Alan R. Solomon papers, 1907-1970, bulk bulk 1944-1970

Series includes many of Solomon's writings on art and artists, such as essays ultimately published in exhibition catalogs, and/or magazines and journals, as well as notes used in the course of his writing, which date back to his time as a student and teaching assistant.

At the beginning of the series is a bibliography of Solomon's writings with a set of related notes on index cards, compiled circa 1969. Articles and essays include writings on individual artists such as Jim Dine, Jasper Johns, Robert Rauschenberg, and Andy Warhol, and on the changing American art scene, including "New York: The Second Breakthrough," and "The New American Art," many of which were ultimately published in exhibition catalogs. Published catalogs are housed with the corresponding manuscript drafts where such records exist.

The series also includes drafts of Solomon's text for the book New York: The New Art Scene, in addition to the book's dust jacket, a section of the published book (pages 225-256), and prints of photographs, and photocopies of photographs, taken by Ugo Mulas for the book. Subjects include Lee Bontecou, John Chamberlain, Marcel Duchamp, Jasper Johns and Tatyana Grosman, Frederick Kiesler with Baby Jane Holzer and Andy Warhol, Debby Hay, the New York Police stopping a dance party at Andy Warhol's Factory, Claes and Patty Oldenburg, Robert Rauschenberg, and Andy Warhol in his studio with Philip Fagan and Gerard Malanga.

Also found are three bound volumes containing what appear to be related typescripts and notes, possibly representing a book Solomon was working on, with the title "Romanzo."

Typescripts of five lectures from the 1950s are followed by university writings, including Solomon's honors thesis on Odilon Redon, and his dissertation on Pablo Picasso. Published catalogs and other writings include published articles or catalogs with introductions written by Solomon, such as those for two exhibitions at the Andrew Dickson White Museum of Art, Picasso: The Graphic Work (1959) andFantasy in the Prints of Goya (1960); a catalog for a 1965 Mary Baumeister exhibition; an article by Solomon entitled "Bennington Artists: The Green Mountain Boys," published in the August 1966 issue of Vogue; and the catalog for Tony Delap: The Last Five Years, 1963-1968 (1969) at Felix Landau Gallery.

Notes include what appear to be seven sets of index cards, four on various artists and other subjects, arranged alphabetically, and three on the individual subjects of Picasso, Van Gogh, and Vuillard. Also found are notes on American architecture, Chinese art, and other miscellaneous subjects, and a notebook which includes drafts of letters concerning day-to-day business and work on exhibitions, includingAmerican Painting Now.

Series is organized by type of writing in the following order: articles and essays, including those ultimately published, books, lectures, university writings, and notes. Folders are arranged alphabetically by title within those groupings.

The bulk of this series has been scanned with the exception of: duplicates; the full text of some catalogs and other printed material for which only the covers and/or pages relevant to Solomon's writing, have been scanned; and portions of the "Romanzo" typescripts a non-art-related manuscript of which only a sample has been scanned.