Skip to main content

Eileen Cowin papers, 1961-2015

Contents and Arrangement

The collection is arranged as 9 series.

Make a Request

  • To request an appointment to view materials, make your selections using the checkboxes and click the "Reading Room" button. Please note, you will receive the full box.
  • To request reproductions, make your selections using the checkboxes and click the "Reproduction" button.

Series 1: Biographical Material, 1961-2015
0.8 linear feet
Box 1

This series consists of diplomas from undergraduate and graduate school, passports, dismantled rolodexes, and faculty identification cards. Also included are legal documents, interview transcripts, and miscellaneous documents. There is one external hard drive containing computer backup files of inventories, grant files, research files, personal photographs, and photographs of artwork.
The material in this series are grouped by document type, then arranged chronologically within each grouping.
DescriptionContainer
Benjamin Cardozo JHS Diploma, 1961
1
1
Far Rockaway High School Report Cards, 1962-1964
1
2
State University of New York Diploma, 1968
1
3
Illinois Institute of Technology Diploma, 1970
1
4
Faculty Identification Cards, 1971-1980
1
5
Passports, 1972-1983
1
6
Art Collection Inventory, circa 1980
1
7
Dismantled Rolodex 1, circa 1980-circa 2010
1
8-11
Dismantled Rolodex 2, circa 1980-circa 2010
1
12-15
Eileen Cowin Interview Transcript, 1981
1
16
Transcript of Eileen Cowin and Lance Carlson Conversation, circa 1983
1
17
Small Claims Dispute, 1983
1
18
Price Lists for Artwork, 1988-2007
1
19
Studio Rental, 1994-1998
1
20
Museum of Contemporary Photography Purchase of Artwork, 1997
1
21
Backup Computer Files, 2015
1 hard drive
Hard Drive
Contains inventories, grant files, research files, personal photographs, and photographs of works of art.
1
22
1
2
Miscellaneous Biographical Material, 1969-1979
1
23

Series 2: Correspondence, 1969-2015
3 linear feet
Boxes 1-4

Personal and professional correspondence is with family, friends, colleagues, artists, art collectors, gallery owners, museums, and universities. Notable correspondents include Carl Chiarenza, Darryl Curran, Maria Gonzalez, Robert Heinecken, Ellen Korsower, William Larson, Min Gallery, Roy Boyd Gallery, and Aaron Siskind.
Family correspondence is at the beginning of the series, followed by alphabetical correspondence, then chronological correspondence. Folder titles in quotation marks indicate that the original folder heading and arrangement of contents were retained.
Access restricted correspondence with Michael Dorris and Louise Erdrich and correspondence with Robert Fichter are in 2 boxes at the end of the series.
DescriptionContainer
Family Correspondence, 1986-2010
1
24
Sympathy Cards for Mother's Death, 1996
1
25
Art Unlimited, 1985-1987
1
26
Berman, Penny, 1988-2001
1
27
Brooks, Ellen, 1983-2002
1
28
California State Fullerton Students, 1987-2002
1
29
Callahan, Harry, 1987
1
30
Chiarenza, Carl, 1977-1996
1
31
Connor, Linda, 2000-2007
1
32
Correspondence with Others About Artwork, 1994-2002
1
33
Curran, Darryl, 1988-2014
2
1
Durant, Mark Alice, 1996-2010
2
2
Esders, Viviane, 1985-1988
2
3
Europe Trip, 1984
2
4
Fellman, Sandi, 1991-2007
2
5
"Former Relationships", circa 1990
2
6
Fotofolio, 1987-1990
2
7
Frasier, Debra and James Henkel, 1984-1989
2
8
"Friends and Artists", 1978-2010
2
9
"Friends and Artists", 1975-1999
2
10
"Friends Former Students", 1998-2004
2
11
Furr, Carol and Leo Robinson, 1988-2004
2
12
G. Ray Hawkins Gallery, 1978-1986
2
13
Gallery 954, 1993-1998
2
14
Gonzalez, Maria, 1977-2000
2
15
H. F. Manes Gallery, 1983-1986
2
16
Hahn, Betty, 1988-2000
2
17
Heinecken, Robert, 1970-2006
Includes a few letters from wife Joyce Neimanas and daughter Karol Mora.
2
18
Korsower, Ellen, 1986-2013
2
19-20
Martinez, Daniel, 1990-1994
2
21
Merwin, W. S., 2000
2
22
Min Gallery, 1985-1989
2
23-24
National Endowment for the Arts, 1987-1989
2
25
O'Neil, Elaine, 1981-2013
2
26
Parker, William E., 1988-2001
2
27
Pfahl, John and Bonnie Gordon, 1998-2001
2
28
Pluchinotta, Alfonso, 2002
2
29
Polaroid, 1984-1988
2
30
Rankaitis, Susan, 1988-2005
2
31
Roy Boyd Gallery, 1988-1991
2
32
Roy Boyd Gallery, 1988-1991
3
1
Schrier, Max, 2004-2005
3
2
Siskind, Aaron, 1975
3
3
Sultan, Larry and Kelly, 1988-2015
3
4
Swanstock, 1994-1999
3
5
Walter, Christine, 1999-2002
3
6
Whitworth, Thomas, 2001-2008
3
7
Miscellaneous Correspondence with Friends and Colleagues, 1987-2009
3
8
Dorris, Michael and Louise Erdrich (ACCESS RESTRICTED), 1982-2010
22
1-4
Fichter, Robert (ACCESS RESTRICTED), 1971-1980
23
1-4
Fichter, Robert - Undated Correspondence (ACCESS RESTRICTED), circa 1971-circa 1980
23
5
Chronological Correspondence, 1969-1979
3
9-15
Chronological Correspondence, 1980-1989
3
16-28
Chronological Correspondence, 1990-1999
4
1-10
Chronological Correspondence, 2000-2004
4
11-15

