Size: Sound recording: 5 sound cassettes (4 hrs.) : analog.
Transcript: 122 p.
Summary: An interview of Carmen Lomas Garza conducted 1997 Apr. 10-May 27, by Paul Karlstrom, for the Archives of American Art.
Lomas Garza discusses her working environment at Hunter Point Shipyard, a former naval facility on San Francisco Bay, near Candlestick Park, occupied by artists and small businesses; growing up in Kingsville, Tex., near Corpus Christi; her education at Texas A and I University (now Texas A and M) and graduating from the University of Texas at Austin with a B.S. in art education (1969); her activism in the Chicano movement during her college years; joining the farm workers march in Kingsville in 1965; installing an art show for MAYO (Mexican Workers Youth Organization) conference in 1969; the impact upon her of MAYO's walkout at Robstown High School, Tex., while she was a student teacher there, in protest of the lack of Mexican American teachers and curriculum; joining Galeria de La Raza in San Francisco, 1976, while a graduate student at Washington State University and the effect it had on the development of her career as an artist; the inspiration of her mother, who painted "lotteria tablas" (figures on boards; game cards); her interest in children's art; using family experiences for her "monitos" or "little figures" (cards painted with sets of fifteen numbers); and preserving her Mexican-American traditions as a basis for her identity.