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More Information | A Finding Aid to the Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009 | Digitized Collection

Frederick Hammersley papers, circa 1860-2009, bulk 1940-2009

More Information

A Finding Aid to the Frederick Hammersley Papers, circa 1860-2009, bulk 1940s-2009 in the Archives of American Art
AAA.hammfred
Finding aid prepared by Diana Shenk and Jayna M. Josefson
Scope and Contents
The papers of Los Angeles Abstract Classicist painter and educator Frederick Hammersley measure 31.8 linear feet and date from circa 1860-2009, bulk 1940-2009. The papers contain biographical materials, 31 diaries, family and professional correspondence, personal business and financial records, estate records, writings, graphic design projects, teaching files, printed materials, scrapbooks, photographs, and works of art. An 2015 unprocessed addition includes a diary possibly written by Hammersley's mother, photograph albums and photographs, sketches and block prints, computer printouts, and hand painted grid color boxes used by Hammersley in teaching color theory.
Biographical materials include resumes and biographies, calendars, military records, family genealogies, school records, high school and college yearbooks, and awards. There are also sound and video recordings of talks, interviews, and television appearances. Scattered materials relating to Hammersley's parents, Anna Westberg Hammersley and Harold Hammersley, are also found in the series.
Correspondence consists of letters from family and close friends as well as business correspondence with collectors and professional art associations. Family correspondents include Hammersley's immediate family and aunts and cousins. Additional noteworthy correspondents include fellow artists Karl Benjamin, William Brice, Robert Chuey, Rico Lebrun, and John McLaughlin, among others.
There are 23 diaries written by Frederick Hammersley dating from 1935-2008, with a gap spanning 1954-1972. Also found are six diaries written by Harold Hammersley dating from 1940-1959 and two by Anna Hammersley from 1958-1965.
Hammersley's writings include college class notes, essays, poetry, lecture notes, grant applications, and proposals. There are also sound recordings of lectures and talks as well as drafts and a final copy of an article published in the journal
Leonardo
in 1970.
Teaching files consist of class lecture notes, student evaluations, and grade books for classes likely taught at Pomona University and the Chouinard Art Institute.
Graphic design projects contain materials from Hammersley's company Handsome Cards for which he designed greeting and holiday cards. Also included are various freelance designs and draft designs for exhibition catalogs. General financial and business records focus on Hammersley business relationships and transactions with galleries and museums and his efforts to promote his art. Galleries and museums represented in the files include Modernism Gallery (San Francisco), L.A. Louver Gallery (Venice, California), and Hoshour Gallery (Albuquerque). This series also contains tax returns and expense ledgers. Also found are scattered materials from the household of Anna and Harold Hammersley.
Estate records are found for Frederick Hammersley, Susie Hammersley Stone, Anna and Harold Hammersley, Frederick Hammersley Sr., Mrs. E. Hammersley, Maude Eliza Hammersley, Dorothy Hutchinson Hammersley, and Basil Edward Pratt. These files include wills and yearly financial reports.
Printed material consists of newspaper and magazine clippings, exhibition catalogs and announcements, and printed copies of Hammersley's graphic designs. The series is extensive and contains clippings and exhibition material that represents Hammersley's entire career as an artist. Also found are packets of printed materials created by Hammersley to represent the careers of his friends and colleagues.
Scrapbooks consist of eleven "scrapfiles," postcard albums, and clippings scrapbooks created by Frederick Hammersley and Anna Hammersley. Scrapfiles refers to the original title created by the Hammersleys. Frederick's scrapbooks contain clippings of art, criticisms of his work, and news mentions of his career. Anna's scrapbooks contain one postcard album and 4 scrapbooks and scrapfiles of news clippings relating to subjects of her personal interest.
Photographs include snapshots of Hammersley; images of Hammersley with family and friends; travel photographs, many of them taken in Europe during World War II; photographs of exhibitions; and photographs of Hammersley's artwork. Most of the photographs were labeled and dated by Hammersley. There are six photo albums created by Frederick Hammersley and four albums compiled by his parents Harold and Anna Hammersley.
Artwork includes the original designs from Hammersley's graphic design projects, sketchbooks, drawings and designs from high school and college classes, exhibiton catalog drawings, and cards and printouts from his computer drawing series. There are also scattered works by Susie Hammersley Stone and Lu Nowells.
An unprocessed addition of 5.9 linear feet donated in 2015 includes an annotated family guest book; a diary possibly written by Hammersley's mother; a set of six hand-painted grid color boxes used by Hammersley in teaching color theory; six photograph albums of Hammersey's family and small boxes containing photographs and slides taken by Hammersley; and artwork including loose sketches by Hammersley of live models, block prints of wallpaper designs by Hammersley, programming printouts from Hammersley's dot matrix computer drawings, sketches for murals by Hammersley, and tone study paintings on board, used for teaching.
Language
Multiple languages
Provenance
Frederick Hammersley donated his papers to the Archives of American Art in nine accessions from 1974 to 2008. The Frederick Hammersley Foundation donated additional papers in 2012 and in 2015 via Executive Director Kathleen Shields.
Related Archival Materials note
The Archives of American Art also holds the Tamara Webster papers relating to Frederick Hammersley.
Funding
Funding for the processing and digitization of this collection was provided by the Getty Foundation and the Frederick Hammersley Foundation.
Processing Information
Diana Shenk processed a portion of the papers in 2010 with funding provided by The Getty Foundation. In 2012-2013, a large addition to the papers was integrated, processed, and described by Jayna Josefson and the collection was scanned in its entirety with funding provided by the Frederick Hammersley Foundation. A later 5.9 linear feet addition received in 2015 remains unprocessed.