Series 3: Writings, 1963-2014
1.6 linear feet
Boxes 4-6

Writings include 4 notebooks from graduate school and universities where Cowin taught, numerous annotated appointment calendars and wall calendars, lecture drafts and notes, artists statements, a graduate thesis, drafts of essays, drafts of a fictionalized “interview” for a project, 2 exhibition guest registers, and a few writings by others. There are 3 sound cassettes and 2 sound discs (CD), primarily of lectures. One of the sound discs of a lecture at Pasadena City College also includes an interview with Cowin.
The material in this series are grouped by document type, then arranged chronologically within each grouping. Writings by others are grouped together at the end of the series and arranged alphabetically by the writer's last name.
DescriptionContainer
Illinois Institute of Design Graduate School Notebook, 1968-1970
4
16
Franconia College Notebook, 1971-1974
4
17
Franconia College and California State Fullerton Notebook, 1975-1976
4
18
California State University Fullerton Notebook, circa 1975
4
19
Annotated Appointment Calendars, 1963-1966
5
1
Annotated Appointment Calendars, 1995
5
2
Annotated Appointment Calendars, 1996-1997
5
3
Annotated Appointment Calendars, 1997-circa 1998
5
4
Annotated Appointment Calendars, 1999-2004
5
5
Annotated Appointment Calendar, 2009
5
6
Annotated Wall Calendars, 2009-2014
5
7
Carbondale Lecture, 1985
5
8
"The Facts Never Speak for Themselves" Lecture, 1987
5
9
Vienna Lecture, 1992
5
10
Lecture About Artwork, 1995
5
11
Hammer Museum Lecture, circa 1997
5
12
Syracuse and Rochester Lectures, 1997-1998
5
13
University of Rochester Lecture, 1998
Includes 1 sound cassette.
5
14
California State University Long Beach Lecture, 1998
5
15
Getty Lecture about Walker Evans, 2001
5
16
Getty Lecture About Lee Miller, 2003
Includes 1 sound cassette.
5
17
Lecture About Artwork, 2008
5
18
Pasadena City College Residency Lecture, 2009
Includes 2 sound discs (CD), one of which also includes an interview with Eileen Cowin.
5
19
Getty Lecture About Ray Metzger, 2012
5
20
Lecture Drafts and Notes, circa 1968-circa 1980
5
21
Lecture Drafts and Notes, circa 1985-circa 1990
5
22
Lecture Drafts and Notes, 1990-circa 1995
5
23
Illinois Institute of Design Graduate Thesis, 1970
6
1
Artist Statements, circa 1975-1979
6
2
Artist Statements, circa 1990-2012
6
3
Object, Illusion, Reality
Exhibition Catalog Essay Draft, 1979
6
4
Drafts of Fictional "Interview with Harry Turk" Transcript, 1981
Includes 1 sound cassette.
6
5-6
Orange County Museum of Art Panel Notes, 2010
6
7
Lectures by Carl Chiarenza, 1988-2001
6
8
Writings by Mark Alice Durant, 1996-circa 2001
6
9
Essay Draft by Mark Johnstone, circa 1987
6
10
Lecture by Joyce Neimanas, 1998
6
11
Lecture by Anne W. Tucker, 1999
6
12
Writings by Others About Eileen Cowin's Artwork, circa 2004
6
13
Light Gallery Exhibition Guest Register, 1976
6
14
Armory Center Mid-Career Survey Exhibition Guest Register, 2000
6
15

