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  2. Hans Hofmann papers, circa 1904-2011
  3. Series 8: Hans Hofmann Library, circa 1904-1960
  4. 8.1: Inscribed/Annotated Volumes-Art , circa 1904-1960

Hans Hofmann papers, circa 1904-2011

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8.1: Inscribed/Annotated Volumes-Art , circa 1904-1960

Description Container Select
Art News Annual XXV, 1956. [annotated]
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1
L'Art Abstrait; ses origines; ses premiers maîgres. Paris: Maeght, 1949. [annotated]
16
2
Barr, Alfred H., Jr. Picasso; Fifty Years of his Art. New York: The Museum of Modern Art, 1946. [inscribed]
16
3
Bayl, Friedrich. Bilder unserer Tage. Koln: Verlag M. DuMont Schauberg, 1960. [inscribed]
16
4
Bazaine. Notes sur la peinture d'aujourd'hui. Paris: Floury, 1948. [inscribed]
16
5
Buttafava, G. and E. Garbagnati. Architetture nel segno dei Maestri. Bergamo, Italy: Instituto Italiano d'Arti Grafische, 1962. [inscribed]
16
6
Carnet de desseins de Picasso reproduits au format de l'original. Paris: "Cahiers d' Art," 1948. [inscribed]
Oversized volume housed in Box 20.
16
7
Clark, Kenneth. Landscape Painting. New York: Charles Scribner's Sons, 1950. [inscribed]
16
8
Construction and Geometry in Painting; From Malevitch to "Tomorrow." New York: Galerie Chalette, 1960. [inscribed]
16
9
The Edward Joseph Gallagher III Memorial Collection at the University of Arizona, Tucson. [1958]. [inscribed]
16
10
Gallatin, A. E., ed. Of Art; Plato to Picasso. New York: Wittenborn and Company, 1944. [inscribed]
16
11
Gary, Dorothy Hales and Robert Payne. The Splendors of Asia. New York: Viking Press, 1965. [inscribed]
16
12
Grabar, André. Byzantine Painting. New York: Skira Inc., 1953. [inscribed]
16
13
Graham, John D. System and Dialectics of Art. New York: Delphic Studios, [1937]. [annotated]
16
14
Hildenbrand, Adolf. Das Problem der Form in der Bildenden Kunst. Strassburg: J. H. Ed Heitz, 1901. [annotated]
16
15
Hunter, Sam. "Jackson Pollock: the Maze and the Minotaur." New World Writing. New York: New American Library, 1956. [annotated]
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16
Jenkins. New York: Martha Jackson Gallery, 1965. [inscribed]
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17
Kepes, Gyorgy. Language of Vision. Chicago: Paul Theobald, 1944. [annotated]
16
18
Malraux, André. The Voices of Silence. Garden City, NY: Doubleday & Company, Inc., 1953. [inscribed]
16
19
Modern Artists in America; First Series. Robert Motherwell and Ad Reinhardt, eds. New York: Wittenborn Schultz, Inc., [1951?]. [annotated]
16
20
Mondrian, Piet. Plastic Art and Pure Plastic Art, and Other Essays. New York: Wittenborn, Schultz, Inc., 1951. [inscribed]
16
21
Müller, Carl Theodor. Meister gotischer Plastit. München: J. S. Lehmanns Verlag, 1932. [inscribed]
16
22
Nierendorf, Karl, ed. Paul Klee; Paintings, Watercolors, 1913-1939. New York: Oxford University Press, 1941. [inscribed]
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1
Pallottino, Massimo. Etruscan Painting. New York: Skira, 1952. [inscribed]
17
2
The Phillips Collection; a Museum of Modern art and its Sources; A Catalogue. New York and London: Thames and Hudson, 1952. [inscribed]
17
3
Picasso; 32 peintures récentes. Paris: Cahiers d'Art, 1949. [inscribed]
17
4
Regler, Gustav. Wolfgang Paalen. New York: Nierendorf Editions, 1946. [inscribed]
17
5
Rembrandt Handzeighnungen. Leipzig: Im Insel Verlag, undated [inscribed]
17
6
Rosenberg, Harold. Arshile Gorky; The Man, the Time, the Idea. New York: Horizon Press, Inc., 1962. [inscribed]
17
7
Rosenberg, Harold. The Tradition of the New. New York: Horizon Press, Inc., 1959. [inscribed and annotated]
17
8
Schön, Erhard. Unterweisung der Proportion und Stellung der Possen. [no place: undated] [inscribed]
17
9
Seuphor, Michel. Écritures; Dessins/Drawings/Zeichnungen Alcopley. Paris: Les Nourritures Terrestres, 1954. [inscribed]
17
10
Steinberg, Saul. The Catalogue. Cleveland and New York: World Publishing Co., 1962. [inscribed]
17
11
Steinberg, Saul. The New World. New York: Harper & Row, 1965. [inscribed]
17
12
Sweeney, James J. Joan Miró. New York: The Museum of Modern Art, 1941. [annotated]
17
13
Uhde, W. Picasso et la Tradition Française; Notes dur la Peinture Actuelle. Paris: ?ditions des Quatre-Chemins, undated [inscribed]
17
14
Valentiner, W. R. Origins of Modern Sculpture. New York: Wittenborn and Company, 1946. [inscribed]
17
15
Walkowitz, Abraham. A Demonstration of Objective, Abstract, and Non-Objective Art. Girard, KS: Haldeman-Julius Publications, 1945. [inscribed]
17
16
Walkowitz, Abraham. Isadora Duncan in Her Dances. Girard, KS: Haldeman-Julius Publications, 1945. [inscribed]
17
17
Walkowitz, Abraham. 100 Paintings and Drawings from the Objective to Abstract. New York: B. W. Huebsch, Inc., 1925. [inscribed]
17
18
Westheim, Paul. Indische Baukunst. Berlin: Verlag Ernst Wasmuth A. G., undated [inscribed]
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19
Woodward, William. French Quarter Etchings. New Orleans: Magnolia Press, undated [inscribed]
17
20
Wright, Frank Lloyd. The Future of Architecture. New York: Horizon Press, 1953. [inscribed]
17
21

Make a Request

  • To request an appointment to view materials, make your selections using the checkboxes and click the "Reading Room" button. Please note, you will receive the full box.
  • To request reproductions, make your selections using the checkboxes and click the "Reproduction" button.