Size: Transcript: 102 p.
Format: Originally recorded on 6 sound discs. Reformatted in 2010 as 10 digital wav files. Duration is 6 hrs., 13 min.
Summary: An interview of Jesús Moroles conducted 2004 July 19-20, by Cary Cordova, for the Archives of American Art, in Rockport, Tex.
Moroles speaks of his parents' poor background and young courtship; his parents' strong work ethic, and his inheritance of this work ethic; earning money through art commissions at a young age; being a young entrepreneur; joining the Air Force and avoiding combat in Southeast Asia by working with electronics; doing photography while stationed in Thailand; choosing stone as medium; numerous injuries he has received during stonecutting; working in Pietra Santa, Italy; meeting and working under Luis Jimenez; working in segregated Waxahachie, Tex.; differences between his figurative and abstract works; why he curates all his shows; and the reasons behind his unconventional stone-sawing methods. Moroles also discusses how he names his works and series; moving his studio to Rockport; his fears of being typecast as a specific type of artist (i.e., "fountain" or "Chicano"); incredulity and disdain towards art journalism and scholarship; his commission for the CBS building; his good relationships with his dealers; his new book of artwork; his desire to slow down his production; his unconventional Baptist/Latino upbringing and his present lack of religion; the Houston Police Memorial; the pyramid motif in his work; his visits to China; moving to Rockport; the tactile nature of his works; his belief in the musicality of granite; his megalomaniacal disposition towards his works; the drowning victims in the Forth Worth Water Gardens; his desire to create sacred places, and the meaning of that phrase; the process of "granite weaving"; his new metal pieces; the lack of political meanings in his art; his "Moonscapes"; and his affections for his daughter. Moroles also recalls Eckhard Pfeiffer, Isamu Noguchi, Ulrich Ruckriem, Eero Saarinen, David Shrader, Frank Ribelin, Ricardo Legoretta, Judy Baca, and others.