Series 4: Teaching Files, 1974-2008
0.3 linear feet
Box 6

Files are from Eileen Cowin’s teaching position at the California State University, Fullerton. There are a few files, mostly contracts, from Franconia College and other universities where she taught workshops or had brief faculty appointments. The files include student evaluations, promotion notifications, faculty grant proposals, notes, and limited correspondence.
This series is arranged alphabetically by the name of the college or university. Folders within each grouping are further broken down into document type, then rough chronological order.
DescriptionContainer
California State University, Fullerton
Correspondence, 1977-2004
6
16
Equity Increase Correspondence, 2006-2007
6
17
Promotion Notifications, 1975-1982
6
18
Faculty Grant Proposal, 2002
6
19
Student Evaluations, 1975-2008
6
20-23
Undated Student Evaluations, circa 2000-circa 2005
6
24
Notes About Colleague, 2000-2004
6
25
Miscellaneous, circa 2006
6
26
Franconia College Workshop, 1974
6
27
San Francisco Art Institute Faculty Contract, 1978-1985
6
28
School of the Art Institute of Chicago Teaching Contract, 1979
6
29
University of New Mexico Faculty Contract, 1979
6
30

Series 5: Project Files, 1979-2010
0.6 linear feet
Boxes 6-7

Project files include professional files and files documenting projects and commissions. Files may contain project proposals, publication agreements, correspondence, printed material, application forms, contracts, research notes, invoices, and photographic material. Notable projects include various commissions for artwork on billboards, light boxes installation for a MTA Metro Art project, Pasadena City College Artist Residency, and material related to Eileen Cowin’s first design for her website. Video art projects are found in the Artwork series.
This series is arranged alphabetically by project title.
DescriptionContainer
20,000 Portraits Project, 2002
6
31
ArtBulletin Billboard Project Proposal, 1988-1992
6
32
Awards in the Visual Arts Grant Application, 1986-1989
6
33
Come Out With Your Hands Up
Project File, 2010
6
34
Durfee Foundation Grant Application, 2000-2002
6
35
Film Festival Applications, 2003
6
36
Flintridge Foundation Grant Application, 1998-2003
6
37
Geffen Commission for Grammy Program Book, 1994-1995
6
38
Guggenheim Fellowship Grant Application, 1987-1996
6
39
"Hunting and Censorship Piece", circa 1990-circa 2000
6
40
It Goes Without Saying
Project File, 1996
6
41
Los Angeles County Museum of Art Billboard Commission, 2000
6
42
Los Angeles Cultural Grant, 1997-1998
6
43
Louise Erdrich Book Cover Art, 1996-1998
6
44
MTA Metro Art Photographic Light Boxes, 2000-2001
6
45
Musex Publication Agreement and Invoices, 1996-1999
7
1
Music Video, 2010
7
2
One Night Stand
Book, 1979
7
3
One of These Days
Project File, 1993
7
4
Pasadena City College Artist Residency, 2008-2009
7
5
Penn Station Public Art Fund Project, 1990-1991
7
6
Scarcely had they uttered those words...
Project File, 1998
7
7
Seen & the Unseen
DVD Project File, 2002
7
8
Sentimental Over You
Project File, 2009
7
9
University of Rochester Symposium, 1997
7
10
Website First Design, 2004
7
11
Website Articles, circa 2004
Articles meant to be posted on Eileen Cowin's website.
7
12
When the Sky is Falling
Project File, 2008
7
13
Your Whole Body is a Target
Project File, 2006
7
14

