John Neagle papers, 1817-1865

Collection Information

Size: 0.3 Items, (on 2 partial microfilm reels)

Summary: Letters, writings, business records, sketches and printed material.

Reel 3909: Letters from Neagle to Mary Sully Neagle, his children and a draft of a letter to Thomas Sully, and others; two journals kept by Neagle, "History of Painting, 1817" and "Lessons in Landscape Painting, 1827"; loose sheets of autobiographical matters such as "Thomas Sully's palette," an 1850 cashbook; a sketch of John Brown by Neagle; and a lease cosigned by George Catlin, 1822.

Reel 3910: Notebooks kept by Neagle including "Hints for a painter with regard to his study, 1837," "a volume containing discussions of artists such as Titian and Raphael, and another providing technical information on cleaning pictures and recipes.

Biographical/Historical Note

Portrait painter; Philadelphia, Penn. Neagle studied under Bass Otis. Influences on Neagle's work include Thomas Sully and Gilbert Stuart. Neagle's painting "Pat Lyon at the Forge" was exhibited at the Pennsylvania Academy in 1827 and brought him notoriety. Neagle married Sully's step-daughter, Mary, in 1826.

Provenance

The American Philosophical Society owns five Neagle notebooks, of which the APS filmed three. The Archives pruchased a copy of the film, and filmed the remaining two notebooks along with Neagle correspondence, printed matter and writings.

Language Note

English .

Location of Originals

• Originals in: American Philosophical Society, 105 South 5th Street, Philadelphia, PA 19106.