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Alfred J. Frueh papers, 1904-2010

Alfred J. Frueh papers, 1904-2010

Frueh, Alfred Joseph, 1880-1968

Cartoonist, Painter, Designer, Illustrator

This site provides access to the papers of Alfred Joseph Frueh in the Archives of American Art that were digitized in 2005. The papers have been scanned in their entirety, and total 8,814 images.

Funding for the digitization of this collection was provided by the Terra Foundation for American Art.

Collection Information

Size: 5.3 linear feet

Summary: The papers of caricaturist and illustrator Alfred J. Frueh measure 5.3 linear feet and date from 1904-2010. These papers consist of biographical information, including a sound recording of reminiscences about Frueh by his children; correspondence that includes many illustrated letters and greeting cards; notes and writings; numerous caricature sketches, cartoons, and 25 sketchbooks by Frueh; printed material; and photographs of Frueh and his artwork.

Biographical materials include birth, marriage, and death certificates, biographical notes, employment contracts, obituaries, and legal papers concerning patents and license agreements for toy animals and sheet material sculpture. Also included is a 1993 sound recording of Frueh's children reminiscing about their father. Correspondence consists mainly of incoming letters with a small number of interfiled replies drafted by Frueh.

Most of Frueh's surviving outgoing letters are addressed to Giuliette Fanciulli (whom he married in 1913), her parents, and his sister Minnie Frueh. Many of the letters to Giuliette and other family members are illustrated. Also included are a large number of greeting cards (mainly Christmas cards) containing original artwork, from friends, artists, writers, and colleagues. The correspondence concerns both personal and career matters. Notable correspondents are: George Gershwin, Robert Henri, Mr. and Mrs. Elie Nadelman, Eugene O'Neil, Walter and Magda Pach, New Yorker editor Harold Ross, and Alfred Stieglitz. Other letters document Frueh's interest in nut and fruit trees.

Among the notes and writings by Frueh are notes of ideas for art work, lists of caricature sketches, lists of plays and their casts, and 8 address books kept by Alfred and Giuliette Frueh and by Giuliette and her mother. Also included are 6 notebooks of miscellaneous jottings. Notes and writings by other authors consist of lists of caricature sketches, a poem by an unknown writer, and 13 short stories by "Joe" with 6 illustrations by Frueh.

Artwork by Frueh comprises the largest series. It consists mainly of caricature sketches, mostly theatrical, but some political, with a few of himself, his wife Giuliette, and their personal friends. In addition, there are various sketches, drawings, designs, prints, watercolors, cartoons, book covers, greeting cards, paper sculptures, pop-ups, and cut-outs. Also included are patterns for greeting cards, lamp bases and a shade, magic squares, paper sculptures, sheet material sculptures, toy animals, and wallpaper. There are also 25 sketchbooks, a DVD containing a slideshow presentation of 1600 images from the sketchbooks, and 3 caricatures of Frueh drawn by other artists.

Among the printed material are articles by and about Frueh; book covers and book jackets, magazine covers, invitations, announcements, and a program cover designed by Frueh; caricatures, cartoons, and illustrations by Frueh; exhibition catalogs and announcements of Frueh's solo and group shows; and miscellaneous printed material.

Photographs consist of a studio portrait and informal snapshots of Alfred Frueh and a photograph of his daughter Barbara as a young child. Photographs of artwork by Frueh include images of his caricatures, lamp bases, paper sculptures, and toy animals.

Biographical/Historical Note

Alfred J. Frueh (1880-1968) worked primarily in New York and was best known for his caricatures of theater personalities that appeared in The New Yorker from 1925 through 1962. In addition, he was a cartoonist, illustrator, painter, and designer of children's furniture, toys, pop-ups, and cut-outs.

Provenance

The Alfred J. Frueh papers were the gift of his children, Barbara Frueh Bornemann, Alfred J. Frueh, Jr., and Robert Frueh, in 1993 and 1997. An addition of 25 sketchbooks and other materials were given by his grandson Stephen Bornemann in 2011.

