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More Information | A Finding Aid to the Dennis Miller Bunker papers, 1882-1943, bulk 1882-1890 | Digitized Collection

Dennis Miller Bunker papers, 1882-1943, bulk 1882-1890

More Information

A Finding Aid to the Dennis Miller Bunker Collection,
1882-1943
(bulk 1882-1890)
, in the Archives of American Art
AAA.bunkdenn
Finding aid prepared by Erin Corley
Scope and Content Note
The Dennis Miller Bunker collection of letters, an exhibition catalog, and a few photographs measures 0.4 linear feet and dates from 1882 to 1943, with the bulk of the material dating from 1882 to 1890. Most of the collection consists of letters. Letters dating from 1882 to 1889 are primarily to Bunker's friend Joseph Evans (46 letters) in New York City and discuss work, projects, his dislike of teaching, mutual interests and friends, and other topics. Four volumes of letterpress books, circa 1889-1890, contain letters to Bunker's fiancée Eleanor Hardy wherein he discusses their plans for the future, his work, his studio, friends, artists, and general news prior to their marriage in October, 1890 and his untimely death a few months later. There is also a 1943 exhibition catalog and three photographs of Bunker.
Language
English
Provenance
Letters were donated in 1974 by William and Geoffrey Platt, sons of Eleanor Hardy by her second marriage. Printed material and one photograph were donated in 1974 by Frederick D. Hill of Berry-Hill Galleries. Two photographs of Bunker were donated in 1977 by Catherine B. Ramsdell.
Related Material
Also found at the Archives of American Art is the Charles A. Platt letter collection. Platt was the second husband of Dennis Miller Bunker's wife Eleanor Hardy. Included in the collection are a letter from Platt to Bunker, a letter from Bunker to Anne Page, and other related items.
Funding
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
Processing Information
The Dennis Miller Bunker collection received a preliminary level of processing at some point after donation. Material was microfilmed in the order that it was donated on reels 1201, 2773, and 1817. The various accessions were merged and fully processed by Erin Corley in 2006 and digitized in 2007 with funding provided by the Terra Foundation for American Art.