Series 6: Exhibition Files, 1979-2011
1.1 linear feet
Boxes 7-8

This series consists of exhibition announcements, catalogs, publicity, reviews, correspondence, exhibition lists, price lists of artwork, and other material for Eileen Cowin’s group and solo shows. A few highlights are the exhibition with Louise Erdrich at Domestic Settings Gallery and
Still (and all)
, Eileen Cowin's mid-career survey show. This series includes 1 floppy disk for the exhibition
Drawing Connections
, 1993.
The series is arranged chronologically by exhibition date.
DescriptionContainer
The New Vision: Forty Years of Photography at the Institute of Design
(1980), 1979-1981
7
15
Eileen Cowin and John Divola: New Work, No Fancy Titles
(1985), 1985-1987
7
16
Exhibition at the University of Colorado, Boulder (1987), 1987-1988
7
17
Fabrications: Staged, Altered, and Appropriated Photographs
(1987), 1986-1988
7
18
Third Western States Exhibition
(1987), 1986-1988
7
19
Lot's Wife
Exhibition (1989), 1988-1989
7
20
Frames of Reference: Photographic Paths
(1989), 1989
7
21
Photography and Art: Interactions Since 1946
(1987), 1987
7
22
Biola University Exhibition (1993), 1992-1993
7
23
Drawing Connections
(1993), 1993
Includes 1 floppy disk.
7
24
Eileen Cowin: Landmines
(1993), 1993-1994
7
25
Love in the Ruins
(1994), 1994
7
26
Empowered Images
(1994-1995), 1992-1997
7
27
Domestic Settings Exhibition with Louise Erdrich (1995), 1995
7
28-29
Informed by Film
Exhibition (1995), 1994-1995
7
30
P.L.A.N.: Photography in Los Angeles Now
(1995), 1995-1996
7
31
Telling Stories: Narrative Tableau Photography
(1996), 1995-1996
7
32
Eileen Cowin: Returning to Ordinary Life
(1998), 1998
7
33-34
Southeast Museum of Photography Exhibition (1998), 1998
7
35
Eileen Cowin: It's so good to see you
(1999), 1998-1999
7
36
Still (and all): Eileen Cowin, 1971-1998
(2000), 2000
8
37
Beyond Boundaries: Contemporary Photography in California
(2001), 1998-2001
8
1
Darkroom & Digital
(2001), 2000-2001
8
2
Media
Exhibition (2002), 2001-2003
8
3
Taken by Design: Photographs from the Institute of Design, 1937-1971
(2002-2003), 2001-2003
8
4
Transfictions: Jack Butler, Eileen Cowin, Grant Mudford
(2004), 2003-2005
8
5
Heartfelt
Exhibition (2005), 2005-2006
8
6
Witness Protection
(2006), 2003-2007
8
7
Lessons
(2006), 2006
8
8
WestLicht Polaroid Collection Exhibition (2011), 2011
8
9

