of the original loan was subsequently donated, along with additional materials, in 1975. Materials returned to the donor can be viewed on microfilm.

Related Materials

Language Note

A portion of the correspondence is in German.


Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.

Location of Originals

  • Photos on reel 1027, and diaries and sketches on reels D170-D171: Originals returned to Aileen Cramer after microfilming.