Collection Information
Size: 0.5 Linear feet
Summary: The David Gallery records measure 0.5 linear feet and date from 1963 to 1982. This small collection sheds light on the gallery's operations through correspondence, photographs, printed material, exhibition ephemera, and several price lists. The collection also includes an etching by artist Lucas Johnson.
Biographical/Historical Note
The David Gallery was founded in Houston, Texas in 1963 by Dianne David. The gallery exhibited mostly local painters and sculptors, and had a large influence on the Houston contemporary art scene. David was known for representing and exhibiting artists whose work and personality she liked personally. Artists shown at the gallery include Bob Camblin, Lucas Johnson, Donald Roller Wilson, Seymour Leichmann, and Bob Fowler, all of whom she became friends with. David closed her gallery in 1982.
Provenance
Microfilmed as part of the Archives of American Art's Texas project, material on reel 3100, frames 1-138 were lent for microfilming 1983 by Lester Giese; and reel 3100 frames 143-583 were lent for microfilming in 1983 by Dianne David, owner of the gallery. The records were donated in 1981 by Dianne David.
Related Materials
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 3100 frames 1-138 consist of David Gallery exhibition announcements. Reel 3100 frames 143-583 consists of 14 artists' files compiled by Dianne David, which include correspondence, mostly letters received by Dianne David; printed material; sketches and 2 etchings by Bob Camblin; and photographs of artists, their works and 1 photo of the gallery. Artists' include: William C. Agee, Jack Boynton, Bob Camblin, Roy Fridge, James Kearns, Seymour Leichman, Jim Love, David McManaway, Robert Morris, Futzie Nutzle, Peter Paone, Mike Selig and Don Shaw. Materials were returned to the lenders after microfilming. Loaned materials were returned to the donor and are not described in the collection container inventory.
Language Note
English .
Funding Note
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.