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Federal Art Project, Photographic Division collection, circa 1920-1965, bulk 1935-1942

Federal Art Project, Photographic Division collection, circa 1920-1965, bulk 1935-1942

Federal Art Project. Photographic Division

Collection Information

Size: 12.4 linear feet

Summary: The Federal Art Project (FAP), Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the FAP: 1935-1942. The collection comprises 12.4 linear feet of photographic prints and negatives, including photos of FAP artists and the artwork created by them, and other activities of the FAP in communities throughout New York City and other states. Photographers include Andrew Herman, Sol Horn, David Robbins, Leo Seltzer, and others.

Artist files comprise three-quarters of the collection and consist primarily of photographs of artwork, as well as scattered photos of artists at work, including: Charles Alston, Luis Arenal, Richmond Barthe, John Benson, Andrew Berger, Lucille Blanch, Lucienne Bloch, Ilya Bolotowsky, Luise Brann, Selma Burke, Letterio Calapai, Eugene Chodorow, Francis Criss, Stuart Davis, Adolf Dehn, Virginia Dehn, Jose de Rivera, George Pearse Ennis, Philip Evergood, Eugenie Gershoy, Bertram Goodman, Arshile Gorky, Marion Greenwood, Philip Guston, Donal Hord, Joseph Hovell, William Karp, Yasuo Kuniyoshi, Edward Laning, Julian Levi, Audrey McMahon, Elizabeth Olds, Anton Refregier, Will Shuster, William Zorach, and others.

The remainder of the collection consists of files documenting related activities and programs of the FAP arranged by subject. The bulk of these files document the activities of the New York City FAP including free art classes and art exhibitions for adults and children, exhibitions at the Harlem Art Center, and the work of FAP branches including the Easel Division, the Graphic Arts Division and the Poster Division.

Other subjects documented include federal and community art centers in eleven states, most extensively Washington State; other WPA projects such as the Federal Theater Project, the Federal Music Project, and the Federal Writers' Project; buildings decorated with FAP artwork; art processes as demonstrated by FAP artists; special events; and people involved with the FAP, including director Holgel Cahill.

One folder contains images that appear to have been taken by Berenice Abbott for the exhibition "Changing New York," (1935) for the Museum of the City of New York in collaboration with the WPA.

Biographical/Historical Note

The Federal Art Project (FAP) was one of the Depression-era work-relief programs of the Federal Works Progress Administration (WPA). The WPA was established in May 1935 specifically as a work relief program for the millions of individuals left unemployed during the Depression. Its name changed to the Work Projects Administration in 1939 when it fell under the administrative hand of the newly created Federal Works Agency. (At that same time, the Federal Art Project officially became the Federal Art Program.) Under the Federal Art Project, separate photographic divisions were set up in several states, most notably in New York City. In addition to documenting the work and activities of artists employed on the program, photographers documented the activities of other projects under "Federal One," including the Federal Theater and Music Projects. Photographers also worked on creative assignments for exhibitions, photo murals, etc.

Provenance

The collection was anonymously donated to the Archives of American Art in the late 1950s.

Related Materials

Funding

Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation.

A Finding Aid to the Federal Art Project, Photographic Division Collection, circa 1920-1965, bulk 1935-1942, in the Archives of American Art
AAA.fedeartp14
Historical Note
The Federal Art Project (FAP) was one of the depression-era work relief programs of the Federal Works Progress Administration (WPA). The program was founded in August 1935 to provide employment for artists and to implement visual arts programs in local communities across the country.
Together with the Federal Music Project, the Federal Theater Project and the Federal Writers' Project the FAP formed part of the WPA's Federal Project No. 1. The WPA became the Work Projects Administration in 1939 when it fell under the administrative hand of the newly created Federal Works Agency; concurrently the Federal Art Project was officially re-named the Federal Art Program.
Under the direction of Holger Cahill, the goals of the FAP fell into three main areas: production of artwork, art education through art classes and community centers, and art research through the Index of American Design. During the course of the program, artists created murals and other artwork for many for non-Federal government buildings such as schools, hospitals and libraries. Separate photographic divisions were set up in several states, most notably in New York City, to document the work of artists employed by the program, activities in art education such as classes for children and adults and community center outreach programs, and other "Federal One" projects including the Federal Theater and Music Projects. Employees of the photographic division were also involved in creative assignments such as exhibitions and photo murals.
The FAP ended in 1943.
Arrangement
The collection is arranged as 2 series:
Series 1: Artist Files, circa 1920-1965 (Boxes 1-24; 9.6 linear feet)
Series 2: Subject Files, 1935-1942 (Boxes 25-31; 2.8 linear feet)
Provenance
The collection was anonymously donated to the Archives of American Art in the late 1950s.
Processing Information
The bulk of the collection was microfilmed on reels 1160-1174 shortly after donation However, many of the photographs of artists received with the collection were not microfilmed on these reels but were separated in 1973 and filed in AAA's Photographs of Artists Collection One, which was microfilmed on Reels 439-441 and digitized in 2003. These photographs were returned to the Federal Art Project, Photographic Division collection in circa 2006. Some re-processing and additional description of the collection was completed in 2007-2008 by Stephanie Ashley with support from the Terra Foundation for American Art.

Additional Forms Available

This collection was digitized in its entirety in 2017 and is available via the Archives of American Art's website.

Restrictions on Access

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

How to Cite This Collection

Federal Art Project, Photographic Division collection, circa 1920-1965, bulk 1935-1942. Archives of American Art, Smithsonian Institution.

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