Collection Information
Size: 9.3 linear ft.
Summary: The records of the Arwin Galleries consist primarily of artists' files (6 ft.), subject files (1 ft.), as well as general correspondence, photographs, various art work, motion picture film, printed material, and some scattered financial and other business records.
Artists' files, 1948-1981 contain correspondence, photographs, art work, printed material, writings and business records on 86 artists, including Harold Altman, Irving Berg, Harry Bertoia, William Bostick, Graciela Rodo Boulanger, Thomas Brun, John Butkin, Ray Cattell, Irma Cavat, Chuang Chi, Mihran Chobanian, Joseph Cibere, Max Arthur Cohn, Lila Copeland, Joseph Demariais, Jan De Ruth, Dick Van Dyk, Ray Elman, Kosso Eloul, Richard Fairfield, Leo Figiel, Richard Florsheim, Max Ginsburg, Harry Glassgold, Libby Golden, John Gould, Ken Guild, Frank Howell, Colette P. Iktin, Richard Jerzy, W. Louis Jones, Max Kahn, Charles Kaiman, Herbert Kallem, Deborah Kashdan, Ed Kasprowicz, John Kearney, Barbara Keidan, Richard Kozlow,
Allen Leepa, Rita Letendre, William Lewis, Leslie Loomis-Vansen, Clifton McChesney, Thomas McClure, Harry Mintz, Albert Noyer, Elliot Offner, John Pappas, Robert Parker, Richard Pepitone, James Pinto, Linda Plotkin, Steve Poleskie, Edward Pramuk, Renée Rauzy, Louis Redstone, Romanos Rizk, Clare Romano, John Ross, Jean Rouzaud, Stephen Rymph, Marlis Saunders, Leonard Schwartz, Tom Seawell, Ben and Bernarda Bryson Shahn, David Sharp, Fred Simper, Don Snyder, Jo Snyder, Nancy S. Stanford, Romeo Tabuena, David Tammany, Ann Taylor, Cledie Taylor, Russel Thayer, Lynn Tillery, Richard Treaster, John Van Haren, Emil Weddige, Derek Werwiter, Sol Wilson, Alex Wyse, Adja Yunkers, and David Zelman.
Subject files, 1963-1981, are on galleries, cities, styles of art, organizations and other topics.
Correspondence consists of Lester Arwin's personal correspondence, 1959-1980, and business correspondence, 1958-1981. Art works include greeting cards, paintings, sketches and prints. One reel of motion picture film and two reels of photonegatives are of the 1963 gallery fire. Photographs and slides are of Lester and Kathleen Arwin, their family and friends, gallery installations and openings, art works by Irma Cavat, John Kearney and others, and portraits of artists, including Ben Shahn and Richard Kozlow. Printed material, 1956-1980, consists of clippings, exhibition announcements and a sample book of prints CE CARACATURE NOEL, 1956.
Also found are notes for speeches by Lester Arwin; news releases; business and financial records, 1960-1981, regarding appraisals, framers, graphics companies, insurance, loans and sales, and including a ledger and an inventory made after the 1963 fire.