Series 7: Printed Material, 1966-2014
2.6 linear feet
Boxes 8-10, 17, OV 20

Printed materials consist primarily of “Eileen Cowin Press” folders containing clippings about Eileen Cowin that mention her name in reference to shows. Exhibition catalogs, announcements, books, periodicals, and clippings about Cowin and other artists are also in this series. Although most of the materials are related to Cowin, there is some printed material on other subjects that reflect Cowin’s research and interests.
The material in this series is grouped together by document type, then arranged chronologically within each grouping. Material about Eileen Cowin is arranged at the beginning of the series and printed material on other subjects, such as her research interests, come later. Folder titles in quotation marks indicates the original headings were retained.
DescriptionContainer
Studio Wall
Culver City, 1977-1994
8
10
Dimmick, circa 1994
8
11
Space C, circa 1998
8
12
Early Apartment D, circa 1999-2001
8
13
Eileen Cowin Press, 1979-1990
8
14-24
Eileen Cowin Press, 1991-2014
9
1-22
Eileen Cowin Exhibition Announcements, circa 1975-circa 2002
9
23-27
Eileen Cowin Group and Solo Exhibition Catalogs, 1976-1989
Oversized material housed in Box 17.
9
28
Eileen Cowin Group and Solo Exhibition Catalogs, 1990-2010
10
1
Eileen Cowin Postcards, circa 1983-circa 1993
10
2
Periodicals with Articles About Eileen Cowin, 1975-2009
Oversized material housed in Box 17.
10
3
Posters Featuring Eileen Cowin's Artwork, 1997-2002
Oversized material housed in OV 20.
10
4
"Reviews of shows Eileen Cowin was in but not mentioned", 1984-1989
10
5
Other Artists' Exhibition Announcements, 1978-2014
10
6
Clippings of Images for Research, circa 1980-circa 2010
10
7-8
Research Images "Used Constantly"in Artwork, 1994-2005
10
9
Magazines for Research, 1979-1990
Oversized material housed in Box 17.
10
10
9 Evenings: Theatre & Engineering
Flyer, 1966
10
11
Sundance Film Festival Guidebook
, 2002
10
12
The Unknown Unknowns
, 2004
10
13
Cartoons, circa 1985-circa 2000
10
14
Louise Erdrich and Michael Dorris Articles and Reviews, 1988-2001
10
15-16
Michael Dorris Obituaries and Posthumous Articles, 1997
10
17
Miscellaneous Articles, 1975-1997
10
18
Oversized Eileen Cowin Exhibition Catalog from Box 9, Folder 27, 1987
17
Oversized Periodicals with Articles About Eileen Cowin from Box 10, Folder 3, 1975-2009
17
Oversized Magazines from Box 10, Folder 10, 1979-1990
17
Oversized Posters Featuring Eileen Cowin's Artwork from Box 10, Folder 4, 1997-2002
OV 20

