Size: Sound recording, master: 5 sound cassettes (5 hrs.): analog.
Transcript 73 p.
Format: Originally recorded on 5 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 5 hrs., 5 min.
Summary: An interview of Michael C. McMillen conducted on 1997 Apr. 15-Dec. 8, by Paul Karlstrom, for the Archives of American Art.
Interview with McMillen begins with a discussion about growing up in post-war California, visiting television sets where his father was a scenic artist, and the beginning of an interest in illusion and other realities. He discusses how he became fascinated with ancient civilizations after a visit in 1957 to the Metropolitan Musuem of Art; from this experience he became interested in decay, change, and disintegration. He discusses the elements of open narrative, allowing the viewer to fill in the blanks. He acknowledges the influence of California assemblage movement, aerospace, and Hollywood as sources for his material and art practice.
McMillen explains his goal is to surround the viewer with a total expereince, including smell, sound, moisture, and temperature. He feels that art reflects time and place, a response to history, and a metaphor for events. He next recalls "Journey to the Surface," a submarine, incorporating stand-alone pieces in a large installation that uses historical objects as time markers. He feels that his work is an accumulation of "stuff" that is used as a source for personal identity and the viewer brings his own history pieces and markers of progress through life. He concludes with a discussion of the function of art, as a personal expression and self-validation rather than the political/social aspect of much contemporary art.