Skip to main content

Dorothy Weiss Gallery records, circa 1964-2001, bulk 1984-2000

More Information

Stephanie L. Ashley
Scope and Contents
The Dorothy Weiss Gallery records measure 18.7 linear feet and date from circa 1964 to 2001 (bulk 1984-2000). Although the collection includes limited records overlapping from Weiss's dealings with some artists through Meyer Breier Weiss Contemporary Crafts, Inc., its primary focus is the activities of the Dorothy Weiss Gallery. The records provide fairly extensive coverage of the gallery's relationship with approximately thirty artists, and scattered documentation of Weiss's relationship with more than two hundred other artists whose work she represented, exhibited, or had an interest in at some time during the gallery's existence. Overall, the collection is an excellent source of information on contemporary ceramic and glass sculpture and includes artist files of correspondence, administrative records, printed matter, and photographic material, as well as exhibition files and subject files.
The bulk of the collection consists of Series 1: Artist Files, which includes correspondence with artists, biographical material, printed material relating to exhibitions at the Dorothy Weiss Gallery and elsewhere, photographs of artwork, and administrative records such as price lists, inventories, and loan and consignment documentation.
Series 2: Exhibition Files contains records of approximately twenty-five group exhibitions held at the gallery, such as the Teapot Invitationals, and various exhibitions of glass artists. Records relating to exhibitions for a single artist's work can be found in Series 1: Artist Files.
Series 3: Subject Files consists of a small group of general subject files maintained by the gallery, such as correspondence with different types of clients, and records relating to specific projects outside the gallery in which Weiss participated.
The collection was donated to the Archives of American Art by Dorothy Weiss in 2002.
Processing Information
The collection was processed by Stephanie Ashley in October and November 2002, with funding provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.