Series 8: Artwork and Sketchbooks, 1964-2003
3.2 linear feet
Boxes 10-13, 17

The bulk of this series consists of 26 videocassettes containing video artworks by Eileen Cowin. In addition to the video recordings, there is 1 sketchbook, a few college art projects from State University of New York, New Paltz, and miscellaneous drawings that were scattered throughout the collection.
The audiovisual material is grouped together at the beginning of the series and is arranged alphabetically by the title of the artwork. Sketchbooks and other artwork are grouped at the end of the series in chronological order.
DescriptionContainer
...and the daughter
Master Tape 1, circa 1998
1 videocassette (betacamsp)
10
19
...and the daughter
Master Tape 2, circa 1998
1 videocassette (betacamsp)
10
20
...and the daughter
Master Tape 4, circa 1998
1 videocassette (betacamsp)
10
21
...and the daughter
Master Tape 5, circa 1998
1 videocassette (betacamsp)
11
1
...and the daughter
Master Tapes 6 and 7, circa 1998
1 videocassette (betacamsp)
11
2
...and the daughter
Master Tape 7, circa 1998
1 videocassette (betacamsp)
transfer from super8 and 16mm film
11
3
...and the daughter married the prince
, circa 1998
1 videocassette (digital betacam)
11
4
Based on a True Story
Loop of "Hands Dripping", 1993
1 videocassette (u-matic)
11
5
Don't Ever Lie to Me
, circa 1994
1 videocassette (betacamsp)
note on tape: "collaboration with Louise Erdrich"
11
6
A Form of Ecstasy
, "Woman Speaking", 1994
1 videocassette (hi8)
1 videocassette (betacamsp)
11
7
I Give You My Word
, circa 2003
1 videocassette (betacamsp)
11
8
I See What You Mean
, "Secret" Tape 1, 2001
1 videocassette (betacamsp)
11
9
I See What You Mean
, "Chalk Lips" Tape 2, 2001
1 videocassette (betacamsp)
12
1
I See What You Mean
, "Dancing" Tape 3, 2001
1 videocassette (betacamsp)
12
2
I See What You Mean
, "Betsey's Mouth" Tape 4, 2001
1 videocassette (betacamsp)
12
3
It Goes Without Saying
, "Kiss", 1996
1 videocassette (u-matic)
12
4
It Goes Without Saying
, "Kiss With Audio", 1996
1 videocassette (betacamsp)
12
5
It Goes Without Saying
, "Tape", 1996
1 videocassette (u-matic)
12
6
It's So Good to See You
, "Brushing Teeth", 1999
1 videocassette (betacamsp)
12
7
It's So Good to See You
, "Kissing", 1999
1 videocassette (betacamsp)
12
8
It's So Good to See You
, "Shower", 1999
1 videocassette (betacamsp)
13
1
It's So Good to See You
, "Sleeping", 1999
1 videocassette (betacamsp)
13
2
It's So Good to See You
, "All 4 Looped", 1999
1 videocassette (betacamsp)
13
3
One of These Days
, "Slow Motion Blood" Loop, 1993
1 videocassette (u-matic)
13
4
Wishes
, 1998
1 videocassette (betacamsp)
13
5
State University of New York - New Paltz, 2-D Design Project, 1964
13
6
State University of New York - New Paltz, Sketchbook, 1966-1969
13
7
State University of New York - New Paltz, Art Project, circa 1968
13
8
State University of New York - New Paltz, Art Project "Maybe The Real You in Blonde!", circa 1968
Oversized material housed in Box 17.
13
9
Etching of Family, circa 1968
13
10
Cutouts of Text Used in Artwork, 1994
13
11
Miscellaneous Sketches, circa 1980-1989
13
12
Oversized Art Project from Box 13, Folder 9, circa 1968
17

Series 9: Photographic Material, 1968-2015
2.5 linear feet
Boxes 13-16, 18-19, OV 21

