Size: Transcript: 74 pages
Format: Originally recorded on 4 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 28 min.
Summary: An interview of Frank E. Cummings, III conducted 2006 December 28 and 2007 January 5, by Jo Lauria, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in the artist's home, in Long Beach, California.
Cummings speaks of his childhood in Los Angeles and the challenges he faced in school; receiving a B.A. from California State University, Long Beach; working with troubled youth as a social worker with Neighborhood Youth Association; teaching at California State University, Long Beach while earning his M.F.A. at California State University, Fullerton through the Black Faculty Teaching Program; the invitation by Eudorah Moore to show in "California Design XI"; the importance of having his and his students' work published in Dona Meilach's book, "Creating Modern Furniture: Trends, Techniques, Appreciation"; the role of reflective surfaces in his work to capture the viewer's attention; using a diamond stylus to draw on glass; serving as the first M.F.A. graduate program coordinator at California State University, Long Beach; the development and creation of his famed clock, It's About Time, now in the Museum of Fine Arts, Boston; working as a gofer for Sam Maloof during a three day seminar at Yosemite National Park; receiving an invitation from Maloof to teach at Penland School of Crafts in Penland, North Carolina; his experiences at Haystack Mountain School of Crafts in Deer Isle, Maine.; the consistent drive throughout his career to continue working, exhibiting, and publishing; his love of teaching; the honor of receiving the Outstanding Professor Award at California State University, Fullerton, in 1997; receiving a National Endowment of Arts grant in 1973 to spend two months in Ghana, Africa examining connections between the African American struggle for identity in the ghettoes of the United States and struggles faced in Africa; returning to various regions in Africa in 1981 at the request of the State Department to evaluate and help increase object making productivity in villages while exhibiting his art in museums throughout the continent; his deliberate selection of materials; the role race has played in his career; his reverence of nature; designing furniture for the set of the movie, "How Stella Got Her Groove Back;" the development and creative process of the Carousel series; finding inspiration in his wife, C.C.; and plans for the future. Cummings also recalls Raymond Hein, Thomas Ferreira, James Prestini, Wendell Castle, William Hunter, Edward Cooke, Gerald W.R. Ward, Kelly H. L'Ecuyer, and others.