Read the first-hand perspectives from the staff who preserve and document the history of the visual arts in America.
Guest author Patrica Ortega-Miranda explores how snapshots taken by painter Emilio Sanchez during on his many trips to the Caribbean influenced his artwork.
Matthew Simms, the Gerald and Bente Buck West Coast Collector, highlights the Chiura Obata Papers, recently acquired by the Archives. The following essay was originally published in the Spring 2020 issue (vol. 59, no. 1) of the Archives of American Art Journal.
Curator of manuscripts Mary Savig highlights the Athena Tacha Papers, recently acquired by the Archives of American Art. The following essay was originally published in the Spring 2020 issue (vol. 59, no. 1) of the Archives of American Art Journal.
Curator of African American manuscripts Erin Jenoa Gilbert highlights the Charles W. and Frances Barrett White Letters and Photographs to Melvin and Lorraine Williamson, recently acquired by the Archives of American Art. The following essay was originally published in the Spring 2020 issue (vol. 59, no. 1) of the Archives of American Art Journal.
Liza Zapol, the Robert and Arlene Kogod Secretarial Scholar in Oral History, highlights the oral history interview she conducted with Martha Wilson. The following essay was originally published in the Fall 2019 issue (vol. 58, no. 2) of the Archives of American Art Journal.
Internship, fellowship, and volunteer opportunities provide students and lifelong learners with the ability to contribute to the study and preservation of visual arts records in America.
You can help make digitized historical documents more findable and useful by transcribing their text.
Visit the Archives of American Art project page in the Smithsonian Transcription Center now.