Photographic material includes prints, proofs, contact sheets, slides, negatives, video image stills, transparencies, and test shots . There are photographs of installations, press prints, artwork, and images for exhibition mock-ups. There are also several folders of “research photos” which were photographs Cowin took of film scenes she used as reference for her own photography and video work. There is also one folder of photographs of Cowin and scattered photographs of people at exhibitions, openings, and other events.
The photographs of Eileen Cowin come first, followed by art photographs, then photographs loosely grouped by project and subject, and finally oversized photographs. The photographs within each grouping are arranged alphabetically. Folder titles in quotation marks indicates that the original folder heading was retained.
DescriptionContainer
Eileen Cowin, circa 1975-2008
13
13
Based on a true story
Proofs, 1993
13
14
Based on a true story
Transparency, circa 1993
13
15
Between the Beasts and the Angels
Exhibition Mock-up, circa 1991
13
16-18
Between the Beasts and the Angels
Press Prints, 1991
13
19
Between the Beasts and the Angels
Installation, 1991
13
20
Disappearing by the Inches
, 2000
14
1
Family Docudrama
Press Prints, 1980-1984
14
2
I'll Give You Something to Cry About
, 1998
14
3
If I knew more I would tell you
, 2010
14
4
It Goes Without Saying
Video Stills, circa 1996
14
5
It's so good to see you
Installation at Deep River Gallery, 1999
14
6
It's so good to see you
Installation at Deep River Gallery, 1999
Photographs mounted on metal plates.
14
7
Lady Killer
Contact Sheet, circa 1977
14
8
One Night Stand
Contact Sheets, 1977-1978
14
9
One of these days
Installation and Proofs, 1993
14
10
Something Out of the Ordinary
Installation, 2006
14
11
When the Sky is Falling
Installation, 2008
14
12
White Heat
, 1995
14
13
"Ad for Bruce Halpern", circa 1985
14
14
Cactus Proofs for Gum Prints, 1975
14
15
Chicago Series Contacts and Proofs, 1980
14
16
Cibachrome Proofs, circa 1985-circa 1995
14
17
"Experiments", circa 1980-circa 2010
14
18
"Fog and Rocks" Negative, 1991
14
19
Graduate School Silk Screen Tests and Transparencies, 1968-1970
14
20
Installation Shots, circa 1975-circa 2010
14
21-22
"Large Black and White Works" Press Prints and Proofs, 1983-1988
14
23-24
Jayne H. Baum Gallery Exhibition Installation, circa 1985-circa1993
14
25
"Never Used Images", circa 1980-circa 1990
14
26
Penn Station Lightboxes Transparencies, 1991
14
27
Polaroid Word Series, 1976
14
28
Press Prints for Gum Prints, 1973-1975
14
29
Quiver Magazine
Proofs, circa 1984
14
30
Research Photographs of Film Kissing Scenes, circa 1970-1979
14
31
Research Photographs of Film Scenes, circa 1980-circa 2010
14
32-36
Robert Fichter, circa 1970-circa 1980
15
1
Shots for Scale, circa 1980-1989
15
2
Slides of Artwork and Installations, 1970-2003
15
3-5
Slides Used in Lectures, circa 1978-circa 1987
15
6
Theatre Gum Print Reproductions, circa 1978-circa 1980
16
1
Transparencies Used for Composites, circa 1980-circa 1999
16
2
Unfinished Project, circa 1980-circa 1990
16
3
Miscellaneous Photographic Material, 1970-circa 2010
16
4-5
Miscellaneous Press Prints and Cibachromes of Artwork, 1983-1989
16
6
Oversized Background Image Prints, circa 1980-circa 2010
18
1
Oversized
Between Panic and Paradise
Proofs, circa 1996
18
2
Oversized
Don't Come Crying to Me
Video Stills, circa 2003
18
3
Oversized
Family Docudrama
Work Prints, circa 1980-1983
18
4
Oversized Gum Print Proofs, 1972
18
5
Oversized Gum Print Transparencies, circa 1970-circa 1980
18
6-7
Oversized
It Goes Without Saying
Press Prints, circa 1996
18
8
Oversized
Landmines
, circa 1993
18
9
Oversized
Landscape-Escape
Proofs, 1975
18
10
Oversized
Lot's Wife
, 1988
18
11
Oversized
Mom's Bowl with Bird
, 2004
18
12
Oversized
One Night Stand
Installation, circa 1978
18
13
Oversized
Penn Station
and Miscellaneous Prints, circa 1980-circa 2010
19
1
Oversized
Seeing Double
Proofs, circa 2005
19
2
Oversized
Striptychs
, 2013-2015
19
3
Oversized "Transparency Series", 1969-1972
19
4
Oversized
Uknown Unknowns
Work Prints, 2002
19
5
Oversized Work Prints for Exhibition, 2010
19
6
Oversized Work Prints Used in Unfinished Work, circa 1980-circa 2010
19
7
Oversized
Based on a True Story
Transparencies, 1993
OV 21
Oversized
One of These Days
Installation Transparencies, 1993
OV 21

Make a Request

  • To request an appointment to view materials, make your selections using the checkboxes and click the "Reading Room" button. Please note, you will receive the full box.
  • To request reproductions, make your selections using the checkboxes and click the "Reproduction" button.