Size: 10 sound files (6 hrs., 1 min.), digital, wav; 87 Pages, Transcript
Summary: An interview with Hunter Reynolds, conducted 2016 August 10-September 7, by Theodore Kerr, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Fales Library in New York, New York.
Reynolds speaks of his childhood in Minnesota, Florida, and California; early sexual experiences; attending Otis College of Art and Design; moving to New York in 1984 and becoming part of the East Village scene; the beginning of the AIDS crisis and safe sex discourse; his involvement in ACT UP; being diagnosed with HIV and starting ART+ Positive in Los Angeles in 1989; his body of artwork, performances, exhibitions, and activist actions; resonances between AIDS activism of the 1980s and '90s and contemporary activism around the Black Lives Matter movement; the politics of identifying as an HIV-positive artist; experimenting with drag and developing his alter ego Patina du Prey; performances with "Memorial Dress," "The Banquet," "Dervish Dress;' "Mummification" performance; living and working in Germany in the 1990s; and his personal struggle with long-term HIV survivorship; his "disaster" series and "Survial AIDS" series; and making his life, past and present, his personal masterpiece. Reynolds also recalls Kathy Burkhart, Susan Silas, Fred Tomaselli, Scott Hill, Leslie Dahlgren, Paula Cooper, Ray Navarro, Mark Kostabi, Bill Dobbs, Dread Scott, Kim Levin, Simon Watson, Maxine Henryson, Herr Vishka, Tony Feher, Jim Hodges, Dylan Nayler, Kathleen White, Krista Naylor, and others.