Funding

Funding for the digitization of this collection was provided by the Terra Foundation for American Art.

A Finding Aid to the Alfred J. Frueh Papers,
1904-2010
, in the Archives of American Art
AAA.fruealfr
Biographical/Historical note
Alfred J. Frueh (1880-1968) worked primarily in New York and was best known for his caricatures of theater personalities that appeared in
The New Yorker
from 1925 through 1962. In addition, he was a cartoonist, illustrator, painter, and designer of children's furniture, toys, pop-ups, and cut-outs.
Upon graduation from the Lima Business College in his native Lima, Ohio, Al Frueh (pronounced "free") began farming and working in his father's brewery. He moved to St. Louis to live with relatives, and from 1904-1908 worked in the art department of the
St. Louis Post-Dispatch
. Frueh's 1907 cartoon of Fritzi Scheff, published in the
St. Louis Post Dispatch
, so outraged the music-hall star that her St. Louis performance was cancelled and the attendant publicity made Frueh a celebrity.
Frueh traveled to Paris, London, Rome, Munich, Berlin, and Madrid in 1908 and 1909. During this period, he studied at various art schools in Paris, receiving instruction from Theophile Steinlen, Lucien Simon, Naudin, and Henri Matisse. Upon his return to the United States, Frueh settled in New York City. His tenure at
The World
was interrupted by a return trip to Europe lasting from late 1912 until late 1914. While abroad, he married Giuliette Fanciulli, whom he had met in New York. He remained with
The World
for another ten years, also producing other work for publication and exhibition. With a young family, Frueh wanted a less hectic life and decided to switch from a daily publication to a weekly one. Thus began his affiliation with a newly established periodical,
The New Yorker
. Frueh's work appeared in its 1925 debut issue until his retirement in 1962. Mostly he contributed caricatures for the theater section, but he also produced cover designs, illustrations, and on occasion wrote brief pieces for the "Talk of the Town" and "Notes and Comments" sections. In 1926, Frueh moved his family to a farm in Sharon, Connecticut, where he seriously pursued a longstanding hobby of growing fruit and nut trees.
Alfred J. Frueh died in Sharon, Connecticut, in 1968, after a long illness.
Arrangement note
The collection is arranged into six series:
Series 1: Biographical Materials, 1909-1993 (Box 1; 8 folders)
Series 2: Correspondence, circa 1909-1968 (Boxes 1-2, OV 7; 1.2 linear feet)
Series 3: Notes and Writings, circa 1912-1963 (Box 2; 10 folders)
Series 4: Artwork, circa 1906-2010 (Boxes 2-4, 6, OV 8-9; 1.7 linear feet)
Series 5: Printed Material, 1904-1986 (Boxes 4-5, 6, OV 10-11; 0.8 linear feet)
Series 6: Photographs, circa 1919-circa 1960 (Box 5; 6 folders)
Provenance
The Alfred J. Frueh papers were the gift of his children, Barbara Frueh Bornemann, Alfred J. Frueh, Jr., and Robert Frueh, in 1993 and 1997. An addition of 25 sketchbooks and other materials were given by his grandson Stephen Bornemann in 2011.
Processing Information note
The collection was fully processed and described by Catherine S. Gaines in 2005. The collection was prepared for digitization in 2011 by Judy Ng and fully digitized in 2012 with funding provided by the Terra Foundation for American Art.

Additional Forms Available

The bulk of the collection was digitized in 2011 and is available via the Archives of American Art's website. Blank pages, blank versos of photographs, photographs of artwork, duplicates, and exhibition catalogs of other artists have not been scanned. In most cases, the cover, title page, and individual relevant pages have been scanned from published materials.

The sound recording in this collection was digitized for research access in 2011 and is available at the Archives of American Art offices. Researchers may view the original cassette for the archival notations on them, but the original cassette is not available for playback due to fragility.

Restrictions on Access

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.

How to Cite This Collection

Alfred J. Frueh papers, 1904-2010. Archives of American Art, Smithsonian Institution.

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