Size: 77 Pages, Transcript
Format: Originally recorded on 4 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 3 hr., 39 min.
Summary: An interview of artist Jerome Caja conducted 1995 August 23-1995 September 29, by Paul J. Karlstrom, for the Archives of American Art.
Discussion of Caja's illness from AIDS; his loss of sight and the role of memory in "seeing"; the effects of AIDS on his work; his working procedures, goals; the meaning of his work; support of his family, while not acknowledging his homosexuality; attitude toward audience; art as communication of self; the San Francisco gay community and his experiences as a gay artist; growing up in Cleveland with ten brothers, his strong religious background; art training at Cleveland State.
Moving to San Francisco; experiences at the San Francisco Art Institute, where he received an MFA in 1986; his teachers Sam Tchakalian and Richard Shaw; switching from ceramics to painting; recollections with Anna van der Meulen (present at this session) of their meeting and friendship; influences on his work, especially lifestyle as a drag queen; clowns in his work; desire for anonymity; theme of gender in work; his friend Charlie who died in 1991, the subject of a memorial show "Remains of Day" at Southern Exposure Gallery in San Francisco; importance of religion in his work; mysticism, philosophy in work; small works, miniatures and his bottle cap paintings; exhibitionism in life and art; his inclusion in the "Bad Girls West" exhibition at UCLA; the future of his works and participation in history.