Size: 3 wav files (3 hr., 51 min.) : digital
Transcript: 71 pages.
Format: Originally recorded on 2 sound discs. Reformatted in 2010 as 3 digital wav files. Duration is 3 hr., 51 min.
Summary: An interview of Mary-Anne Martin conducted 2009 July 8 and 22, by James McElhinney, for the Archives of American Art, at Mary-Anne Martin/Fine Art, in New York, N.Y. Interview with Mary-Anne Martin, conducted by James McElhinney for the Archives of American Art, at her gallery located at East 73rd Street in Manhattan, New York on July 8th and 22nd, 2009. Martin speaks of switching her major from English to Art history; her time at Sothebys; creating the first Latin American auctions and department at Sothebys; the success of these auctions; the creation of her gallery in 1982; the creation of a more accessible and international market for Latin American art with her gallery and influence at Sothebys; the evolution of Latin American art being recognized with their American or European contemporaries; the newfound celebrity and recognition of Frida Kahlo; the increasing market for forgeries of Latin American art, Martin references the FBI intervention of the Siquieros Chicago show and the Noyola publication Finding Frida Kahlo; the increasing protectionism of Mexican art by becoming labelled "national patrimony"; discovering her childhood neighbors were Spanish rebels and artists associated with Diego Rivera; the increasing marketability and competition for Latin American art; how art is more international; and the cyclical nature of art. Martin also recalls David Nash, Julius Held, Alfred Taubman, Daniel Wildenstein, Barbara Duncan, Edward Sullivan, Eleanore Saidenberg, Mary Boone, Bob Littman, Rachel Adler, Cecila Torres-Garcias, William Sheehy, Bill Lieberman, Jose "Pepe" Escuder, America "Skippy" Escuder, Ella Wolfe, Lucienne Bloch and others.