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Hans Hofmann papers, [circa 1904]-2011, bulk 1945-2000

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8.1: Inscribed/Annotated Volumes-Art, circa 1904-1960

DescriptionContainer
Art News Annual XXV
, 1956. [annotated]
16
1
L'Art Abstrait; ses origines; ses premiers maîgres
. Paris: Maeght, 1949. [annotated]
16
2
Barr, Alfred H., Jr.
Picasso; Fifty Years of his Art
. New York: The Museum of Modern Art, 1946. [inscribed]
16
3
Bayl, Friedrich.
Bilder unserer Tage
. Koln: Verlag M. DuMont Schauberg, 1960. [inscribed]
16
4
Bazaine.
Notes sur la peinture d'aujourd'hui
. Paris: Floury, 1948. [inscribed]
16
5
Buttafava, G. and E. Garbagnati.
Architetture nel segno dei Maestri
. Bergamo, Italy: Instituto Italiano d'Arti Grafische, 1962. [inscribed]
16
6
Carnet de desseins de Picasso reproduits au format de l'original
. Paris: "Cahiers d' Art," 1948. [inscribed]
Oversized volume housed in Box 20.
16
7
Clark, Kenneth.
Landscape Painting
. New York: Charles Scribner's Sons, 1950. [inscribed]
16
8
Construction and Geometry in Painting; From Malevitch to "Tomorrow."
New York: Galerie Chalette, 1960. [inscribed]
16
9
The Edward Joseph Gallagher III Memorial Collection at the University of Arizona, Tucson
. [1958]. [inscribed]
16
10
Gallatin, A. E., ed.
Of Art; Plato to Picasso
. New York: Wittenborn and Company, 1944. [inscribed]
16
11
Gary, Dorothy Hales and Robert Payne.
The Splendors of Asia
. New York: Viking Press, 1965. [inscribed]
16
12
Grabar, André.
Byzantine Painting
. New York: Skira Inc., 1953. [inscribed]
16
13
Graham, John D.
System and Dialectics of Art
. New York: Delphic Studios, [1937]. [annotated]
16
14
Hildenbrand, Adolf.
Das Problem der Form in der Bildenden Kunst
. Strassburg: J. H. Ed Heitz, 1901. [annotated]
16
15
Hunter, Sam. "Jackson Pollock: the Maze and the Minotaur."
New World Writing
. New York: New American Library, 1956. [annotated]
16
16
Jenkins
. New York: Martha Jackson Gallery, 1965. [inscribed]
16
17
Kepes, Gyorgy.
Language of Vision
. Chicago: Paul Theobald, 1944. [annotated]
16
18
Malraux, André.
The Voices of Silence
. Garden City, NY: Doubleday & Company, Inc., 1953. [inscribed]
16
19
Modern Artists in America; First Serie
s. Robert Motherwell and Ad Reinhardt, eds. New York: Wittenborn Schultz, Inc., [1951?]. [annotated]
16
20
Mondrian, Piet.
Plastic Art and Pure Plastic Art, and Other Essays
. New York: Wittenborn, Schultz, Inc., 1951. [inscribed]
16
21
Müller, Carl Theodor.
Meister gotischer Plastit
. München: J. S. Lehmanns Verlag, 1932. [inscribed]
16
22
Nierendorf, Karl, ed.
Paul Klee; Paintings, Watercolors, 1913-1939
. New York: Oxford University Press, 1941. [inscribed]
17
1
Pallottino, Massimo.
Etruscan Painting
. New York: Skira, 1952. [inscribed]
17
2
The Phillips Collection; a Museum of Modern art and its Sources; A Catalogue
. New York and London: Thames and Hudson, 1952. [inscribed]
17
3
Picasso; 32 peintures récentes
. Paris: Cahiers d'Art, 1949. [inscribed]
17
4
Regler, Gustav.
Wolfgang Paalen
. New York: Nierendorf Editions, 1946. [inscribed]
17
5
Rembrandt Handzeighnungen
. Leipzig: Im Insel Verlag, undated [inscribed]
17
6
Rosenberg, Harold.
Arshile Gorky; The Man, the Time, the Idea
. New York: Horizon Press, Inc., 1962. [inscribed]
17
7
Rosenberg, Harold.
The Tradition of the Ne
w. New York: Horizon Press, Inc., 1959. [inscribed and annotated]
17
8
Schön, Erhard.
Unterweisung der Proportion und Stellung der Possen
. [no place: undated] [inscribed]
17
9
Seuphor, Michel.
Écritures; Dessins/Drawings/Zeichnungen Alcopley
. Paris: Les Nourritures Terrestres, 1954. [inscribed]
17
10
Steinberg, Saul.
The Catalogue
. Cleveland and New York: World Publishing Co., 1962. [inscribed]
17
11
Steinberg, Saul.
The New World
. New York: Harper & Row, 1965. [inscribed]
17
12
Sweeney, James J.
Joan Miró
. New York: The Museum of Modern Art, 1941. [annotated]
17
13
Uhde, W.
Picasso et la Tradition Française; Notes dur la Peinture Actuelle
. Paris: ?ditions des Quatre-Chemins, undated [inscribed]
17
14
Valentiner, W. R.
Origins of Modern Sculpture
. New York: Wittenborn and Company, 1946. [inscribed]
17
15
Walkowitz, Abraham.
A Demonstration of Objective, Abstract, and Non-Objective Art
. Girard, KS: Haldeman-Julius Publications, 1945. [inscribed]
17
16
Walkowitz, Abraham.
Isadora Duncan in Her Dances
. Girard, KS: Haldeman-Julius Publications, 1945. [inscribed]
17
17
Walkowitz, Abraham.
100 Paintings and Drawings from the Objective to Abstract
. New York: B. W. Huebsch, Inc., 1925. [inscribed]
17
18
Westheim, Paul.
Indische Baukunst
. Berlin: Verlag Ernst Wasmuth A. G., undated [inscribed]
17
19
Woodward, William.
French Quarter Etchings
. New Orleans: Magnolia Press, undated [inscribed]
17
20
Wright, Frank Lloyd.
The Future of Architecture
. New York: Horizon Press, 1953. [inscribed]
17
21

Make a Request

  • To request an appointment to view materials, make your selections using the checkboxes and click the "Reading Room" button. Please note, you will receive the full box.
  • To request reproductions, make your selections using the checkboxes and click the "Reproduction" button.