Size: Sound recording, master: 7 sound discs (7 hr., 45 min.) digital; 2 5/8 in.
Sound recording, duplicate: 6 cassettes
Transcript: 94 pages.
Format: Originally recorded on 7 sound discs. Reformatted in 2010 as 12 digital wav files. Duration is 7 hr., 46 min.
Summary: An interview of Angel Rodriguez-Diaz conducted 2004 Apr. 23-May 7, by Cary Cordova, for the Archives of American Art, in San Antonio, Tex.
Rodriguez-Diaz speaks of his mother's upbringing and her untimely death from cancer; his childhood and schooling in Santurce, Puerto Rico, particularly his art experiences; his parents' conversion to Pentecostalism; the importance of travel in Puerto Rican culture; attending the University of Puerto Rico, Rio Piedras; discovering his sexuality during adolescence; living in New York City; the city's gay scene on Christopher Street; exploring his identity as a Puerto Rican American; his jobs at mannequin factories; and his gradual ingratiation into the New York art world, mostly through Robert Morris. Rodriguez-Diaz also mentions his relationship with Rolando Briseño; the motifs in his paintings, such as mirrors and masks; witnessing the Tompkins Square Park riots of 1988; organizing a strike at his mannequin factory; contracting the HIV virus from a partner; Mexican art cinema; the cultural and historical similarities of Mexico and Puerto Rico; moving to San Antonio; choosing the models for his "Goddess" series; Anglo/Latino conflict within the San Antonio art scene; the commodification of Mexican culture in San Antonio; the spiritual importance of portraiture; the history of Puerto Rican artwork and culture, particularly native cultures; and the Smithsonian's acquisition of his painting, "The Protagonist of an Endless Story." Rodriguez-Diaz also recalls Antonio Molina, Sandra Cisneros, Arnoldo Roche-Rabell, John Anthes, Manuel Ramos Otero, Nitsa Tofino, Candida Alvarez, Soon Yong Ming, Robert Sward, Linda Pace, and others.