Collection Information
Size: 15.2 Linear feet
Summary: The records of the Fine Arts Federation of New York, a consortium of New York City arts and architecture organizations, measure 15.2 linear feet and date from 1895-2005, bulk 1935-2002. The Federation's activities on behalf of the interests of the constituent organizations and the greater community are documented through officers' files, correspondence, administrative records, scattered printed materials, and scrapbooks.
Biographical/Historical Note
The Fine Arts Federation of New York was established in 1895 "to ensure united action by the Art Societies of New York in all matters affecting their common interests; and to foster and protect the artistic interests of the community."
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Provenance
The Fine Arts Federation loaned materials for microfilming in 1968 and 1970; these same records were later donated, along with multiple accretions from 1978-2007 by former officers of the F.A.F., including Minor Bishop, Giorgio Cavaglieri, Margot Gayle, Lorrie Goulet, Katherine Thayer Hobson, Henriette Nathan, and Nanne Wollmann.
Related Materials
Additional records related to the Fine Arts Federation of New York are found in the Architectural League of New York records, 1880s-1974. The Fine Arts Federation loaned materials to the Archives of American Art for microfilming in 1970 which are available on microfilm reel N70/16 and by interlibrary loan. These materials were not included in later donations and are not described in the container listing of this finding aid. They include correspondence with or related to the Municipal Art Society, mostly about the nomination of delegates to the F.A.F. and appointments to the New York City Art Commission and the mayor's Panel of Architects, 1961-1967; annual and semi-annual meeting reports for 1961-1965, and 1967; and an address by J. Roy Carroll, president of the American Institute of Architects, to the officers and board of the F.A.F., November 1963, concerning the artists-architect's role in society.
Language Note
English .
Funding Note
Funding for the processing of this collection was provided by Smithsonian Institution's Collections Care and Preservation Fund
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