Everett Shinn collection, 1877-1958
This site provides access to the papers of Everett Shinn in the Archives of American Art that were digitized in 2011. The papers have been scanned in their entirety, and total 2,220 images.
Scope and Contents note
The collected papers of Everett Shinn measure 3.1 linear feet and date from 1877 to 1958. Found within the papers are biographical material; correspondence with friends and colleagues; personal business records; art work, including two sketchbooks of designs for Belasco's Stuyvesant Theatre; notes and writings; eight scrapbooks; printed material; and numerous photographs of Shinn, his colleagues, and his work.
Biographical material includes miscellaneous biographical accounts and a membership certificate from the American Watercolor Society.
Correspondence consists of letters from Shinn's friends and colleagues, primarily from author Poultney Bigelow. There are also letters from decorator Elsie De Wolfe, dramatist Clyde Fitch, and artists Charles Dana Gibson, William Glackens, and George Luks, whose letters are illustrated. There are scattered letters from A. Stirling Calder, Theodore Dreiser, Robert Henri, Ernest Lawson, Julia Marlowe, Claude Rains, Ruth Warrick, Alexander Woollcott, and Mahonri Young.
Personal business records consist of two account books recording art work used in publications and loaned for exhibitions, and miscellaneous invoices.
Artwork consists of two sketchbooks of designs for the Stuyvesant Theatre murals and miscellaneous drawings by Shinn. Artwork by others, including H. B. Eddy, James Ben Ali Haggin, Colonel Hegan, Oliver Henfold, George Luks, and Philip Nolan, consist primarily of caricatures.
Notes and writings include a handwritten draft of Shinn's play Hazel Weston or More Sinned Against Than Usual, notes for a book on art, poems, and typescripts by Shinn including "Plush and Cut Glass," a book about George Luks.
Eight scrapbooks primarily contain clippings. Scrapbook 2 contains clippings, exhibition catalogs, a note from Stuart Benson, an illustrated postcard from Ed, and scattered photographs.
Additional printed material is primarily comprised of clippings, but there are also exhibition announcements and catalogs for Shinn, reproductions of art work, booklets, and miscellaneous printed material. Rare programs for plays written by Shinn list cast members, including Wilfred Buckland, Edith Glackens, William J. Glackens, James Ben Ali Haggin, Robert Henri, J. E. Laub, Thomas Newell Metcalf, James M. Preston, Florence Scovel Shinn, and John Sloan.
Numerous photographs are found within the collection and depict Shinn as a boy, in various Philadelphia newspaper offices, in costume for stage performances, at the easel, and with colleagues, including Robert Henri and John Sloan. Photographs of colleagues also include author Poultney Bigelow, decorator Elsie De Wolfe, portrait painter James Ben Ali Haggin, actress Julia Marlowe, and Pennsylvania Academy of the Fine Arts classmates William Glackens and Florence Scovel. There are also photographs of Shinn's residences, exhibition installations, set designs and stagings of plays, murals, and other art work.
The bulk of the Everett Shinn collection was acquired via purchase from art dealer Thurston Thatcher between 1958-1964. Art collector Howard Lipman donated additional material in 1962. Five negatives of Shinn's work were donated in 1969 by Dr. Milton Luria, an acquaintance of Shinn's son, Davidson. The photograph of Everett Shinn, John Sloan, and Robert Henri was donated on an unknown date by an unidentified donor. The handwritten draft of Shinn's play Hazel Weston or More Sinned Against Than Usual was acquired via auction purchase in 2011.
Related Archival Materials note
Additional Everett Shinn papers are available at the Helen Farr Sloan Library, Delaware Art Museum, Wilmington, Delaware.
Funding for the digitization of this collection was provided by the Terra Foundation for American Art.
Accessions were microfilmed upon receipt on reels D179, 441, 899, 950, 952-953, 1118, 2917, and 3471-3472, except for the last acquisition in 2011, which was not microfilmed. Researchers should note that the arrangement of the collection as described in this finding aid does not reflect the order of the collection on microfilm due to reprocessing. All accessions were merged, arranged, and described by Jean Fitzgerald in September 2009. The papers were digitized in 2011 with funding provided by the Terra Foundation for American Art.
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