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Dwight Blaney papers, circa 1883-1944, bulk circa 1883-1920s

Blaney, Dwight, 1865-1944

Collector, Painter

Collection Information

Size: 3.3 Linear feet

Summary: The papers of Boston and Ironbound Island, Maine, painter Dwight Blaney measure 3.3 linear feet and date from circa 1883-1944, with twenty slides of a family album dated circa 1993. The bulk of the material dates from circa 1883 to the 1920s. The collection includes scattered personal papers including pencil and pen sketches by Blaney and his brother Henry Blaney; three of Blaney's notebooks on art history; printed material including exhibition catalogs for Blaney and others; a scrapbook of news clippings about John Singer Sargent and photographs of artwork by Sargent; photographs including images of Blaney and his home, John Breck and his studio, and a portrait of John Singer Sargent; and one hundred and ninety-nine glass plate negatives, primarily of Blaney's artwork and interiors of his homes. Also found are three glass plate negatives of paintings by John Singer Sargent, and one glass plate of Sargent seated on Blaney's boat painting Blaney, who is painting on the shore.

Biographical/Historical Note

Boston and Ironbound Island, Maine, painter Dwight Blaney (1865-1944), studied at the Boston Art School from 1886 to 1888, and in 1891 traveled to Europe where he met his future wife, Edith Hill, and spent two years sketching and working as a tour guide. Blaney married Hill on his return to the United States and the couple settled in Boston, but also had a home on Ironbound Island in Maine's Frenchman Bay. Over time the family acquired the entire island and John Singer Sargent and other painters came to visit and paint there in the summer months.


The collection was donated by Benjamin Blaney, Blaney's grandson, in 1990. In 1993, slides from a family photo album depicting the Blaney family on a trip to Bermuda were donated by Jeffrey Brown, who purchased the original album from the David Blaney estate.

Related Materials

Language Note

English .


Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.