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Judith Wilson papers, 1966-2010

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Series 3: Writing Projects , 1972-2010
1.7 Linear feet
Boxes 4-5

Found here are Judith Wilson's files regarding her writing projects, including magazine and journal articles, book projects, exhibition catalog essays, and guest editorships. Some files contain documentation for writings that were never published. Documents may include project correspondence, draft writings, planning documents and agreements, research material, and publications. Not all files contain drafts or final published versions of the writings. Writing projects of note include articles on Alma Thomas, Henry Ossawa Tanner, and Adrian Piper, as well as catalog essays on Hale Woodruff, Alison Saar, and Sargent Johnson. Interviews conducted for writing projects are included in Series 8: Interviews.
Folders are grouped by type of project and further arranged in rough chronological order.
Description Container Select
Article, "Alma Thomas: A One-Woman Art Movement," Ms. Magazine, Notes and Clippings, circa 1978, 1972
4
1
Article, "Alma Thomas: A One-Woman Art Movement," Ms. Magazine, Notebook, circa 1978
4
2
Article, "Alma Thomas: A One-Woman Art Movement," Ms. Magazine, Quotes, circa 1978
4
3
Article, "Buying Art: The Big Picture," Essence, circa 1979
4
4
Article (Unwritten) on Black Art for Essence, circa 1978-1979
4
5
Article (Unwritten) on Black Women Artists for Essence, circa 1980
4
6-7
Article, "Three Women Artists," Essence, circa 1986
4
8
Article Proposal (Unpublished) on Black Bohemianism for Village Voice, circa 1986
4
9
Article (Unpublished) on Alison Saar for Village Voice, 1986
4
10
Article, "Romare Bearden," Modern Black Men Magazine, 1986
4
11
Article, "Lifting 'The Veil': Henry O. Tanner's The Banjo Lesson and The Thankful Poor," Contributions in Black Studies, 1996-1997, 1986-1993
4
12-13
Articles, Black Arts Annual, 1987-1997
4
14-15
Article, "Adrian Piper," Third Text, 1988-1991
4
16-17
Article (Unpublished), "Movement and Light: The Futurist Dance Manifesto," Rutgers Art Review, 1989-1990
4
18
Article Reprint, "Down to the Crossroads: The Art of Alison Saar," Callaloo, 1990-1991
4
19
Article for Black Women Film and Video Artists, 1996-2000
4
20
Article for Grolier Incorporated, 1998
4
21
Book Project (Unpublished), "Black Visual Studies", 1994-1995
4
22
Book Project (Unrealized), "Undercurrents & Overviews", 1981
4
23
Catalog Essay, "Lorraine O'Grady: Critical Interventions", 1984-1992
4
24-26
Catalog Essay (Unrealized), "Mojo Working", 1985-1987
4
27
Catalog Essay, "Autobiography: In Her Own Image", 1987-1989
4
28
Catalog Essay, "Lines of Vision: Drawings by Contemporary Women", 1987-1990
4
29
Catalog Essay, "Hale Woodruff", circa 1988-1994
Includes 1 sound cassette of interview with Mrs. Sadella T. Williams by Steven L. Jones
4
30-33
Catalog Essay, "Down to the Crossroads: The Art of Alison Saar", 1989-1991
Includes 2 sound cassettes and transcript of Alison Saar interview by Judith Wilson
4
34-35
Catalog Essay, "The Rage of Children", 1990-1991
5
1
Catalog Essay, "Disputed Identities", 1990-1991
5
2
Catalog Essay, "This is My Body: This is My Blood", 1992
5
3
Catalog Essay, "Sargent Johnson and Modernism", 1996-1997
5
4
Catalog Essay, "Alma Thomas: A Retrospective of the Paintings", circa 1996-2000
5
5-8
Catalog Essay, New Jersey State Museum African-American Fine Arts Collection, 1997
5
9
Catalog Essay, "Sargent Johnson: Afro-California Modernist", 1997-1998
5
10-12
Catalog Essay, "Recollected: Selections From the Studio Museum in Harlem", 2010
5
13
Collection of Essays (Unpublished), "Optical Illusions: Race, Gender, Culture, & the Visual Arts", 1990-1998
5
14
Essay, "Beauty Rites" for African American women Artists: A Visual and Critical Reference, 1993-2000
5
15
Essay for Modern Art in the USA: Issues and Controversies of the 20th Century, 1999-2000
5
16
Guest Editor, "Cashing in on Fine Art," Black Enterprise, 1979-1980
5
17-19
Proposal, "The Visual Arts of Black America: An Encyclopedia", 1988-1989
5
20
Seminar Paper, "Movement and Light: The Futurist Dance Manifesto", 1982, 1989
5
21-22
Statement for International Review of African American Art, 1998
5
23

Make a Request

  • To request an appointment to view materials, make your selections using the checkboxes and click the "Reading Room" button. Please note, you will receive the full box.
  • To request reproductions, make your selections using the checkboxes and click the "Reproduction" button.