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Jules David Prown research material on artists, 1935-2010, bulk 1958-1975

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Erin Kinhart
Scope and Contents
Jules David Prown research material on artists measures 11.8 linear feet and 0.004 GB and dates from 1935 to 2010, with the bulk of the material dating from 1958 to 1975. Prown, an art historian and educator, is an authority on the work of artist John Singleton Copley, and these papers contain related notes, subject files, correspondence, portrait and attribution files, and photographs and digital photographs of artwork. Also found are Prown's research files on other artists, including Benjamin West, typescripts of his lectures, and copies of his published writings.
The bulk of the collection consists of Prown's research material on the work of John Singleton Copley, including notes and correspondence he compiled while working on his dissertation and later two-volume work John Singleton Copley. Of interest are a set of notes regarding the computer analysis of sitters of John Singleton Copley. Included are detailed biographical forms for each sitter and lists of codes and cross references used for Prown's computer analysis. Topics of his notes and subject files include biographical information on Copley, technique and materials, specific works of art such as Watson and the Shark, and painting themes. Correspondence found throughout his research files usually discuss dates of paintings, attribution, and provenance. Photographs and related printed material are often included with correspondence.
Immediate Source of Acquisition
The collection was donated by Jules David Prown in 2003, 2010, 2014, and 2015.
Related Materials
Jules David Prown papers, 1954-2018, is located at Yale University Archives.
Processing Information
The collection was processed to a minimal level and a finding aid prepared by Erin Kinhart in 2013 and 2014, with updates in 2016. The collection has been minimally rearranged and retains the existing/original folder titles when possible. All materials have been rehoused in archival folders and boxes for long-term stability, but often staples and other fasteners have not been removed. Materials within folders have not been rearranged.
Born-digital materials were processed by Kirsi Ritosalmi-Kisner in 2019 with funding provided by Smithsonian Collection Care and Preservation Fund.