Size: 3 Linear feet
Summary: The Ellen Hale and Hale family papers measure 3 linear feet and date from circa 1860 to 1952. Found within the papers are biographical material for Ellen Day and Edward Everett Hale; personal correspondence from Ellen Day and Lillian Westcott Hale; diaries by Ellen Day and Susan Hale; an appraisal of the Hale estate and personal business records for Ellen Day and Edward Everett Hale; printed material; sketchbooks and sketches by Ellen Day and Herbert Dudley Hale; and travel photographs of the Hale family.
Writer, publisher, and clergyman Edward Everett Hale (1822-1909) and his wife, Emily Perkins Hale, were well regarded members of Boston society. After graduating from Boston Latin School at age 13, Hale enrolled directly into Harvard University and graduated second in his class in 1839. He became a licensed Unitarian minister in 1842 and was a church pastor from 1846 to 1899. In the 1860s, Hale began publishing short stories in the Atlantic Monthly , Harper's New Monthly Magazine , and other periodicals. In 1869, he co-founded the Christian Examiner , which later merged with Scribner's Magazine in 1875, and founded Lend a Hand in 1886. He and his wife had one daughter and eight sons. Three of those sons died in childhood, and a fourth, Robert Beverly Hale, died as a young adult.
The Ellen Hale and Hale family papers were donated in 1978 and 1984 by Nancy Hale Bowers, the niece of Ellen Day Hale, and the grand-daughter of Edward Everett and Emily P. Hale.
The Archives of American Art also holds two collections related to the Hale family, including the Philip Leslie Hale papers and the Edward Everett Hale letter to an unidentified person. Smith College's Sophia Smith Collection also holds papers of the Hale family, including Nathan, Sr., and Sarah Preston Everett Hale; Edward Everett and Emily Perkins Hale; Ellen Day Hale; and Philip and Lilian Westcott Hale. . Printed books and monographs in the collection were transferred to the National Portrait Gallery Library in 1978.
The collection is in English.
Processing of this collection was funded by the Terra Foundation for American Art